Embrace the remix - Kirby Ferguson
we're<00:00:16.359> going<00:00:16.440> to<00:00:16.600> begin<00:00:17.240> in
we're going to begin in
we're going to begin in
1964<00:00:19.359> Bob<00:00:19.600> Dylan<00:00:20.119> is<00:00:20.359> 23<00:00:20.880> years<00:00:21.080> old<00:00:21.680> and<00:00:21.840> his
1964 Bob Dylan is 23 years old and his
1964 Bob Dylan is 23 years old and his
career<00:00:22.600> is<00:00:22.840> just<00:00:23.039> reaching<00:00:23.359> its<00:00:23.560> Pinnacle
career is just reaching its Pinnacle
career is just reaching its Pinnacle
he's<00:00:24.599> been<00:00:24.760> christened<00:00:25.480> the<00:00:25.599> voice<00:00:25.800> of<00:00:25.920> a
he's been christened the voice of a
he's been christened the voice of a
generation<00:00:27.000> and<00:00:27.119> he's<00:00:27.279> churning<00:00:27.760> out<00:00:28.119> classic
generation and he's churning out classic
generation and he's churning out classic
songs<00:00:29.240> at<00:00:29.359> a<00:00:29.480> seemingly<00:00:30.080> possible<00:00:30.400> rate<00:00:31.359> but
songs at a seemingly possible rate but
songs at a seemingly possible rate but
there's<00:00:31.679> a<00:00:31.880> small<00:00:32.360> minority<00:00:32.960> of<00:00:33.280> denters<00:00:34.280> and
there's a small minority of denters and
there's a small minority of denters and
they<00:00:34.800> claim<00:00:35.800> Bob<00:00:36.079> Dylan<00:00:36.640> is<00:00:36.800> stealing<00:00:37.440> other
they claim Bob Dylan is stealing other
they claim Bob Dylan is stealing other
people's
people's
people's
songs<00:00:40.520> 2004<00:00:41.520> Brian<00:00:41.879> Burton<00:00:42.440> AKA<00:00:42.800> Danger<00:00:43.200> Mouse
songs 2004 Brian Burton AKA Danger Mouse
songs 2004 Brian Burton AKA Danger Mouse
takes<00:00:44.399> the<00:00:44.520> Beatles<00:00:44.879> White<00:00:45.120> Album<00:00:45.480> combines
takes the Beatles White Album combines
takes the Beatles White Album combines
it<00:00:45.879> with<00:00:46.000> Jay-Z's<00:00:46.399> The<00:00:46.520> Black<00:00:46.760> Album<00:00:47.120> to
it with Jay-Z's The Black Album to
it with Jay-Z's The Black Album to
create<00:00:47.760> the<00:00:47.920> gray<00:00:48.199> album<00:00:48.960> the<00:00:49.079> gray<00:00:49.239> album
create the gray album the gray album
create the gray album the gray album
becomes<00:00:49.680> an<00:00:49.800> immediate<00:00:50.160> sensation<00:00:50.600> online
becomes an immediate sensation online
becomes an immediate sensation online
and<00:00:51.239> the<00:00:51.320> Beatles<00:00:51.680> record<00:00:52.039> company<00:00:52.680> sends<00:00:53.039> out
and the Beatles record company sends out
and the Beatles record company sends out
countless<00:00:53.960> cease<00:00:54.359> and<00:00:54.520> desist<00:00:54.960> letters<00:00:55.719> for
countless cease and desist letters for
countless cease and desist letters for
unfair<00:00:56.559> competition<00:00:57.480> and<00:00:57.680> dilution<00:00:58.399> of<00:00:58.559> a
unfair competition and dilution of a
unfair competition and dilution of a
valuable<00:00:59.280> property
valuable property
valuable property
now<00:01:01.320> the<00:01:01.399> gray<00:01:01.640> album<00:01:02.000> is<00:01:02.160> a<00:01:02.440> remix<00:01:02.879> it<00:01:03.000> is<00:01:03.160> New
now the gray album is a remix it is New
now the gray album is a remix it is New
Media<00:01:03.879> created<00:01:04.239> from<00:01:04.439> old<00:01:04.720> media<00:01:05.360> it<00:01:05.479> was<00:01:05.720> made
Media created from old media it was made
Media created from old media it was made
using<00:01:06.479> these<00:01:06.680> three<00:01:07.119> techniques<00:01:08.119> copy
using these three techniques copy
using these three techniques copy
transform<00:01:10.040> and<00:01:10.240> combine<00:01:11.080> that's<00:01:11.240> how<00:01:11.320> you
transform and combine that's how you
transform and combine that's how you
remix<00:01:11.840> you<00:01:11.960> take<00:01:12.200> existing<00:01:12.640> songs<00:01:13.360> you<00:01:13.520> chop
remix you take existing songs you chop
remix you take existing songs you chop
them<00:01:13.880> up<00:01:14.000> you<00:01:14.119> transform<00:01:14.560> the<00:01:14.680> pieces<00:01:14.920> you
them up you transform the pieces you
them up you transform the pieces you
combine<00:01:15.320> them<00:01:15.479> back<00:01:15.680> together<00:01:16.040> again<00:01:16.720> you've
combine them back together again you've
combine them back together again you've
got<00:01:17.000> a<00:01:17.119> new<00:01:17.360> song<00:01:17.960> but<00:01:18.119> that<00:01:18.240> new<00:01:18.400> song<00:01:18.640> is
got a new song but that new song is
got a new song but that new song is
clearly<00:01:19.280> comprised<00:01:20.040> of<00:01:20.200> old<00:01:20.720> songs<00:01:21.720> but<00:01:21.880> I
clearly comprised of old songs but I
clearly comprised of old songs but I
think<00:01:22.159> these<00:01:22.360> aren't<00:01:22.720> just<00:01:22.880> the<00:01:23.000> components
think these aren't just the components
think these aren't just the components
of<00:01:24.040> remixing<00:01:25.040> I<00:01:25.119> think<00:01:25.280> these<00:01:25.400> are<00:01:25.520> the<00:01:25.640> basic
of remixing I think these are the basic
of remixing I think these are the basic
elements<00:01:26.479> of<00:01:26.600> all<00:01:27.040> creativity<00:01:28.040> I<00:01:28.119> think
elements of all creativity I think
elements of all creativity I think
everything<00:01:28.640> is<00:01:28.720> a<00:01:28.840> remix<00:01:29.479> and<00:01:29.600> I<00:01:29.680> think<00:01:30.040> this
everything is a remix and I think this
everything is a remix and I think this
is<00:01:30.240> a<00:01:30.400> better<00:01:30.759> way<00:01:31.200> to<00:01:31.439> conceive<00:01:31.960> of
is a better way to conceive of
is a better way to conceive of
creativity<00:01:34.640> all<00:01:34.759> right<00:01:34.920> let's<00:01:35.119> head<00:01:35.360> back<00:01:35.600> to
creativity all right let's head back to
creativity all right let's head back to
1964<00:01:36.920> and<00:01:37.079> let's<00:01:37.280> hear<00:01:37.560> where<00:01:37.880> some<00:01:38.040> of
1964 and let's hear where some of
1964 and let's hear where some of
Dylan's<00:01:38.600> early<00:01:38.920> songs<00:01:39.560> came<00:01:39.799> from<00:01:40.240> going<00:01:40.399> do
Dylan's early songs came from going do
Dylan's early songs came from going do
some<00:01:40.680> side<00:01:40.880> bys<00:01:41.040> side<00:01:41.200> comparisons<00:01:41.759> here<00:01:42.280> all
some side bys side comparisons here all
some side bys side comparisons here all
right<00:01:42.520> this<00:01:42.640> first<00:01:42.799> song<00:01:42.960> You're<00:01:43.040> going<00:01:43.119> to
right this first song You're going to
right this first song You're going to
hear<00:01:43.399> is<00:01:43.520> nman<00:01:44.040> town<00:01:44.280> it's<00:01:44.360> your<00:01:44.520> traditional
hear is nman town it's your traditional
hear is nman town it's your traditional
fol<00:01:45.240> tune<00:01:45.799> after<00:01:46.040> that<00:01:46.119> you'll<00:01:46.280> hear<00:01:46.520> Dylan's
fol tune after that you'll hear Dylan's
fol tune after that you'll hear Dylan's
masters<00:01:47.200> of<00:01:47.399> war
masters of war
masters of war
in<00:01:50.600> not<00:01:50.759> a<00:01:51.000> soul
in not a soul
in not a soul
look<00:01:53.560> not<00:01:53.680> a<00:01:53.880> soul<00:01:54.280> would<00:01:54.520> look<00:01:55.240> up<00:01:56.240> not<00:01:56.399> a<00:01:56.600> soul
look not a soul would look up not a soul
look not a soul would look up not a soul
would<00:01:57.320> look<00:01:57.600> down
would look down
would look down
come<00:02:00.240> your<00:02:00.479> masters<00:02:01.039> of
come your masters of
come your masters of
War<00:02:04.360> he<00:02:04.560> they<00:02:04.759> build<00:02:05.240> the<00:02:05.479> big
War he they build the big
War he they build the big
guns<00:02:08.720> here<00:02:08.879> the<00:02:09.119> build<00:02:09.399> the<00:02:09.679> death
Plains<00:02:13.040> here<00:02:13.200> the<00:02:13.440> build<00:02:13.800> all<00:02:14.080> the<00:02:14.760> bombs<00:02:15.760> so
Plains here the build all the bombs so
Plains here the build all the bombs so
that's<00:02:16.160> the<00:02:16.319> same<00:02:16.599> basic<00:02:16.920> Melody<00:02:17.599> and<00:02:17.800> overall
that's the same basic Melody and overall
that's the same basic Melody and overall
structure<00:02:19.239> this<00:02:19.440> next<00:02:19.599> one<00:02:19.879> is<00:02:20.239> the<00:02:20.360> Patriot
structure this next one is the Patriot
structure this next one is the Patriot
game<00:02:21.040> by<00:02:21.200> Dominic<00:02:21.519> Bean<00:02:22.160> alongside<00:02:22.720> that
game by Dominic Bean alongside that
game by Dominic Bean alongside that
you're<00:02:22.920> going<00:02:23.040> to<00:02:23.160> hear<00:02:23.319> with<00:02:23.519> God<00:02:23.680> on<00:02:23.879> our
you're going to hear with God on our
you're going to hear with God on our
side<00:02:24.400> by<00:02:24.879> Dylan<00:02:25.879> come<00:02:26.319> on<00:02:26.920> you<00:02:27.319> young<00:02:28.000> ra
side by Dylan come on you young ra
side by Dylan come on you young ra
and<00:02:31.080> list<00:02:31.599> while<00:02:32.160> I
and list while I
and list while I
sing<00:02:35.120> for<00:02:35.720> love<00:02:36.239> of<00:02:36.519> one's
sing for love of one's
sing for love of one's
L<00:02:38.760> is<00:02:39.599> a<00:02:40.560> terrible
L is a terrible
L is a terrible
thing<00:02:43.720> oh<00:02:44.120> my<00:02:44.400> name<00:02:45.319> it<00:02:45.599> a
thing oh my name it a
thing oh my name it a
nothing<00:02:49.200> my<00:02:49.560> age<00:02:50.040> it<00:02:50.239> means
nothing my age it means
nothing my age it means
less<00:02:53.760> the<00:02:54.080> country<00:02:54.760> I<00:02:55.159> come
less the country I come
less the country I come
from<00:02:58.080> it's<00:02:58.360> called<00:02:59.120> the<00:02:59.280> Midwest
from it's called the Midwest
from it's called the Midwest
okay<00:03:00.800> so<00:03:01.000> in<00:03:01.120> this<00:03:01.239> case<00:03:01.400> DL<00:03:01.640> the<00:03:01.760> midz<00:03:02.080> he<00:03:02.280> must
okay so in this case DL the midz he must
okay so in this case DL the midz he must
have<00:03:02.560> heard<00:03:02.720> the<00:03:02.840> patri<00:03:03.159> game<00:03:03.360> he<00:03:03.480> forgot
have heard the patri game he forgot
have heard the patri game he forgot
about<00:03:04.000> it<00:03:04.480> then<00:03:04.599> when<00:03:04.680> the<00:03:04.799> song<00:03:05.000> kind<00:03:05.120> of
about it then when the song kind of
about it then when the song kind of
bubbled<00:03:05.599> back<00:03:05.720> up<00:03:05.840> in<00:03:05.959> his<00:03:06.080> brain<00:03:06.319> he<00:03:06.480> just
bubbled back up in his brain he just
bubbled back up in his brain he just
thought<00:03:06.760> it<00:03:06.879> was<00:03:07.040> his<00:03:07.239> song<00:03:08.239> last<00:03:08.400> one<00:03:08.560> this<00:03:08.640> is
thought it was his song last one this is
thought it was his song last one this is
who's<00:03:08.959> going<00:03:09.040> to<00:03:09.159> buy<00:03:09.280> your<00:03:09.360> Ribbit<00:03:09.599> it's
who's going to buy your Ribbit it's
who's going to buy your Ribbit it's
another<00:03:09.959> traditional<00:03:10.319> folk<00:03:10.599> tune<00:03:11.080> alongside
another traditional folk tune alongside
another traditional folk tune alongside
that<00:03:11.720> is<00:03:11.920> Don't<00:03:12.120> Think<00:03:12.280> Twice<00:03:12.599> It's<00:03:12.720> all<00:03:13.000> right
that is Don't Think Twice It's all right
that is Don't Think Twice It's all right
this<00:03:13.519> one's<00:03:13.760> more<00:03:13.920> about<00:03:14.080> the
this one's more about the
this one's more about the
lyric<00:03:15.799> used<00:03:16.720> to
lyric used to
lyric used to
sit
sit
sit
now<00:03:22.599> darling<00:03:23.599> and<00:03:23.799> it<00:03:24.000> ain't<00:03:24.239> no<00:03:24.599> use<00:03:25.319> to<00:03:25.680> sit
now darling and it ain't no use to sit
now darling and it ain't no use to sit
and<00:03:26.680> cry<00:03:27.680> now
and cry now
and cry now
well<00:03:30.760> it<00:03:30.920> didn't<00:03:31.159> know<00:03:31.599> you<00:03:32.040> sit<00:03:32.319> and<00:03:32.640> wonder
well it didn't know you sit and wonder
well it didn't know you sit and wonder
why
why
why
baby<00:03:36.080> even<00:03:36.400> you<00:03:36.640> don't<00:03:37.040> know<00:03:37.360> by
baby even you don't know by
baby even you don't know by
now<00:03:39.640> and<00:03:39.799> it<00:03:39.920> didn't<00:03:40.120> know<00:03:40.480> youed<00:03:40.879> to<00:03:41.040> sit<00:03:41.319> and
now and it didn't know youed to sit and
now and it didn't know youed to sit and
wonder<00:03:42.159> why
wonder why
wonder why
bab<00:03:45.040> it'll<00:03:45.400> never<00:03:45.760> do
bab it'll never do
bab it'll never do
somehow<00:03:47.959> okay<00:03:48.200> now<00:03:48.400> there's<00:03:48.799> a<00:03:48.959> lot<00:03:49.120> of<00:03:49.319> these
somehow okay now there's a lot of these
somehow okay now there's a lot of these
it's<00:03:50.080> been<00:03:50.239> estimated<00:03:50.720> that<00:03:50.840> two-thirds<00:03:51.400> of
it's been estimated that two-thirds of
it's been estimated that two-thirds of
The<00:03:51.599> Melodies<00:03:52.000> Dylan<00:03:52.280> used<00:03:52.519> in<00:03:52.640> his<00:03:52.760> early
The Melodies Dylan used in his early
The Melodies Dylan used in his early
songs<00:03:53.599> were<00:03:53.879> borrowed<00:03:54.599> this<00:03:54.720> is<00:03:54.840> pretty
songs were borrowed this is pretty
songs were borrowed this is pretty
typical<00:03:55.360> among<00:03:55.519> folk<00:03:55.760> singers<00:03:56.560> here's<00:03:56.760> the
typical among folk singers here's the
typical among folk singers here's the
advice<00:03:57.120> of<00:03:57.239> Dylan's<00:03:57.599> Idol<00:03:57.959> Woody<00:03:58.239> Guthrie<00:03:58.840> the
advice of Dylan's Idol Woody Guthrie the
advice of Dylan's Idol Woody Guthrie the
words<00:03:59.200> are<00:03:59.360> the<00:03:59.439> important<00:04:00.040> thing<00:04:00.439> don't
words are the important thing don't
words are the important thing don't
worry<00:04:00.840> about<00:04:01.000> Tunes<00:04:01.560> take<00:04:01.720> a<00:04:01.879> tune<00:04:02.400> Sing<00:04:02.680> High
worry about Tunes take a tune Sing High
worry about Tunes take a tune Sing High
when<00:04:03.040> they<00:04:03.159> sing<00:04:03.439> low<00:04:04.200> sing<00:04:04.560> fast<00:04:04.840> when<00:04:04.959> they
when they sing low sing fast when they
when they sing low sing fast when they
sing<00:04:05.360> slow<00:04:06.120> and<00:04:06.239> you've<00:04:06.400> got<00:04:06.519> a<00:04:06.680> new
tune<00:04:11.159> and<00:04:11.360> that's<00:04:11.879> that's<00:04:12.000> what<00:04:12.159> Guthrie<00:04:12.519> did
tune and that's that's what Guthrie did
tune and that's that's what Guthrie did
right<00:04:12.959> here<00:04:13.239> and<00:04:13.360> I'm<00:04:13.480> sure<00:04:13.640> you<00:04:13.840> all
right here and I'm sure you all
right here and I'm sure you all
recognize<00:04:14.599> the
results<00:04:20.919> we<00:04:21.040> know<00:04:21.239> this<00:04:21.400> tune<00:04:22.080> right<00:04:23.080> we<00:04:23.199> know
results we know this tune right we know
results we know this tune right we know
it<00:04:24.120> actually<00:04:24.400> you<00:04:24.560> don't<00:04:25.400> that<00:04:25.520> is<00:04:25.639> when<00:04:25.759> the
it actually you don't that is when the
it actually you don't that is when the
world's<00:04:26.120> on<00:04:26.280> fire<00:04:26.720> very<00:04:27.040> old<00:04:27.440> Melody<00:04:28.199> in<00:04:28.320> this
world's on fire very old Melody in this
world's on fire very old Melody in this
case<00:04:28.680> performed<00:04:29.000> by<00:04:29.080> The<00:04:29.160> Carter<00:04:29.440> family
case performed by The Carter family
case performed by The Carter family
Guth<00:04:30.479> re<00:04:30.639> adapted<00:04:31.039> it<00:04:31.240> into<00:04:31.720> this<00:04:31.880> land<00:04:32.039> as
Guth re adapted it into this land as
Guth re adapted it into this land as
your<00:04:32.440> land<00:04:33.280> so<00:04:34.160> Bob<00:04:34.680> Dylan<00:04:35.680> Like<00:04:35.840> all<00:04:35.960> folk
your land so Bob Dylan Like all folk
your land so Bob Dylan Like all folk
singers<00:04:36.560> he<00:04:36.720> copied<00:04:37.039> Melodies<00:04:37.600> he
singers he copied Melodies he
singers he copied Melodies he
transformed<00:04:38.360> them<00:04:38.800> he<00:04:38.960> combined<00:04:39.320> them<00:04:39.440> with
transformed them he combined them with
transformed them he combined them with
new<00:04:39.759> lyrics<00:04:40.240> which<00:04:40.360> were<00:04:40.520> frequently<00:04:41.240> their
new lyrics which were frequently their
new lyrics which were frequently their
own<00:04:41.680> concoction<00:04:42.520> of<00:04:42.720> previous
own concoction of previous
own concoction of previous
stuff<00:04:45.280> now<00:04:45.440> American<00:04:46.360> copyright<00:04:47.039> and<00:04:47.240> patent
stuff now American copyright and patent
stuff now American copyright and patent
laws<00:04:47.800> run<00:04:48.120> counter<00:04:48.600> to<00:04:48.759> this<00:04:48.919> notion<00:04:49.199> that<00:04:49.360> we
laws run counter to this notion that we
laws run counter to this notion that we
build<00:04:49.800> on<00:04:49.960> the<00:04:50.080> work<00:04:50.240> of<00:04:50.440> others<00:04:51.360> instead
build on the work of others instead
build on the work of others instead
these<00:04:52.320> laws<00:04:52.800> and<00:04:52.960> laws<00:04:53.240> around<00:04:53.440> the<00:04:53.560> world<00:04:54.240> use
these laws and laws around the world use
these laws and laws around the world use
the<00:04:54.880> rather<00:04:55.160> awkward<00:04:55.560> analogy<00:04:56.320> of<00:04:56.639> property
the rather awkward analogy of property
the rather awkward analogy of property
now<00:04:57.880> creative<00:04:58.199> Works<00:04:58.440> May<00:04:58.560> indeed<00:04:58.800> be<00:04:58.919> kind<00:04:59.039> of
now creative Works May indeed be kind of
now creative Works May indeed be kind of
like<00:04:59.360> property<00:04:59.960> but<00:05:00.080> it's<00:05:00.280> property<00:05:00.759> that
like property but it's property that
like property but it's property that
we're<00:05:01.080> all<00:05:01.240> building<00:05:01.600> on<00:05:02.280> and<00:05:02.440> Creations<00:05:02.919> can
we're all building on and Creations can
we're all building on and Creations can
only<00:05:03.440> take<00:05:03.720> root<00:05:04.120> and<00:05:04.360> grow<00:05:05.080> once<00:05:05.320> that<00:05:05.479> ground
only take root and grow once that ground
only take root and grow once that ground
has<00:05:05.840> been
has been
has been
prepared<00:05:07.919> Henry<00:05:08.160> Ford<00:05:08.400> once<00:05:08.560> said<00:05:08.759> I<00:05:08.880> invented
prepared Henry Ford once said I invented
prepared Henry Ford once said I invented
nothing<00:05:09.639> new<00:05:10.199> I<00:05:10.320> simply<00:05:10.600> assembled<00:05:11.000> the
nothing new I simply assembled the
nothing new I simply assembled the
discoveries<00:05:11.479> of<00:05:11.639> other<00:05:11.840> men<00:05:12.400> behind<00:05:12.800> whom
discoveries of other men behind whom
discoveries of other men behind whom
were<00:05:13.320> centuries<00:05:13.720> of<00:05:14.120> work<00:05:15.120> progress<00:05:15.440> happens
were centuries of work progress happens
were centuries of work progress happens
when<00:05:16.280> all<00:05:16.400> the<00:05:16.520> factors<00:05:16.800> that<00:05:16.919> make<00:05:17.080> for<00:05:17.240> it
when all the factors that make for it
when all the factors that make for it
are<00:05:17.560> ready<00:05:18.199> and<00:05:18.479> then<00:05:19.000> it<00:05:19.240> is
are ready and then it is
are ready and then it is
inevitable
inevitable
inevitable
2007<00:05:24.080> the<00:05:24.199> iPhone<00:05:24.520> makes<00:05:24.720> its<00:05:24.919> debut<00:05:25.840> Apple
2007 the iPhone makes its debut Apple
2007 the iPhone makes its debut Apple
undoubtedly<00:05:26.840> brings<00:05:27.080> this<00:05:27.240> Innovation<00:05:27.639> to<00:05:27.759> us
undoubtedly brings this Innovation to us
undoubtedly brings this Innovation to us
early<00:05:28.560> but<00:05:28.720> its<00:05:28.919> time<00:05:29.120> was<00:05:29.280> approaching
early but its time was approaching
early but its time was approaching
because<00:05:30.120> its<00:05:30.280> core<00:05:30.600> technology<00:05:31.280> had<00:05:31.400> been
because its core technology had been
because its core technology had been
evolving<00:05:31.919> for<00:05:32.120> decades<00:05:33.039> that's<00:05:33.240> multitouch
evolving for decades that's multitouch
evolving for decades that's multitouch
controlling<00:05:34.400> a<00:05:34.600> device<00:05:35.240> by<00:05:35.400> touching<00:05:35.720> its
controlling a device by touching its
controlling a device by touching its
display<00:05:37.000> here<00:05:37.160> is<00:05:37.319> Steve<00:05:37.680> Jobs<00:05:38.000> introducing
display here is Steve Jobs introducing
display here is Steve Jobs introducing
multi-touch<00:05:39.120> and<00:05:39.280> making<00:05:39.639> a<00:05:39.800> rather
multi-touch and making a rather
multi-touch and making a rather
forboding<00:05:40.960> joke<00:05:41.840> and<00:05:41.960> we<00:05:42.080> have<00:05:42.280> invented<00:05:42.960> a
forboding joke and we have invented a
forboding joke and we have invented a
new<00:05:43.520> technology<00:05:44.520> called
new technology called
new technology called
multi-touch<00:05:46.560> you<00:05:46.680> can<00:05:46.800> do<00:05:47.000> multi-finger
multi-touch you can do multi-finger
multi-touch you can do multi-finger
gestures<00:05:48.319> on<00:05:48.840> it<00:05:49.840> and<00:05:50.039> boy<00:05:50.360> have<00:05:50.520> we<00:05:50.800> patented
gestures on it and boy have we patented
gestures on it and boy have we patented
it
it
it
yes<00:05:54.319> and<00:05:54.479> yet<00:05:54.800> here<00:05:55.000> is<00:05:55.479> uh<00:05:55.600> multi-touch<00:05:56.120> in
yes and yet here is uh multi-touch in
yes and yet here is uh multi-touch in
action<00:05:56.479> this<00:05:56.600> is<00:05:56.680> at<00:05:56.880> Ted<00:05:57.240> actually<00:05:57.600> about<00:05:57.759> a
action this is at Ted actually about a
action this is at Ted actually about a
year<00:05:58.039> earlier<00:05:58.759> this<00:05:58.880> is<00:05:59.039> Jeff<00:05:59.280> Han<00:05:59.840> and<00:06:00.280> uh<00:06:00.479> I
year earlier this is Jeff Han and uh I
year earlier this is Jeff Han and uh I
mean<00:06:00.680> that's<00:06:00.840> multi-touch<00:06:01.319> it's<00:06:01.400> the<00:06:01.520> same
mean that's multi-touch it's the same
mean that's multi-touch it's the same
animal<00:06:02.280> at<00:06:02.400> least<00:06:02.919> let's<00:06:03.080> hear<00:06:03.199> what<00:06:03.360> Jeff<00:06:03.560> Han
animal at least let's hear what Jeff Han
animal at least let's hear what Jeff Han
has<00:06:03.960> to<00:06:04.080> say<00:06:04.280> about<00:06:04.520> this<00:06:04.880> new<00:06:05.160> fangled
has to say about this new fangled
has to say about this new fangled
technology<00:06:07.319> multi<00:06:07.680> touch<00:06:07.840> sensing<00:06:08.240> isn't
technology multi touch sensing isn't
technology multi touch sensing isn't
anything<00:06:09.120> isn't<00:06:09.400> completely<00:06:09.800> new<00:06:10.039> I<00:06:10.120> mean
anything isn't completely new I mean
anything isn't completely new I mean
people<00:06:10.440> like<00:06:10.560> B<00:06:10.759> buckson<00:06:11.039> have<00:06:11.160> been<00:06:11.240> playing
people like B buckson have been playing
people like B buckson have been playing
around<00:06:11.599> with<00:06:11.720> in<00:06:11.800> the<00:06:11.880> '<00:06:11.960> 80s<00:06:12.639> the<00:06:12.840> technology
around with in the ' 80s the technology
around with in the ' 80s the technology
you<00:06:13.919> know<00:06:14.280> isn't<00:06:14.720> isn't<00:06:14.960> the<00:06:15.039> most<00:06:15.199> exciting
you know isn't isn't the most exciting
you know isn't isn't the most exciting
thing<00:06:15.840> here<00:06:16.120> right<00:06:16.240> now<00:06:16.440> other<00:06:16.639> than<00:06:16.960> probably
thing here right now other than probably
thing here right now other than probably
it's<00:06:17.400> new<00:06:17.599> found<00:06:17.880> accessibility<00:06:18.840> so<00:06:19.039> he's
it's new found accessibility so he's
it's new found accessibility so he's
pretty<00:06:19.599> Frank<00:06:19.840> about<00:06:19.960> it<00:06:20.120> not<00:06:20.240> being<00:06:20.440> new<00:06:20.759> so
pretty Frank about it not being new so
pretty Frank about it not being new so
it's<00:06:20.960> not<00:06:21.120> multitouch<00:06:21.840> as<00:06:21.919> a<00:06:22.080> whole<00:06:22.720> that's
it's not multitouch as a whole that's
it's not multitouch as a whole that's
patented<00:06:23.680> it's<00:06:23.800> the<00:06:23.919> small<00:06:24.199> parts<00:06:24.400> of<00:06:24.520> it<00:06:24.919> that
patented it's the small parts of it that
patented it's the small parts of it that
are<00:06:25.520> and<00:06:25.639> it's<00:06:25.759> in<00:06:25.880> these<00:06:26.080> small<00:06:26.400> details
are and it's in these small details
are and it's in these small details
where<00:06:26.960> we<00:06:27.080> can<00:06:27.280> clearly<00:06:27.560> see<00:06:27.880> patent<00:06:28.160> law
where we can clearly see patent law
where we can clearly see patent law
contradicting<00:06:29.120> its<00:06:29.240> intent
contradicting its intent
contradicting its intent
to<00:06:30.560> promote<00:06:31.080> the<00:06:31.319> progress<00:06:31.840> of<00:06:31.960> useful<00:06:32.560> Arts
to promote the progress of useful Arts
to promote the progress of useful Arts
here<00:06:33.720> is<00:06:33.919> the<00:06:34.160> first<00:06:34.440> ever<00:06:35.000> slide<00:06:35.360> to<00:06:35.720> unlock
here is the first ever slide to unlock
here is the first ever slide to unlock
that<00:06:36.880> is<00:06:37.039> all<00:06:37.240> there<00:06:37.360> is<00:06:37.560> to<00:06:37.720> it<00:06:38.160> Apple<00:06:38.440> has
that is all there is to it Apple has
that is all there is to it Apple has
patented<00:06:39.000> this<00:06:39.240> it's<00:06:39.360> a<00:06:39.520> 28-page<00:06:40.160> software
patented this it's a 28-page software
patented this it's a 28-page software
patent<00:06:40.960> but<00:06:41.120> I<00:06:41.240> will<00:06:41.800> summarize<00:06:42.360> what<00:06:42.479> it
patent but I will summarize what it
patent but I will summarize what it
covers<00:06:43.560> spoiler<00:06:44.160> alert<00:06:45.160> unlocking<00:06:45.599> your
covers spoiler alert unlocking your
covers spoiler alert unlocking your
phone<00:06:45.919> by<00:06:46.039> sliding<00:06:46.400> an<00:06:46.560> icon<00:06:46.880> with<00:06:47.000> your
phone by sliding an icon with your
phone by sliding an icon with your
finger<00:06:47.919> I'm<00:06:48.160> I'm<00:06:49.000> I'm<00:06:49.160> only<00:06:49.440> exaggerating<00:06:49.960> a
finger I'm I'm I'm only exaggerating a
finger I'm I'm I'm only exaggerating a
little<00:06:50.240> bit<00:06:50.599> it's<00:06:50.680> a<00:06:50.840> broad<00:06:51.199> patent<00:06:51.960> now<00:06:52.240> can
little bit it's a broad patent now can
little bit it's a broad patent now can
someone<00:06:53.039> own<00:06:53.400> this<00:06:54.000> idea<00:06:54.960> now<00:06:55.120> back<00:06:55.240> in<00:06:55.319> the<00:06:55.400> '
someone own this idea now back in the '
someone own this idea now back in the '
80s<00:06:55.840> there<00:06:55.960> were<00:06:56.160> no<00:06:56.360> software<00:06:56.759> patents<00:06:57.120> and
80s there were no software patents and
80s there were no software patents and
it<00:06:57.319> was<00:06:57.520> Xerox<00:06:58.360> that<00:06:58.560> pioneered<00:06:59.000> the
it was Xerox that pioneered the
it was Xerox that pioneered the
graphical<00:06:59.599> user<00:06:59.879> interface<00:07:00.879> what<00:07:01.000> if<00:07:01.120> they
graphical user interface what if they
graphical user interface what if they
had<00:07:01.400> patented<00:07:02.120> popup<00:07:02.560> menus<00:07:03.560> scroll<00:07:04.000> bars<00:07:04.680> the
had patented popup menus scroll bars the
had patented popup menus scroll bars the
desktop<00:07:05.680> with<00:07:05.879> icons<00:07:06.319> that<00:07:06.440> looked<00:07:06.680> like
desktop with icons that looked like
desktop with icons that looked like
folders<00:07:07.639> and<00:07:08.039> sheets<00:07:08.360> of<00:07:08.680> paper<00:07:09.680> would<00:07:09.840> a
folders and sheets of paper would a
folders and sheets of paper would a
young<00:07:10.479> and<00:07:10.720> inexperienced<00:07:11.440> Apple<00:07:11.960> have
young and inexperienced Apple have
young and inexperienced Apple have
survived<00:07:12.960> the<00:07:13.120> legal<00:07:13.440> assault<00:07:14.120> of<00:07:14.240> a<00:07:14.400> much
survived the legal assault of a much
survived the legal assault of a much
larger<00:07:15.360> and<00:07:15.560> more<00:07:15.720> mature<00:07:16.080> company<00:07:16.800> like
larger and more mature company like
larger and more mature company like
Xerox<00:07:19.280> now<00:07:19.520> this<00:07:19.720> idea<00:07:20.000> that<00:07:20.120> everything<00:07:20.360> is<00:07:20.440> a
Xerox now this idea that everything is a
Xerox now this idea that everything is a
remix<00:07:21.000> might<00:07:21.199> sound<00:07:21.479> like<00:07:21.639> Common<00:07:21.960> Sense
remix might sound like Common Sense
remix might sound like Common Sense
until<00:07:22.960> you're<00:07:23.280> the<00:07:23.400> one<00:07:23.919> getting
until you're the one getting
until you're the one getting
remixed<00:07:26.039> for<00:07:26.280> example<00:07:27.080> I<00:07:27.160> mean<00:07:27.360> Picasso<00:07:27.840> had<00:07:27.919> a
remixed for example I mean Picasso had a
remixed for example I mean Picasso had a
saying<00:07:28.360> he<00:07:28.520> said<00:07:29.000> good<00:07:29.160> artists<00:07:29.720> copy<00:07:30.400> great
saying he said good artists copy great
saying he said good artists copy great
artist<00:07:31.440> steal<00:07:32.440> and<00:07:33.280> we<00:07:33.479> have<00:07:33.840> you<00:07:33.960> know<00:07:34.240> always
artist steal and we have you know always
artist steal and we have you know always
been<00:07:35.360> Shameless<00:07:36.000> about<00:07:36.160> stealing<00:07:36.639> great
been Shameless about stealing great
been Shameless about stealing great
ideas<00:07:37.560> okay<00:07:37.800> that's<00:07:37.919> 96<00:07:38.440> here's<00:07:38.680> 2010<00:07:39.319> I'm
ideas okay that's 96 here's 2010 I'm
ideas okay that's 96 here's 2010 I'm
going<00:07:39.639> to<00:07:39.879> destroy<00:07:40.360> Android<00:07:40.919> because<00:07:41.120> it's<00:07:41.240> a
going to destroy Android because it's a
going to destroy Android because it's a
stolen
stolen
stolen
product<00:07:43.800> I'm<00:07:43.960> willing<00:07:44.199> to<00:07:44.319> go<00:07:44.639> thermonuclear
product I'm willing to go thermonuclear
product I'm willing to go thermonuclear
war<00:07:46.039> on<00:07:46.599> this<00:07:47.599> okay<00:07:47.720> so<00:07:47.879> in<00:07:48.000> other<00:07:48.199> words<00:07:48.520> great
war on this okay so in other words great
war on this okay so in other words great
artist<00:07:49.159> steal<00:07:49.759> but<00:07:49.919> not<00:07:50.080> for
me<00:07:53.919> now<00:07:54.039> behavioral<00:07:54.440> economists<00:07:54.800> might<00:07:54.919> refer
me now behavioral economists might refer
me now behavioral economists might refer
to<00:07:55.240> this<00:07:55.319> sort<00:07:55.479> of<00:07:55.560> thing<00:07:55.680> as<00:07:55.800> loss<00:07:56.080> aversion
to this sort of thing as loss aversion
to this sort of thing as loss aversion
we<00:07:56.800> have<00:07:56.879> a<00:07:57.120> strong<00:07:57.360> predisposition<00:07:58.039> towards
we have a strong predisposition towards
we have a strong predisposition towards
protecting<00:07:59.159> what<00:07:59.680> feel<00:08:00.000> is<00:08:00.280> ours<00:08:01.039> we<00:08:01.159> have<00:08:01.280> no
protecting what feel is ours we have no
protecting what feel is ours we have no
such<00:08:01.639> aversion<00:08:01.960> towards<00:08:02.280> copying<00:08:02.639> what<00:08:02.800> other
such aversion towards copying what other
such aversion towards copying what other
people<00:08:03.280> have<00:08:03.759> because<00:08:03.919> we<00:08:04.039> do<00:08:04.240> that
people have because we do that
people have because we do that
nonstop<00:08:06.440> so<00:08:06.560> here's<00:08:06.720> the<00:08:06.800> sort<00:08:06.960> of<00:08:07.039> equation
nonstop so here's the sort of equation
nonstop so here's the sort of equation
we're<00:08:07.520> looking<00:08:07.759> at<00:08:08.639> we've<00:08:08.800> got<00:08:08.960> laws<00:08:09.199> to
we're looking at we've got laws to
we're looking at we've got laws to
fundamentally<00:08:09.720> treat<00:08:09.960> creative<00:08:10.240> works<00:08:10.479> as
fundamentally treat creative works as
fundamentally treat creative works as
property<00:08:11.440> plus<00:08:11.680> massive<00:08:12.080> Rewards<00:08:12.599> or
property plus massive Rewards or
property plus massive Rewards or
settlements<00:08:13.319> and<00:08:13.440> infringement<00:08:13.960> cases<00:08:14.720> plus
settlements and infringement cases plus
settlements and infringement cases plus
huge<00:08:15.199> legal<00:08:15.479> fees<00:08:15.720> to<00:08:15.879> protect<00:08:16.120> yourself<00:08:16.400> in
huge legal fees to protect yourself in
huge legal fees to protect yourself in
court<00:08:17.360> plus<00:08:17.720> cognitive<00:08:18.159> biases<00:08:18.960> against
court plus cognitive biases against
court plus cognitive biases against
perceived<00:08:19.840> loss<00:08:20.680> and<00:08:20.800> the<00:08:20.960> sum<00:08:21.639> looks<00:08:21.919> like
perceived loss and the sum looks like
perceived loss and the sum looks like
this<00:08:23.159> that<00:08:23.280> is<00:08:23.479> the<00:08:23.759> last<00:08:24.280> four<00:08:24.720> years<00:08:25.039> of
this that is the last four years of
this that is the last four years of
lawsuits<00:08:26.280> in<00:08:26.440> the<00:08:26.599> realm<00:08:26.840> of<00:08:27.440> smartphones<00:08:28.440> is
lawsuits in the realm of smartphones is
lawsuits in the realm of smartphones is
this<00:08:29.599> promoting<00:08:30.039> the<00:08:30.280> progress<00:08:31.000> of<00:08:31.159> useful
this promoting the progress of useful
this promoting the progress of useful
Arts
Arts
Arts
1983<00:08:37.080> Bob<00:08:37.320> Dillan<00:08:37.800> is<00:08:38.000> 42<00:08:38.440> years<00:08:38.680> old<00:08:39.640> and<00:08:39.800> his
1983 Bob Dillan is 42 years old and his
1983 Bob Dillan is 42 years old and his
time<00:08:40.279> in<00:08:40.399> the<00:08:40.519> cultural<00:08:40.959> Spotlight<00:08:41.560> is<00:08:41.719> long
time in the cultural Spotlight is long
time in the cultural Spotlight is long
since<00:08:42.360> passed<00:08:43.120> he<00:08:43.240> records<00:08:43.599> a<00:08:43.760> song<00:08:44.279> called
since passed he records a song called
since passed he records a song called
Blind<00:08:44.839> Willie<00:08:45.160> mctell<00:08:45.920> named<00:08:46.200> after<00:08:46.360> the<00:08:46.440> blue
Blind Willie mctell named after the blue
Blind Willie mctell named after the blue
singer<00:08:47.640> the<00:08:47.800> song<00:08:48.120> is<00:08:48.240> a<00:08:48.440> Voyage<00:08:49.279> Through<00:08:49.519> the
singer the song is a Voyage Through the
singer the song is a Voyage Through the
past<00:08:50.240> through<00:08:50.399> a<00:08:50.560> much<00:08:51.000> darker<00:08:51.440> time<00:08:52.040> but<00:08:52.160> a
past through a much darker time but a
past through a much darker time but a
simpler<00:08:52.680> one<00:08:53.519> a<00:08:53.640> time<00:08:53.800> when<00:08:53.959> musicians<00:08:54.440> like
simpler one a time when musicians like
simpler one a time when musicians like
Willie<00:08:54.839> mctell<00:08:55.399> had<00:08:55.519> few<00:08:55.720> Illusions<00:08:56.160> about
Willie mctell had few Illusions about
Willie mctell had few Illusions about
what<00:08:56.519> they<00:08:56.880> did<00:08:57.880> I<00:08:58.040> jump<00:08:58.320> them<00:08:58.440> from<00:08:58.640> other
what they did I jump them from other
what they did I jump them from other
writers<00:08:59.600> but<00:08:59.800> I<00:08:59.959> arrange<00:09:00.320> them<00:09:00.720> my<00:09:00.880> own<00:09:01.240> way<00:09:02.240> I
writers but I arrange them my own way I
writers but I arrange them my own way I
think<00:09:02.519> this<00:09:02.600> is<00:09:02.760> mostly<00:09:03.079> what<00:09:03.200> we<00:09:03.360> do<00:09:04.000> our
think this is mostly what we do our
think this is mostly what we do our
creativity<00:09:04.880> comes<00:09:05.120> from<00:09:05.360> without<00:09:06.040> not<00:09:06.279> from
creativity comes from without not from
creativity comes from without not from
within<00:09:07.440> we<00:09:07.560> are<00:09:07.680> not<00:09:07.880> self-made<00:09:08.399> we<00:09:08.480> are
within we are not self-made we are
within we are not self-made we are
dependent<00:09:09.480> on<00:09:09.720> one<00:09:09.880> another<00:09:10.760> and<00:09:10.920> admitting
dependent on one another and admitting
dependent on one another and admitting
this<00:09:11.440> to<00:09:11.600> ourselves<00:09:12.240> isn't<00:09:12.519> an<00:09:12.720> Embrace<00:09:13.640> of
this to ourselves isn't an Embrace of
this to ourselves isn't an Embrace of
mediocrity<00:09:14.560> or<00:09:14.760> derivativeness<00:09:15.240> it's<00:09:16.079> a
mediocrity or derivativeness it's a
mediocrity or derivativeness it's a
Liberation<00:09:16.959> from<00:09:17.120> our<00:09:17.440> misconceptions<00:09:18.440> and
Liberation from our misconceptions and
Liberation from our misconceptions and
it's<00:09:18.680> an<00:09:18.880> incentive<00:09:19.800> to<00:09:20.000> not<00:09:20.200> expect<00:09:20.480> so<00:09:20.640> much
it's an incentive to not expect so much
it's an incentive to not expect so much
from<00:09:21.000> ourselves<00:09:22.000> and<00:09:22.160> to<00:09:22.519> Simply
from ourselves and to Simply
from ourselves and to Simply
begin<00:09:25.040> thank<00:09:25.240> you<00:09:25.399> so<00:09:25.640> much<00:09:25.880> it<00:09:25.959> was<00:09:26.120> an<00:09:26.240> honor
begin thank you so much it was an honor
begin thank you so much it was an honor
to<00:09:26.600> be<00:09:26.839> here<00:09:27.440> thank<00:09:27.560> you
thank<00:09:33.839> you
Kirby Ferguson, Everything, is, Remix, Bob, Dylan, Steve, Jobs, art, create, art, creativity, TED, Ed, TED-Ed, TEDEducation
