Hãy coi trọng trí tưởng tượng – Janet Echelman

Taking imagination seriously - Janet Echelman
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Taking imagination seriously - Janet Echelman

 


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[Applause] [Applause] this<00:00:17.480> story<00:00:18.279> is<00:00:18.439> about<00:00:18.760> taking<00:00:19.480> imagination this story is about taking imagination this story is about taking imagination seriously<00:00:22.160> 14<00:00:22.720> years<00:00:23.000> ago<00:00:23.720> I<00:00:23.840> first seriously 14 years ago I first seriously 14 years ago I first encountered<00:00:24.760> this<00:00:24.960> ordinary<00:00:25.519> material encountered this ordinary material encountered this ordinary material fishnet<00:00:26.840> used<00:00:27.119> the<00:00:27.279> same<00:00:27.480> way<00:00:27.679> for fishnet used the same way for fishnet used the same way for centuries<00:00:29.519> today centuries today centuries today I'm<00:00:30.720> using<00:00:31.000> it<00:00:31.160> to<00:00:31.320> create<00:00:31.840> permanent I'm using it to create permanent I'm using it to create permanent billowing<00:00:32.920> voluptuous<00:00:33.600> forms<00:00:34.559> the<00:00:34.760> scale<00:00:35.120> of billowing voluptuous forms the scale of billowing voluptuous forms the scale of hard<00:00:35.640> edged<00:00:36.040> buildings<00:00:36.559> in<00:00:36.840> cities<00:00:37.239> around hard edged buildings in cities around hard edged buildings in cities around the the the world<00:00:39.719> I<00:00:39.800> was<00:00:39.960> an<00:00:40.160> unlikely<00:00:41.000> person<00:00:41.320> to<00:00:41.440> be world I was an unlikely person to be world I was an unlikely person to be doing<00:00:42.079> this<00:00:42.559> I<00:00:42.719> never<00:00:43.000> studied<00:00:43.600> sculpture doing this I never studied sculpture doing this I never studied sculpture engineering<00:00:45.120> or<00:00:45.760> architecture<00:00:46.760> in<00:00:46.920> fact engineering or architecture in fact engineering or architecture in fact after<00:00:47.480> college<00:00:47.840> I<00:00:47.960> applied<00:00:48.320> to<00:00:48.520> seven<00:00:48.800> art after college I applied to seven art after college I applied to seven art schools<00:00:50.280> and<00:00:50.440> was<00:00:50.640> rejected<00:00:51.239> by<00:00:51.480> all schools and was rejected by all schools and was rejected by all seven<00:00:54.440> I<00:00:54.520> went<00:00:54.719> off<00:00:54.879> on<00:00:55.039> my<00:00:55.199> own<00:00:55.399> to<00:00:55.600> become<00:00:55.879> an seven I went off on my own to become an seven I went off on my own to become an artist<00:00:57.039> and<00:00:57.199> I<00:00:57.519> painted<00:00:58.519> for<00:00:58.800> 10<00:00:59.199> years artist and I painted for 10 years artist and I painted for 10 years when<00:01:00.879> I<00:01:01.000> was<00:01:01.160> offered<00:01:01.440> a<00:01:01.600> fbite<00:01:02.239> to when I was offered a fbite to when I was offered a fbite to India<00:01:04.040> promising<00:01:04.479> to<00:01:04.640> give<00:01:04.879> exhibitions<00:01:05.400> of India promising to give exhibitions of India promising to give exhibitions of paintings<00:01:06.240> I<00:01:06.320> shipped<00:01:06.680> my<00:01:06.880> paints<00:01:07.159> and paintings I shipped my paints and paintings I shipped my paints and arrived<00:01:07.680> in<00:01:07.880> mahabali<00:01:08.520> purum<00:01:09.280> the<00:01:09.439> deadline arrived in mahabali purum the deadline arrived in mahabali purum the deadline for<00:01:09.960> the<00:01:10.040> show<00:01:10.520> arrived<00:01:11.520> my<00:01:11.720> paints for the show arrived my paints for the show arrived my paints didn't<00:01:14.560> I<00:01:14.680> had<00:01:14.799> to<00:01:14.960> do<00:01:15.200> something<00:01:15.600> this didn't I had to do something this didn't I had to do something this fishing<00:01:16.200> Village<00:01:16.600> was<00:01:16.880> famous<00:01:17.240> for<00:01:17.479> sculpture fishing Village was famous for sculpture fishing Village was famous for sculpture so<00:01:18.400> I<00:01:18.520> tried<00:01:18.840> bronze<00:01:19.479> casting<00:01:20.479> but<00:01:20.600> to<00:01:20.759> make so I tried bronze casting but to make so I tried bronze casting but to make large<00:01:21.240> forms<00:01:21.640> was<00:01:21.799> too<00:01:22.119> heavy<00:01:22.600> and<00:01:23.119> expensive large forms was too heavy and expensive large forms was too heavy and expensive I<00:01:24.200> went<00:01:24.360> for<00:01:24.520> a<00:01:24.680> walk<00:01:24.880> on<00:01:25.000> the<00:01:25.159> beach<00:01:26.000> watching I went for a walk on the beach watching I went for a walk on the beach watching the<00:01:26.479> fishermen<00:01:26.960> bundle<00:01:27.360> their<00:01:27.520> Nets<00:01:27.840> into the fishermen bundle their Nets into the fishermen bundle their Nets into Mounds<00:01:28.520> on<00:01:28.680> the<00:01:28.880> sand<00:01:30.000> I'd<00:01:30.159> seen<00:01:30.439> it<00:01:30.880> every<00:01:31.320> day Mounds on the sand I'd seen it every day Mounds on the sand I'd seen it every day but<00:01:32.079> this<00:01:32.280> time<00:01:32.439> I<00:01:32.560> saw<00:01:32.799> it<00:01:33.079> differently<00:01:34.079> a<00:01:34.240> new but this time I saw it differently a new but this time I saw it differently a new approach<00:01:34.880> to<00:01:35.079> sculpture<00:01:35.840> a<00:01:36.040> way<00:01:36.399> to<00:01:36.560> make approach to sculpture a way to make approach to sculpture a way to make volumetric<00:01:37.560> form<00:01:38.439> without<00:01:38.799> heavy<00:01:39.159> solid volumetric form without heavy solid volumetric form without heavy solid materials<00:01:41.799> my<00:01:42.119> first<00:01:42.560> satisfying<00:01:43.240> sculpture materials my first satisfying sculpture materials my first satisfying sculpture was<00:01:44.119> made<00:01:44.320> in<00:01:44.520> collaboration<00:01:45.240> with<00:01:45.399> these was made in collaboration with these was made in collaboration with these fisherman<00:01:47.079> it's<00:01:47.240> a<00:01:47.360> self-portrait<00:01:48.280> titled fisherman it's a self-portrait titled fisherman it's a self-portrait titled wide



hips<00:01:54.600> we<00:01:54.799> hoisted<00:01:55.240> them<00:01:55.360> on<00:01:55.600> poles<00:01:55.960> to
hips we hoisted them on poles to hips we hoisted them on poles to photograph<00:01:58.439> I<00:01:58.799> discovered<00:01:59.399> their<00:01:59.840> soft photograph I discovered their soft photograph I discovered their soft surfaces<00:02:01.360> revealed<00:02:02.039> every<00:02:02.399> Ripple<00:02:02.840> of<00:02:03.000> wind surfaces revealed every Ripple of wind surfaces revealed every Ripple of wind in<00:02:03.880> constantly<00:02:04.560> changing<00:02:05.280> patterns<00:02:06.200> I<00:02:06.320> was in constantly changing patterns I was in constantly changing patterns I was mesmerized<00:02:08.800> I<00:02:08.920> continued<00:02:09.479> studying<00:02:09.959> craft mesmerized I continued studying craft mesmerized I continued studying craft traditions<00:02:11.520> and<00:02:11.680> collaborating<00:02:12.280> with traditions and collaborating with traditions and collaborating with Artisans<00:02:13.120> next<00:02:13.520> in<00:02:13.680> Lithuania<00:02:14.360> with<00:02:14.480> lace Artisans next in Lithuania with lace Artisans next in Lithuania with lace makers<00:02:16.040> I<00:02:16.160> liked<00:02:16.519> the<00:02:16.680> fine<00:02:17.080> detail<00:02:17.519> it<00:02:17.720> gave makers I liked the fine detail it gave makers I liked the fine detail it gave my<00:02:18.480> work<00:02:19.480> but<00:02:19.640> I<00:02:19.720> wanted<00:02:20.040> to<00:02:20.200> make<00:02:20.440> them<00:02:20.640> larger my work but I wanted to make them larger my work but I wanted to make them larger to<00:02:21.400> shift<00:02:21.800> from<00:02:21.959> being<00:02:22.160> an<00:02:22.480> object<00:02:22.840> you<00:02:23.080> look to shift from being an object you look to shift from being an object you look at<00:02:23.959> to<00:02:24.239> something<00:02:24.599> you<00:02:24.760> could<00:02:24.959> get<00:02:25.239> lost<00:02:26.080> in at to something you could get lost in at to something you could get lost in returning<00:02:27.560> to<00:02:27.760> India<00:02:28.080> to<00:02:28.239> work<00:02:28.440> with<00:02:28.599> those returning to India to work with those returning to India to work with those fishermen<00:02:29.879> we<00:02:30.000> made<00:02:30.200> a<00:02:30.400> net<00:02:30.879> of<00:02:31.040> a<00:02:31.239> million<00:02:31.720> and fishermen we made a net of a million and fishermen we made a net of a million and a<00:02:32.160> half<00:02:32.599> handtied



knots<00:02:36.959> installed<00:02:37.560> briefly<00:02:38.280> in<00:02:38.720> Madrid
knots installed briefly in Madrid knots installed briefly in Madrid thousands<00:02:40.239> of<00:02:40.440> people<00:02:40.680> saw<00:02:41.040> it<00:02:42.040> and<00:02:42.319> one<00:02:42.480> of thousands of people saw it and one of thousands of people saw it and one of them<00:02:43.159> was<00:02:43.319> the<00:02:43.480> urbanist<00:02:44.159> Manuel<00:02:44.640> solom them was the urbanist Manuel solom them was the urbanist Manuel solom Morales<00:02:46.120> who<00:02:46.280> was<00:02:46.440> redesigning<00:02:47.040> the Morales who was redesigning the Morales who was redesigning the Waterfront<00:02:47.800> in<00:02:48.000> Porto Waterfront in Porto Waterfront in Porto Portugal<00:02:50.840> he<00:02:51.080> asked<00:02:51.360> if<00:02:51.519> I<00:02:51.599> could<00:02:51.760> build<00:02:52.040> this Portugal he asked if I could build this Portugal he asked if I could build this as<00:02:52.319> a<00:02:52.519> permanent<00:02:52.959> piece<00:02:53.200> for<00:02:53.360> the<00:02:53.599> city<00:02:54.599> I as a permanent piece for the city I as a permanent piece for the city I didn't<00:02:55.040> know<00:02:55.280> if<00:02:55.440> I<00:02:55.560> could<00:02:55.800> do<00:02:56.080> that<00:02:56.400> and didn't know if I could do that and didn't know if I could do that and preserve<00:02:57.080> my<00:02:57.280> art preserve my art preserve my art durable<00:02:59.879> engineered<00:03:00.840> permanent<00:03:01.680> those<00:03:01.800> are durable engineered permanent those are durable engineered permanent those are in<00:03:02.200> opposition<00:03:02.760> to<00:03:03.400> idiosyncratic<00:03:04.400> delicate in opposition to idiosyncratic delicate in opposition to idiosyncratic delicate and and and ephemeral<00:03:08.120> for<00:03:08.319> two<00:03:08.560> years<00:03:08.879> I<00:03:09.000> searched<00:03:09.440> for<00:03:09.640> a ephemeral for two years I searched for a ephemeral for two years I searched for a fiber<00:03:11.120> that<00:03:11.360> could<00:03:11.680> survive<00:03:12.440> ultraviolet fiber that could survive ultraviolet fiber that could survive ultraviolet rays<00:03:13.560> Salt<00:03:14.040> Air<00:03:15.000> Pollution<00:03:15.959> and<00:03:16.120> at<00:03:16.239> the<00:03:16.360> same rays Salt Air Pollution and at the same rays Salt Air Pollution and at the same time<00:03:16.879> remained<00:03:17.239> soft<00:03:17.760> enough<00:03:18.120> to<00:03:18.280> move time remained soft enough to move time remained soft enough to move fluidly<00:03:19.200> in<00:03:19.319> the<00:03:19.640> wind<00:03:20.640> we<00:03:20.760> needed<00:03:21.120> something fluidly in the wind we needed something fluidly in the wind we needed something to<00:03:21.560> hold<00:03:21.799> the<00:03:21.920> net<00:03:22.200> up<00:03:22.440> out<00:03:22.640> there<00:03:22.799> in<00:03:22.920> the to hold the net up out there in the to hold the net up out there in the middle<00:03:23.280> of<00:03:23.400> the<00:03:23.519> traffic<00:03:24.000> circle<00:03:24.799> so<00:03:25.000> we middle of the traffic circle so we middle of the traffic circle so we raised<00:03:25.560> this<00:03:26.319> 45,000<00:03:27.319> lb<00:03:27.720> steel raised this 45,000 lb steel raised this 45,000 lb steel ring<00:03:29.879> we<00:03:30.040> had<00:03:30.159> to<00:03:30.360> engineer<00:03:30.920> it<00:03:31.439> to<00:03:31.640> move ring we had to engineer it to move ring we had to engineer it to move gracefully<00:03:32.640> in<00:03:32.760> an<00:03:33.000> average<00:03:33.439> Breeze<00:03:34.159> and gracefully in an average Breeze and gracefully in an average Breeze and survive<00:03:34.760> in<00:03:34.920> Hurricane<00:03:35.959> winds<00:03:36.959> but<00:03:37.159> there<00:03:37.400> was survive in Hurricane winds but there was survive in Hurricane winds but there was no<00:03:37.959> engineering<00:03:38.640> software<00:03:39.439> to<00:03:39.640> model no engineering software to model no engineering software to model something<00:03:40.480> porous<00:03:41.319> and something porous and something porous and moving<00:03:44.239> I<00:03:44.360> found<00:03:44.599> a<00:03:44.840> brilliant<00:03:45.400> aeronautical moving I found a brilliant aeronautical moving I found a brilliant aeronautical engineer<00:03:47.040> who<00:03:47.239> designed<00:03:47.640> sales<00:03:48.080> for engineer who designed sales for engineer who designed sales for America's<00:03:48.840> Cup<00:03:49.159> racing<00:03:49.560> Yachts<00:03:50.120> named<00:03:50.400> Peter America's Cup racing Yachts named Peter America's Cup racing Yachts named Peter heel<00:03:52.519> he<00:03:52.640> helped<00:03:52.879> me<00:03:53.120> tackle<00:03:53.519> the<00:03:53.720> twin heel he helped me tackle the twin heel he helped me tackle the twin challenges<00:03:54.799> of<00:03:55.120> precise challenges of precise challenges of precise shape<00:03:57.280> and<00:03:57.519> gentle shape and gentle shape and gentle movement<00:04:00.079> I<00:04:00.200> couldn't<00:04:00.480> build<00:04:00.799> this<00:04:01.000> the<00:04:01.120> way<00:04:01.280> I movement I couldn't build this the way I movement I couldn't build this the way I knew<00:04:01.840> because<00:04:02.159> hand<00:04:02.519> tied<00:04:02.760> knots<00:04:03.040> weren't knew because hand tied knots weren't knew because hand tied knots weren't going<00:04:03.400> to<00:04:03.599> withstand<00:04:04.079> a<00:04:04.480> hurricane<00:04:05.480> so<00:04:05.680> I going to withstand a hurricane so I going to withstand a hurricane so I developed<00:04:06.200> a<00:04:06.360> relationship<00:04:07.200> with<00:04:07.360> an developed a relationship with an developed a relationship with an industrial<00:04:08.200> fishnet<00:04:08.879> Factory<00:04:09.799> learned<00:04:10.239> the industrial fishnet Factory learned the industrial fishnet Factory learned the variables<00:04:10.840> of<00:04:11.000> their<00:04:11.200> machines<00:04:12.040> and<00:04:12.239> figured variables of their machines and figured variables of their machines and figured out<00:04:12.680> a<00:04:12.879> way<00:04:13.280> to<00:04:13.480> make<00:04:13.720> lace<00:04:14.200> with out a way to make lace with out a way to make lace with them<00:04:17.079> there<00:04:17.239> was<00:04:17.479> no<00:04:17.919> language<00:04:18.919> to<00:04:19.280> translate them there was no language to translate them there was no language to translate this<00:04:20.479> ancient<00:04:21.360> idiosyncratic<00:04:22.360> handcraft this ancient idiosyncratic handcraft this ancient idiosyncratic handcraft into<00:04:23.320> something<00:04:23.680> machine<00:04:24.160> operators<00:04:24.720> could into something machine operators could into something machine operators could produce<00:04:26.280> so<00:04:26.440> we<00:04:26.600> had<00:04:26.759> to<00:04:26.960> create<00:04:27.400> one<00:04:28.400> 3<00:04:28.960> years produce so we had to create one 3 years produce so we had to create one 3 years and<00:04:30.160> two<00:04:30.479> children and two children and two children later<00:04:32.600> we<00:04:32.759> raised<00:04:33.199> this<00:04:33.440> 50,000<00:04:34.280> square<00:04:34.720> foot later we raised this 50,000 square foot later we raised this 50,000 square foot lace<00:04:35.680> net<00:04:36.680> it<00:04:36.800> was<00:04:37.039> hard<00:04:37.240> to<00:04:37.360> believe<00:04:38.360> that lace net it was hard to believe that lace net it was hard to believe that what<00:04:38.680> I<00:04:38.840> had<00:04:39.080> imagined<00:04:39.639> was<00:04:39.840> now<00:04:40.400> built what I had imagined was now built what I had imagined was now built permanent<00:04:42.840> and<00:04:43.000> had<00:04:43.160> lost<00:04:43.479> nothing<00:04:43.800> in



Translation<00:04:50.360> this<00:04:50.560> intersection<00:04:51.199> had<00:04:51.360> been
Translation this intersection had been Translation this intersection had been Bland<00:04:51.960> and<00:04:52.600> Anonymous<00:04:53.600> now<00:04:53.960> it<00:04:54.120> had<00:04:54.280> a<00:04:54.479> sense Bland and Anonymous now it had a sense Bland and Anonymous now it had a sense of of of place<00:04:57.199> I<00:04:57.320> walked<00:04:57.639> underneath<00:04:58.120> it<00:04:58.280> for<00:04:58.520> the place I walked underneath it for the place I walked underneath it for the first<00:04:59.120> time first time first time as<00:05:00.600> I<00:05:00.840> watched<00:05:01.240> the<00:05:01.440> wind's<00:05:02.000> choreography as I watched the wind's choreography as I watched the wind's choreography unfold<00:05:03.960> I<00:05:04.120> felt<00:05:04.680> sheltered<00:05:05.680> and<00:05:05.880> at<00:05:06.039> the<00:05:06.199> same unfold I felt sheltered and at the same unfold I felt sheltered and at the same time<00:05:06.919> connected<00:05:07.520> to<00:05:07.800> Limitless<00:05:08.960> Sky<00:05:09.960> my<00:05:10.199> life time connected to Limitless Sky my life time connected to Limitless Sky my life was<00:05:10.720> not<00:05:10.960> going<00:05:11.160> to<00:05:11.320> be<00:05:11.560> the



[Music]
[Music] [Music] same<00:05:21.199> I<00:05:21.280> want<00:05:21.400> to<00:05:21.639> create<00:05:22.039> these<00:05:22.319> oases<00:05:23.000> of same I want to create these oases of same I want to create these oases of sculpture<00:05:24.080> in<00:05:24.360> spaces<00:05:24.960> of<00:05:25.240> cities<00:05:25.680> around<00:05:26.000> the sculpture in spaces of cities around the sculpture in spaces of cities around the world<00:05:27.160> I'm<00:05:27.280> going<00:05:27.400> to<00:05:27.520> share<00:05:28.400> two<00:05:28.680> directions world I'm going to share two directions world I'm going to share two directions that<00:05:29.280> are<00:05:29.560> knew<00:05:29.720> in<00:05:29.880> my that are knew in my that are knew in my work<00:05:31.880> Historic<00:05:32.560> Philadelphia<00:05:33.280> city<00:05:33.639> hall<00:05:34.280> its work Historic Philadelphia city hall its work Historic Philadelphia city hall its Plaza<00:05:35.039> I<00:05:35.120> felt<00:05:35.400> needed<00:05:35.680> a<00:05:36.000> material<00:05:36.560> for Plaza I felt needed a material for Plaza I felt needed a material for sculpture<00:05:37.560> that<00:05:37.720> was<00:05:38.000> lighter<00:05:38.400> than<00:05:39.000> netting sculpture that was lighter than netting sculpture that was lighter than netting so<00:05:40.240> we<00:05:40.440> experimented<00:05:41.160> with<00:05:41.479> tiny<00:05:41.880> atomized so we experimented with tiny atomized so we experimented with tiny atomized water<00:05:42.759> particles<00:05:43.560> to<00:05:43.759> create<00:05:44.039> a<00:05:44.360> dry<00:05:44.960> Mist water particles to create a dry Mist water particles to create a dry Mist that<00:05:45.960> is<00:05:46.080> shaped<00:05:46.520> by<00:05:46.639> the<00:05:47.080> wind<00:05:48.080> and<00:05:48.280> in that is shaped by the wind and in that is shaped by the wind and in testing<00:05:49.120> discovered<00:05:49.360> it<00:05:49.479> can<00:05:49.639> be<00:05:49.759> shaped<00:05:50.240> by testing discovered it can be shaped by testing discovered it can be shaped by people<00:05:51.440> who<00:05:51.560> can<00:05:51.800> interact<00:05:52.520> and<00:05:52.680> move<00:05:52.919> through people who can interact and move through people who can interact and move through it<00:05:53.280> without<00:05:53.680> getting<00:05:54.240> wet<00:05:55.240> I'm<00:05:55.400> using<00:05:55.840> this it without getting wet I'm using this it without getting wet I'm using this sculpture<00:05:56.560> material<00:05:57.440> to<00:05:58.240> trace<00:05:58.759> the<00:05:58.960> paths<00:05:59.280> of sculpture material to trace the paths of sculpture material to trace the paths of subway<00:06:00.039> trains<00:06:00.560> above<00:06:00.960> ground<00:06:01.520> in<00:06:01.800> real subway trains above ground in real subway trains above ground in real time<00:06:04.479> like<00:06:04.680> an<00:06:04.919> x-ray<00:06:05.400> of<00:06:05.560> the<00:06:05.680> city's time like an x-ray of the city's time like an x-ray of the city's circulatory<00:06:06.960> system



unfolding<00:06:12.520> next<00:06:13.319> challenge<00:06:14.319> the<00:06:14.520> banial<00:06:15.039> of
unfolding next challenge the banial of unfolding next challenge the banial of the<00:06:15.280> Americas<00:06:15.759> in<00:06:15.919> Denver<00:06:16.400> asked<00:06:16.800> could<00:06:17.000> I the Americas in Denver asked could I the Americas in Denver asked could I represent<00:06:17.960> the<00:06:18.160> 35<00:06:18.880> nations<00:06:19.280> of<00:06:19.479> the<00:06:19.639> Western represent the 35 nations of the Western represent the 35 nations of the Western Hemisphere<00:06:20.680> and<00:06:20.840> their<00:06:21.160> interconnectedness Hemisphere and their interconnectedness Hemisphere and their interconnectedness in<00:06:22.280> a



sculpture<00:06:27.000> I<00:06:27.080> didn't<00:06:27.360> know<00:06:27.599> where<00:06:27.800> to<00:06:28.039> begin
sculpture I didn't know where to begin sculpture I didn't know where to begin but<00:06:29.039> I<00:06:29.160> said<00:06:29.880> yes<00:06:30.880> I<00:06:31.000> read<00:06:31.240> about<00:06:31.440> the<00:06:31.599> recent but I said yes I read about the recent but I said yes I read about the recent earthquake<00:06:32.400> in earthquake in earthquake in Chile<00:06:34.280> and<00:06:34.400> the<00:06:34.560> tsunami<00:06:35.080> that<00:06:35.199> rippled Chile and the tsunami that rippled Chile and the tsunami that rippled across<00:06:36.080> the<00:06:36.240> entire<00:06:36.680> Pacific<00:06:37.080> Ocean<00:06:38.080> it across the entire Pacific Ocean it across the entire Pacific Ocean it shifted<00:06:38.800> the<00:06:38.919> earth's<00:06:39.360> tectonic<00:06:40.039> plates<00:06:40.880> sped shifted the earth's tectonic plates sped shifted the earth's tectonic plates sped up<00:06:41.479> the<00:06:41.680> planet's<00:06:42.199> rotation<00:06:43.080> and<00:06:43.280> literally up the planet's rotation and literally up the planet's rotation and literally shortened<00:06:44.240> the<00:06:44.400> length<00:06:44.759> of<00:06:44.919> the<00:06:45.199> day<00:06:46.199> so<00:06:46.440> I shortened the length of the day so I shortened the length of the day so I contacted<00:06:47.240> Noah<00:06:48.240> and<00:06:48.400> I<00:06:48.520> asked<00:06:48.800> if<00:06:48.919> they'd contacted Noah and I asked if they'd contacted Noah and I asked if they'd share<00:06:49.440> their<00:06:49.720> data<00:06:50.039> on<00:06:50.160> the<00:06:50.560> tsunami<00:06:51.560> and share their data on the tsunami and share their data on the tsunami and translated<00:06:52.479> it<00:06:53.039> into



this<00:06:57.280> it's<00:06:57.639> title<00:06:58.400> 1.26<00:06:59.680> refers<00:07:00.080> to<00:07:00.240> the
this it's title 1.26 refers to the this it's title 1.26 refers to the number<00:07:00.599> of<00:07:01.080> microseconds<00:07:02.080> that<00:07:02.199> the<00:07:02.319> Earth's number of microseconds that the Earth's number of microseconds that the Earth's day<00:07:03.039> was day was day was shortened<00:07:05.000> I<00:07:05.120> couldn't<00:07:05.440> build<00:07:05.840> this<00:07:06.199> with<00:07:06.319> a shortened I couldn't build this with a shortened I couldn't build this with a steel<00:07:06.800> ring<00:07:07.080> the<00:07:07.199> way<00:07:07.479> I<00:07:07.599> knew<00:07:08.319> its<00:07:08.520> shape<00:07:08.879> was steel ring the way I knew its shape was steel ring the way I knew its shape was too<00:07:09.479> complex<00:07:10.120> now<00:07:11.000> so<00:07:11.240> I<00:07:11.440> replaced<00:07:12.039> the<00:07:12.199> metal too complex now so I replaced the metal too complex now so I replaced the metal Armature<00:07:13.160> with<00:07:13.280> a<00:07:13.639> soft<00:07:14.160> fine<00:07:14.560> mesh<00:07:15.240> of<00:07:15.400> a Armature with a soft fine mesh of a Armature with a soft fine mesh of a fiber<00:07:16.080> 15<00:07:16.680> times<00:07:17.160> stronger<00:07:17.479> than fiber 15 times stronger than fiber 15 times stronger than steel<00:07:19.400> the<00:07:19.599> sculpture<00:07:20.240> could<00:07:20.520> now<00:07:20.759> be steel the sculpture could now be steel the sculpture could now be entirely<00:07:22.080> soft<00:07:23.039> which<00:07:23.199> made<00:07:23.440> it<00:07:23.680> so<00:07:24.039> light<00:07:24.479> it entirely soft which made it so light it entirely soft which made it so light it could<00:07:24.840> tie<00:07:25.120> into<00:07:25.560> existing could tie into existing could tie into existing buildings<00:07:27.759> literally<00:07:28.400> becoming<00:07:28.840> part<00:07:28.960> of<00:07:29.080> the buildings literally becoming part of the buildings literally becoming part of the fabric<00:07:29.800> of<00:07:29.960> the<00:07:30.319> city<00:07:31.319> there<00:07:31.479> was<00:07:31.720> no<00:07:32.440> software fabric of the city there was no software fabric of the city there was no software that<00:07:33.160> could<00:07:33.479> extrude<00:07:34.039> these<00:07:34.400> complex<00:07:34.919> net that could extrude these complex net that could extrude these complex net forms<00:07:35.800> and<00:07:35.960> model<00:07:36.319> them<00:07:36.520> with<00:07:36.720> gravity<00:07:37.680> so<00:07:37.879> we forms and model them with gravity so we forms and model them with gravity so we had<00:07:38.199> to<00:07:38.400> create had to create had to create it<00:07:40.599> then<00:07:40.759> I<00:07:40.879> got<00:07:41.000> a<00:07:41.199> call<00:07:41.479> from<00:07:41.680> New<00:07:41.840> York it then I got a call from New York it then I got a call from New York City<00:07:44.479> asking<00:07:44.840> if<00:07:44.960> I<00:07:45.080> could<00:07:45.360> adapt<00:07:45.800> these City asking if I could adapt these City asking if I could adapt these Concepts<00:07:47.440> to<00:07:47.720> Time<00:07:48.080> Square<00:07:49.080> or<00:07:49.319> the Concepts to Time Square or the Concepts to Time Square or the Highline<00:07:51.159> this<00:07:51.360> new<00:07:51.720> soft<00:07:52.479> structural<00:07:53.479> method Highline this new soft structural method Highline this new soft structural method enables<00:07:54.479> me<00:07:54.639> to<00:07:55.360> model<00:07:55.800> these<00:07:56.159> and<00:07:56.360> build enables me to model these and build enables me to model these and build these<00:07:57.080> sculptures<00:07:58.080> at<00:07:58.199> the<00:07:58.360> scale<00:07:58.599> of<00:07:58.759> skysc these sculptures at the scale of skysc these sculptures at the scale of skysc scrapers<00:08:01.319> they<00:08:01.440> don't<00:08:01.639> have<00:08:01.840> funding<00:08:02.400> yet<00:08:02.960> but scrapers they don't have funding yet but scrapers they don't have funding yet but I<00:08:03.919> dream<00:08:04.520> now<00:08:04.919> of<00:08:05.120> bringing<00:08:05.599> these<00:08:05.919> to<00:08:06.120> cities I dream now of bringing these to cities I dream now of bringing these to cities around<00:08:06.840> the<00:08:06.960> world<00:08:07.479> where<00:08:07.599> they're<00:08:07.919> most around the world where they're most around the world where they're most needed<00:08:11.360> 14<00:08:11.919> years<00:08:12.400> ago<00:08:13.400> I<00:08:13.560> search<00:08:13.960> for needed 14 years ago I search for needed 14 years ago I search for beauty<00:08:16.720> in<00:08:16.879> the<00:08:17.199> traditional<00:08:17.919> things<00:08:18.400> in beauty in the traditional things in beauty in the traditional things in craft



forms<00:08:23.879> now<00:08:24.120> I<00:08:24.319> combine<00:08:24.759> them<00:08:24.960> with<00:08:25.199> high-tech
forms now I combine them with high-tech forms now I combine them with high-tech materials<00:08:26.159> and materials and materials and Engineering<00:08:28.280> to<00:08:28.440> create<00:08:28.759> volup<00:08:29.440> billowing Engineering to create volup billowing Engineering to create volup billowing forms<00:08:30.639> the<00:08:30.800> scale<00:08:31.440> of forms the scale of forms the scale of buildings<00:08:34.240> my<00:08:34.479> artistic<00:08:35.080> Horizons<00:08:35.680> continue buildings my artistic Horizons continue buildings my artistic Horizons continue to<00:08:36.279> grow<00:08:37.039> I<00:08:37.279> leave<00:08:37.479> you<00:08:37.680> with<00:08:37.880> this<00:08:38.440> story<00:08:39.440> I to grow I leave you with this story I to grow I leave you with this story I got<00:08:39.719> a<00:08:39.880> call<00:08:40.120> from<00:08:40.279> a<00:08:40.399> friend<00:08:40.640> in got a call from a friend in got a call from a friend in Phoenix<00:08:42.959> an<00:08:43.159> attorney<00:08:43.560> in<00:08:43.680> the<00:08:43.880> office<00:08:44.159> who'd Phoenix an attorney in the office who'd Phoenix an attorney in the office who'd never<00:08:44.600> been<00:08:44.800> interested<00:08:45.160> in<00:08:45.399> art<00:08:46.399> never never been interested in art never never been interested in art never visited<00:08:47.080> the<00:08:47.200> local<00:08:47.480> Art visited the local Art visited the local Art Museum<00:08:50.080> dragged<00:08:50.640> everyone<00:08:51.040> she<00:08:51.200> could<00:08:51.399> from Museum dragged everyone she could from Museum dragged everyone she could from the<00:08:51.680> building<00:08:52.399> and<00:08:52.720> got<00:08:52.959> them<00:08:53.080> outside<00:08:53.560> to<00:08:53.680> lie the building and got them outside to lie the building and got them outside to lie down<00:08:54.120> underneath<00:08:54.519> the<00:08:54.640> sculpture<00:08:55.560> there<00:08:55.760> they down underneath the sculpture there they down underneath the sculpture there they were<00:08:56.160> in<00:08:56.320> their<00:08:56.680> business<00:08:57.000> suits<00:08:57.440> lying<00:08:57.760> in were in their business suits lying in were in their business suits lying in the<00:08:58.120> grass<00:08:58.600> noticing<00:08:59.040> the<00:08:59.240> the<00:08:59.360> changing the grass noticing the the changing the grass noticing the the changing patterns<00:09:00.360> of<00:09:00.600> wind<00:09:01.560> beside<00:09:01.959> people<00:09:02.240> they patterns of wind beside people they patterns of wind beside people they didn't<00:09:02.839> know<00:09:03.839> sharing<00:09:04.560> the<00:09:05.079> rediscovery<00:09:06.079> of didn't know sharing the rediscovery of didn't know sharing the rediscovery of Wonder<00:09:08.120> thank



you<00:09:12.959> thank<00:09:13.240> you<00:09:14.240> thank<00:09:14.839> you<00:09:15.839> thank
you thank you thank you thank you thank you thank you thank you<00:09:18.160> thank you thank you thank you<00:09:20.000> thank



you<00:09:28.560> they<00:09:28.680> have<00:09:28.880> Nam<00:09:29.200> games<00:09:29.519> like<00:09:29.720> idle<00:09:30.120> time
you they have Nam games like idle time you they have Nam games like idle time books<00:09:31.079> and<00:09:31.320> panther<00:09:31.800> coffee<00:09:32.440> with<00:09:32.600> free books and panther coffee with free books and panther coffee with free enterprise<00:09:33.600> puns<00:09:34.200> like<00:09:34.360> Hue<00:09:34.600> and<00:09:34.839> cry<00:09:35.560> and enterprise puns like Hue and cry and enterprise puns like Hue and cry and smash<00:09:36.320> records<00:09:37.320> and<00:09:37.519> one<00:09:37.760> Saturday<00:09:38.160> a<00:09:38.360> year smash records and one Saturday a year smash records and one Saturday a year small<00:09:39.640> businesses<00:09:40.240> remind<00:09:40.640> a<00:09:40.839> nation<00:09:41.360> of<00:09:41.560> the small businesses remind a nation of the small businesses remind a nation of the benefits<00:09:42.240> of<00:09:42.399> shopping<00:09:42.920> small<00:09:43.920> like<00:09:44.079> the<00:09:44.200> way benefits of shopping small like the way benefits of shopping small like the way David<00:09:44.760> Kaplan<00:09:45.160> at<00:09:45.279> Shell<00:09:45.519> Lumber<00:09:46.160> shows<00:09:46.440> you David Kaplan at Shell Lumber shows you David Kaplan at Shell Lumber shows you how<00:09:46.680> to<00:09:46.760> use<00:09:46.920> a<00:09:47.079> chopsaw<00:09:47.839> then<00:09:48.839> invites<00:09:49.160> you how to use a chopsaw then invites you how to use a chopsaw then invites you back<00:09:49.680> when<00:09:49.839> the<00:09:49.959> warehouse<00:09:50.720> becomes<00:09:51.079> the back when the warehouse becomes the back when the warehouse becomes the community<00:09:51.760> theater<00:09:52.720> or<00:09:52.920> the<00:09:53.040> way<00:09:53.320> Camille community theater or the way Camille community theater or the way Camille rustler<00:09:54.120> of<00:09:54.320> Ever<00:09:54.600> After<00:09:55.120> travels<00:09:55.600> the rustler of Ever After travels the rustler of Ever After travels the journey<00:09:56.160> from<00:09:56.440> despair<00:09:57.040> to<00:09:57.240> Bliss<00:09:57.880> with<00:09:58.160> every journey from despair to Bliss with every journey from despair to Bliss with every bride<00:09:58.760> to<00:09:58.880> be<00:09:59.399> absolutely<00:10:00.079> stunning<00:10:01.079> on<00:10:01.279> just bride to be absolutely stunning on just bride to be absolutely stunning on just one<00:10:01.760> day<00:10:02.720> 100<00:10:03.079> million<00:10:03.440> of<00:10:03.600> us<00:10:03.920> joined<00:10:04.279> a one day 100 million of us joined a one day 100 million of us joined a movement<00:10:06.640> and<00:10:06.880> Main<00:10:07.200> Street<00:10:07.600> found<00:10:07.920> its<00:10:08.120> might movement and Main Street found its might movement and Main Street found its might again<00:10:09.240> and<00:10:09.399> Main<00:10:09.680> Street<00:10:10.040> found<00:10:10.360> its<00:10:10.560> fight again and Main Street found its fight again and Main Street found its fight again<00:10:11.640> and<00:10:11.839> we<00:10:12.240> the<00:10:12.399> locals<00:10:13.079> found<00:10:13.440> Delight again and we the locals found Delight again and we the locals found Delight again<00:10:14.959> that's<00:10:15.240> the<00:10:15.399> power<00:10:15.680> of<00:10:15.839> all<00:10:16.000> of<00:10:16.079> us again that's the power of all of us again that's the power of all of us that's<00:10:16.560> the<00:10:16.680> power<00:10:16.880> of<00:10:16.959> all<00:10:17.079> of<00:10:17.320> That's<00:10:17.480> The that's the power of all of That's The that's the power of all of That's The Power<00:10:17.880> of<00:10:18.040> all<00:10:18.200> of<00:10:18.839> us<00:10:19.839> that's<00:10:20.079> the<00:10:20.240> membership Power of all of us that's the membership Power of all of us that's the membership effect<00:10:21.519> of<00:10:21.720> American



Express<00:10:29.160> and

Janet Echelman, imagination, art, artist, painting, amke, art, sculpture, creavitiy, create, TED, TED-Ed, TED, Ed, TEDEducation

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