A giant bubble for debate - Liz Diller
we<00:00:16.460> conventionally<00:00:16.910> divided<00:00:17.689> space<00:00:18.020> into
we conventionally divided space into
we conventionally divided space into
private<00:00:19.160> and<00:00:19.279> public<00:00:19.550> realms<00:00:20.210> and<00:00:20.450> we<00:00:21.169> know
private and public realms and we know
private and public realms and we know
these<00:00:21.619> legal<00:00:21.950> distinctions<00:00:22.700> very<00:00:22.970> well
these legal distinctions very well
these legal distinctions very well
because<00:00:23.869> we<00:00:24.140> become<00:00:24.380> experts<00:00:24.560> at<00:00:25.099> protecting
because we become experts at protecting
because we become experts at protecting
our<00:00:26.230> private<00:00:27.399> property<00:00:28.399> and<00:00:28.520> private<00:00:28.910> space
our private property and private space
our private property and private space
but<00:00:29.840> we're<00:00:30.020> less<00:00:30.259> attuned<00:00:31.099> to<00:00:31.579> the<00:00:31.669> nuances<00:00:31.820> of
but we're less attuned to the nuances of
but we're less attuned to the nuances of
the<00:00:33.620> public<00:00:34.239> what<00:00:35.239> translates<00:00:35.989> generic
the public what translates generic
the public what translates generic
public<00:00:37.399> space<00:00:37.670> into<00:00:38.239> qualitative<00:00:38.809> space<00:00:39.020> and
public space into qualitative space and
public space into qualitative space and
this<00:00:39.379> is<00:00:39.469> something<00:00:39.680> that<00:00:40.070> our<00:00:40.280> studio<00:00:40.940> has
this is something that our studio has
this is something that our studio has
been<00:00:41.270> working<00:00:41.600> on<00:00:41.750> for<00:00:42.140> the<00:00:42.289> past<00:00:42.320> decade<00:00:43.010> and
been working on for the past decade and
been working on for the past decade and
we're<00:00:43.880> doing<00:00:44.000> this<00:00:44.210> through<00:00:44.480> some<00:00:44.720> case
we're doing this through some case
we're doing this through some case
studies<00:00:45.410> a<00:00:45.710> large<00:00:46.430> chunk<00:00:46.850> of<00:00:47.000> our<00:00:47.120> work<00:00:47.180> has
studies a large chunk of our work has
studies a large chunk of our work has
been<00:00:47.690> put<00:00:48.260> into<00:00:48.410> transforming<00:00:49.280> this
been put into transforming this
been put into transforming this
neglected<00:00:50.480> industrial<00:00:51.050> ruin<00:00:51.380> into<00:00:52.250> a<00:00:52.280> viable
neglected industrial ruin into a viable
neglected industrial ruin into a viable
post-industrial<00:00:54.079> space<00:00:54.829> that<00:00:55.130> looks<00:00:55.340> forward
post-industrial space that looks forward
post-industrial space that looks forward
and<00:00:55.820> backwards<00:00:56.210> at<00:00:56.630> the<00:00:56.840> same<00:00:57.079> time<00:00:57.380> and
and backwards at the same time and
and backwards at the same time and
another<00:00:58.850> huge<00:00:59.300> chunk<00:00:59.660> of<00:00:59.750> our<00:00:59.899> work<00:00:59.960> has<00:01:00.470> gone
another huge chunk of our work has gone
another huge chunk of our work has gone
into<00:01:00.710> making<00:01:01.070> relevant<00:01:01.790> a<00:01:02.000> site<00:01:02.540> that's<00:01:02.809> grown
into making relevant a site that's grown
into making relevant a site that's grown
out<00:01:03.380> of<00:01:03.500> sync<00:01:03.770> with<00:01:03.829> its<00:01:04.070> time<00:01:04.309> we've<00:01:05.210> been
out of sync with its time we've been
out of sync with its time we've been
working<00:01:05.420> on<00:01:05.899> democratizing<00:01:06.890> Lincoln<00:01:07.250> Center
working on democratizing Lincoln Center
working on democratizing Lincoln Center
for<00:01:08.329> a<00:01:08.360> public<00:01:08.930> that<00:01:09.380> doesn't<00:01:09.439> usually<00:01:10.009> have
for a public that doesn't usually have
for a public that doesn't usually have
300<00:01:11.090> dollars<00:01:11.420> to<00:01:12.409> spend<00:01:12.649> on<00:01:12.799> an<00:01:12.920> opera<00:01:13.219> ticket
300 dollars to spend on an opera ticket
300 dollars to spend on an opera ticket
so<00:01:15.590> we've<00:01:15.740> been<00:01:15.860> eating<00:01:16.250> drinking<00:01:16.580> thinking
so we've been eating drinking thinking
so we've been eating drinking thinking
living<00:01:17.780> public<00:01:18.560> space<00:01:18.860> for<00:01:19.820> quite<00:01:20.120> a<00:01:20.150> long
living public space for quite a long
living public space for quite a long
time<00:01:20.390> and<00:01:20.990> it's<00:01:21.860> taught<00:01:22.159> us<00:01:22.340> really<00:01:22.670> one<00:01:23.000> thing
time and it's taught us really one thing
time and it's taught us really one thing
and<00:01:23.630> that<00:01:24.229> is<00:01:24.470> to<00:01:25.370> truly<00:01:25.729> make<00:01:26.060> a<00:01:26.119> good<00:01:26.540> public
and that is to truly make a good public
and that is to truly make a good public
space<00:01:27.610> you<00:01:28.610> have<00:01:29.030> to<00:01:29.060> erase<00:01:29.479> the<00:01:29.659> distinctions
space you have to erase the distinctions
space you have to erase the distinctions
between<00:01:30.369> architecture<00:01:31.369> urbanism<00:01:32.299> landscape
between architecture urbanism landscape
between architecture urbanism landscape
media<00:01:34.340> design<00:01:34.820> and<00:01:35.180> so<00:01:36.080> on<00:01:36.260> it<00:01:36.860> really<00:01:37.190> goes
media design and so on it really goes
media design and so on it really goes
beyond<00:01:37.790> distinction<00:01:38.470> now<00:01:39.470> we<00:01:40.130> are<00:01:40.189> moving<00:01:40.430> on
beyond distinction now we are moving on
beyond distinction now we are moving on
to<00:01:40.970> Washington<00:01:41.540> DC<00:01:41.930> and<00:01:42.260> we're<00:01:42.409> working<00:01:42.530> on
to Washington DC and we're working on
to Washington DC and we're working on
another<00:01:42.950> transformation<00:01:43.490> and<00:01:44.030> that<00:01:44.090> is<00:01:44.720> for
another transformation and that is for
another transformation and that is for
the<00:01:45.170> existing<00:01:45.619> Hirshhorn<00:01:46.070> Museum
the existing Hirshhorn Museum
the existing Hirshhorn Museum
that's<00:01:47.030> sited<00:01:47.510> on<00:01:47.689> the<00:01:48.500> most<00:01:48.740> revered<00:01:49.189> public
that's sited on the most revered public
that's sited on the most revered public
space<00:01:49.850> in<00:01:50.060> America<00:01:50.510> the<00:01:51.260> National<00:01:51.710> Mall<00:01:52.509> the
space in America the National Mall the
space in America the National Mall the
mall<00:01:53.750> is<00:01:54.110> a<00:01:54.290> symbol<00:01:54.830> of<00:01:55.750> American<00:01:56.750> democracy
mall is a symbol of American democracy
mall is a symbol of American democracy
and<00:01:58.060> what's<00:01:59.060> fantastic<00:01:59.180> is<00:01:59.720> that<00:01:59.960> this<00:02:00.140> symbol
and what's fantastic is that this symbol
and what's fantastic is that this symbol
is<00:02:01.549> not<00:02:01.759> a<00:02:01.790> thing<00:02:02.180> it's<00:02:02.360> not<00:02:02.509> an<00:02:02.630> image<00:02:03.049> it's
is not a thing it's not an image it's
is not a thing it's not an image it's
not<00:02:03.799> an<00:02:03.890> artifact<00:02:04.400> it's<00:02:04.729> actually<00:02:05.240> it's<00:02:05.360> a
not an artifact it's actually it's a
not an artifact it's actually it's a
space<00:02:05.810> and<00:02:06.229> it's<00:02:06.439> kind<00:02:06.710> of<00:02:06.770> just<00:02:07.490> defined<00:02:08.060> by
space and it's kind of just defined by
space and it's kind of just defined by
line<00:02:09.319> of<00:02:09.500> buildings<00:02:09.860> on<00:02:10.039> either<00:02:10.129> side<00:02:10.720> it's<00:02:11.720> a
line of buildings on either side it's a
line of buildings on either side it's a
space<00:02:12.170> where<00:02:12.500> citizens<00:02:13.489> can<00:02:13.879> voice<00:02:14.239> their
space where citizens can voice their
space where citizens can voice their
discontent<00:02:14.870> and<00:02:15.319> show<00:02:15.530> their<00:02:15.709> power<00:02:16.060> it's<00:02:17.060> a
discontent and show their power it's a
discontent and show their power it's a
place<00:02:17.510> where<00:02:17.840> pivotal<00:02:18.409> moments<00:02:18.890> in<00:02:19.069> American
place where pivotal moments in American
place where pivotal moments in American
history<00:02:19.730> have<00:02:20.540> taken<00:02:20.870> place<00:02:21.110> and<00:02:21.380> they're
history have taken place and they're
history have taken place and they're
inscribed<00:02:22.819> in<00:02:23.000> there<00:02:23.120> forever
inscribed in there forever
inscribed in there forever
like<00:02:24.250> the<00:02:24.400> march<00:02:24.579> on<00:02:24.730> Washington<00:02:25.299> for<00:02:25.329> Jobs
like the march on Washington for Jobs
like the march on Washington for Jobs
and<00:02:26.170> Freedom<00:02:26.260> and<00:02:26.769> the<00:02:26.829> great<00:02:27.459> speech<00:02:27.790> that
and Freedom and the great speech that
and Freedom and the great speech that
Martin<00:02:28.329> Luther<00:02:28.359> King<00:02:28.810> gave<00:02:29.079> there<00:02:29.319> the
Martin Luther King gave there the
Martin Luther King gave there the
Vietnam<00:02:30.760> protests<00:02:31.599> the<00:02:31.780> commemoration<00:02:32.560> of
Vietnam protests the commemoration of
Vietnam protests the commemoration of
all<00:02:33.159> that<00:02:33.459> died<00:02:33.700> in<00:02:34.120> the<00:02:34.239> pandemic<00:02:34.629> of<00:02:34.930> AIDS
all that died in the pandemic of AIDS
all that died in the pandemic of AIDS
the<00:02:36.400> March<00:02:36.640> for<00:02:36.879> women's<00:02:36.939> reproductive
the March for women's reproductive
the March for women's reproductive
rights<00:02:38.280> right<00:02:39.280> up<00:02:39.430> until<00:02:39.819> almost<00:02:40.510> the<00:02:40.780> present
rights right up until almost the present
rights right up until almost the present
the<00:02:42.219> mall<00:02:42.489> is<00:02:42.819> the<00:02:43.659> greatest<00:02:44.019> civic<00:02:44.349> stage<00:02:45.329> in
the mall is the greatest civic stage in
the mall is the greatest civic stage in
this<00:02:46.659> country<00:02:47.290> for<00:02:47.500> descent<00:02:47.920> and<00:02:48.900> it's
this country for descent and it's
this country for descent and it's
synonymous<00:02:50.340> with<00:02:51.340> free<00:02:51.639> speech<00:02:51.939> even<00:02:52.689> if
synonymous with free speech even if
synonymous with free speech even if
you're<00:02:53.260> not<00:02:53.349> sure<00:02:53.409> what<00:02:53.920> it<00:02:53.950> is<00:02:54.040> that<00:02:54.310> you<00:02:54.400> have
you're not sure what it is that you have
you're not sure what it is that you have
to<00:02:54.670> say<00:02:54.909> it<00:02:55.689> may<00:02:55.900> just<00:02:56.169> be<00:02:56.230> a<00:02:56.379> place<00:02:56.799> for<00:02:56.829> civic
to say it may just be a place for civic
to say it may just be a place for civic
and<00:02:57.970> miseration<00:03:00.120> there<00:03:01.120> is<00:03:01.269> a<00:03:01.299> huge
and miseration there is a huge
and miseration there is a huge
disconnect<00:03:02.489> we<00:03:03.489> believe<00:03:03.849> between<00:03:04.629> the
disconnect we believe between the
disconnect we believe between the
communicative<00:03:05.769> and<00:03:06.159> discursive<00:03:06.790> space<00:03:07.359> of
communicative and discursive space of
communicative and discursive space of
the<00:03:07.810> mall<00:03:08.049> and<00:03:08.489> the<00:03:09.489> museums<00:03:10.000> that<00:03:10.269> line<00:03:10.599> it<00:03:10.810> to
the mall and the museums that line it to
the mall and the museums that line it to
either<00:03:11.169> side<00:03:11.560> and<00:03:12.250> that<00:03:13.239> is<00:03:13.419> that<00:03:13.629> those
either side and that is that those
either side and that is that those
museums<00:03:14.200> are<00:03:14.680> usually<00:03:15.129> passive<00:03:15.639> they<00:03:15.730> have
museums are usually passive they have
museums are usually passive they have
passive<00:03:16.329> relationships<00:03:16.930> between<00:03:17.200> the<00:03:18.040> museum
passive relationships between the museum
passive relationships between the museum
as<00:03:18.849> the<00:03:19.060> presenter<00:03:19.689> and<00:03:19.989> the<00:03:20.079> audience<00:03:20.500> as<00:03:20.799> the
as the presenter and the audience as the
as the presenter and the audience as the
receiver<00:03:21.400> of<00:03:21.639> information<00:03:21.730> and<00:03:22.510> so<00:03:22.959> you<00:03:23.019> can
receiver of information and so you can
receiver of information and so you can
see<00:03:23.919> dinosaurs<00:03:24.159> and<00:03:25.060> and<00:03:25.480> and<00:03:26.109> insects<00:03:26.980> and
see dinosaurs and and and insects and
see dinosaurs and and and insects and
collections<00:03:27.669> of<00:03:27.819> locomotives<00:03:28.449> and<00:03:28.810> and<00:03:29.109> all
collections of locomotives and and all
collections of locomotives and and all
of<00:03:29.379> that<00:03:29.409> but<00:03:30.280> you're<00:03:30.849> really<00:03:31.000> not<00:03:31.090> involved
of that but you're really not involved
of that but you're really not involved
you're<00:03:31.930> being<00:03:32.109> talked<00:03:32.409> to<00:03:33.629> when<00:03:34.629> Richard
you're being talked to when Richard
you're being talked to when Richard
Kirsch<00:03:35.139> aaalac<00:03:35.590> took<00:03:36.310> over<00:03:36.519> as<00:03:36.729> director<00:03:36.760> of
Kirsch aaalac took over as director of
Kirsch aaalac took over as director of
the<00:03:37.299> Hirshhorn<00:03:37.510> in<00:03:38.579> 2009<00:03:39.900> he<00:03:40.900> was<00:03:40.989> determined
the Hirshhorn in 2009 he was determined
the Hirshhorn in 2009 he was determined
to<00:03:41.470> take<00:03:41.650> advantage<00:03:42.250> of<00:03:42.489> the<00:03:43.030> fact<00:03:43.209> that<00:03:43.329> this
to take advantage of the fact that this
to take advantage of the fact that this
museum<00:03:44.199> was<00:03:44.859> sited<00:03:45.400> the<00:03:45.519> most<00:03:45.729> unique<00:03:46.060> place
museum was sited the most unique place
museum was sited the most unique place
the<00:03:47.290> seat<00:03:47.439> of<00:03:47.560> power<00:03:47.769> in<00:03:48.159> the<00:03:48.280> US<00:03:48.430> and<00:03:48.909> while
the seat of power in the US and while
the seat of power in the US and while
art<00:03:50.229> and<00:03:50.379> politics<00:03:50.919> are<00:03:51.959> inherently<00:03:52.959> and
art and politics are inherently and
art and politics are inherently and
implicitly
implicitly
implicitly
together<00:03:55.209> always<00:03:55.629> and<00:03:56.079> all<00:03:56.139> the<00:03:56.290> time<00:03:56.560> there
together always and all the time there
together always and all the time there
could<00:03:57.759> be<00:03:57.790> some<00:03:58.629> very<00:03:59.290> special<00:04:00.269> relationship
could be some very special relationship
could be some very special relationship
that<00:04:01.540> could<00:04:01.930> be<00:04:01.989> forged<00:04:02.560> here<00:04:03.099> in<00:04:03.400> its
that could be forged here in its
that could be forged here in its
uniqueness<00:04:04.180> the<00:04:05.169> question<00:04:05.560> is<00:04:05.739> is<00:04:06.069> it
uniqueness the question is is it
uniqueness the question is is it
possible<00:04:06.569> ultimately<00:04:07.569> for<00:04:07.840> art's<00:04:08.139> to<00:04:08.290> insert
possible ultimately for art's to insert
possible ultimately for art's to insert
itself<00:04:08.909> into<00:04:09.909> the<00:04:10.090> dialogue<00:04:10.750> of<00:04:10.780> national<00:04:11.530> and
itself into the dialogue of national and
itself into the dialogue of national and
world<00:04:11.829> affairs<00:04:12.009> and<00:04:12.579> could<00:04:13.329> the<00:04:13.419> museum<00:04:13.810> be<00:04:13.959> an
world affairs and could the museum be an
world affairs and could the museum be an
agent<00:04:14.590> of<00:04:14.739> cultural<00:04:15.159> diplomacy<00:04:15.959> there<00:04:16.959> are
agent of cultural diplomacy there are
agent of cultural diplomacy there are
over<00:04:18.340> a<00:04:18.370> hundred<00:04:18.459> and<00:04:18.909> eighty<00:04:19.090> embassies<00:04:19.829> in
over a hundred and eighty embassies in
over a hundred and eighty embassies in
Washington<00:04:21.370> DC<00:04:21.519> there<00:04:21.970> are<00:04:22.060> over<00:04:22.330> five
Washington DC there are over five
Washington DC there are over five
hundred<00:04:22.570> think<00:04:23.139> tanks<00:04:23.580> there<00:04:24.580> should<00:04:24.880> be<00:04:25.000> a
hundred think tanks there should be a
hundred think tanks there should be a
way<00:04:25.270> of<00:04:25.419> harnessing<00:04:25.690> all<00:04:26.259> of<00:04:26.560> that
way of harnessing all of that
way of harnessing all of that
intellectual<00:04:27.310> and<00:04:27.699> global<00:04:27.970> energy<00:04:28.620> into<00:04:29.620> and
intellectual and global energy into and
intellectual and global energy into and
somehow<00:04:29.979> through<00:04:30.370> the<00:04:30.490> museum<00:04:30.940> there<00:04:31.659> should
somehow through the museum there should
somehow through the museum there should
be<00:04:32.169> some<00:04:32.919> kind<00:04:33.130> of<00:04:33.190> brain<00:04:33.430> trust
be some kind of brain trust
be some kind of brain trust
so<00:04:35.050> the<00:04:35.200> Hirshhorn<00:04:35.500> as<00:04:36.039> we<00:04:36.430> began<00:04:36.700> to<00:04:36.760> think
so the Hirshhorn as we began to think
so the Hirshhorn as we began to think
about
about
about
and<00:04:37.809> as<00:04:37.930> we<00:04:38.259> evolved<00:04:38.919> the<00:04:39.490> mission<00:04:39.879> with
and as we evolved the mission with
and as we evolved the mission with
Richard<00:04:40.960> and<00:04:41.110> his<00:04:41.259> team<00:04:41.590> it's<00:04:42.340> really<00:04:42.729> his
Richard and his team it's really his
Richard and his team it's really his
lifeblood
lifeblood
lifeblood
but<00:04:44.349> beyond<00:04:44.949> exhibiting<00:04:46.319> contemporary<00:04:47.319> art
but beyond exhibiting contemporary art
but beyond exhibiting contemporary art
the<00:04:48.129> Hirshhorn<00:04:48.839> will<00:04:49.839> become<00:04:50.110> a<00:04:50.139> public<00:04:50.499> forum
the Hirshhorn will become a public forum
the Hirshhorn will become a public forum
a<00:04:51.009> place<00:04:51.580> of<00:04:51.759> discourse<00:04:52.210> for<00:04:52.659> for<00:04:53.169> issues
a place of discourse for for issues
a place of discourse for for issues
around<00:04:54.520> arts<00:04:55.110> culture<00:04:57.449> politics<00:04:58.449> and<00:04:58.839> policy
around arts culture politics and policy
around arts culture politics and policy
it<00:05:01.089> would<00:05:01.300> have<00:05:01.449> the<00:05:01.629> global<00:05:02.050> reach<00:05:02.259> of<00:05:02.650> the
it would have the global reach of the
it would have the global reach of the
World<00:05:03.039> Economic<00:05:03.219> Forum<00:05:03.849> it<00:05:04.089> would<00:05:04.210> have<00:05:04.389> the
World Economic Forum it would have the
World Economic Forum it would have the
interdisciplinarity<00:05:05.409> of<00:05:05.770> the<00:05:06.069> TED
interdisciplinarity of the TED
interdisciplinarity of the TED
Conference<00:05:06.849> it<00:05:07.749> would<00:05:07.900> have<00:05:08.050> kind<00:05:08.289> of<00:05:08.409> the
Conference it would have kind of the
Conference it would have kind of the
informality<00:05:09.009> of<00:05:09.309> The<00:05:09.400> Times<00:05:09.580> Square<00:05:10.060> and<00:05:10.360> for
informality of The Times Square and for
informality of The Times Square and for
this<00:05:11.439> new<00:05:11.710> initiative<00:05:12.150> the<00:05:13.150> Hirshhorn<00:05:13.419> would
this new initiative the Hirshhorn would
this new initiative the Hirshhorn would
have<00:05:14.050> to<00:05:14.229> expand<00:05:14.740> or<00:05:15.120> appropriate<00:05:16.120> aside<00:05:16.419> for
have to expand or appropriate aside for
have to expand or appropriate aside for
a<00:05:16.960> temporary<00:05:17.620> deployable<00:05:18.550> structure<00:05:19.180> this<00:05:19.870> is
a temporary deployable structure this is
a temporary deployable structure this is
it<00:05:20.439> this<00:05:20.770> is<00:05:20.830> the<00:05:20.949> Hirshhorn<00:05:21.129> so<00:05:21.520> 230<00:05:22.270> foot
it this is the Hirshhorn so 230 foot
it this is the Hirshhorn so 230 foot
diameter<00:05:23.110> concrete<00:05:23.979> donut<00:05:24.639> design<00:05:25.479> in<00:05:25.689> the
diameter concrete donut design in the
diameter concrete donut design in the
early<00:05:25.990> 70s<00:05:26.740> by<00:05:26.949> Gordon<00:05:27.249> Bunn<00:05:27.490> shaft
early 70s by Gordon Bunn shaft
early 70s by Gordon Bunn shaft
it's<00:05:28.479> hulking<00:05:28.990> its<00:05:29.199> silent<00:05:29.710> its<00:05:29.949> cloistered
it's hulking its silent its cloistered
it's hulking its silent its cloistered
its<00:05:30.639> arrogant<00:05:31.409> it's<00:05:32.409> a<00:05:32.499> design<00:05:32.800> challenge
its arrogant it's a design challenge
its arrogant it's a design challenge
architects<00:05:34.629> love<00:05:34.870> to<00:05:34.990> hate<00:05:35.169> it<00:05:35.349> a<00:05:35.620> one
architects love to hate it a one
architects love to hate it a one
redeeming<00:05:36.430> feature<00:05:36.819> is<00:05:37.149> its<00:05:37.389> lifted<00:05:38.199> up<00:05:38.319> off
redeeming feature is its lifted up off
redeeming feature is its lifted up off
the<00:05:38.740> ground<00:05:38.979> and<00:05:39.339> it's<00:05:39.789> got<00:05:39.969> this<00:05:40.149> void<00:05:40.449> and
the ground and it's got this void and
the ground and it's got this void and
it's<00:05:41.319> God<00:05:41.560> an<00:05:41.770> empty<00:05:42.099> core<00:05:42.460> kind<00:05:43.300> of<00:05:43.509> in<00:05:43.749> the
it's God an empty core kind of in the
it's God an empty core kind of in the
spirit<00:05:44.439> and<00:05:44.770> that<00:05:44.860> facade<00:05:45.279> very<00:05:45.849> much
spirit and that facade very much
spirit and that facade very much
corporate<00:05:47.020> and<00:05:47.259> federal<00:05:48.159> style<00:05:48.759> and<00:05:49.089> around
corporate and federal style and around
corporate and federal style and around
that<00:05:50.229> space<00:05:50.770> the<00:05:51.399> ring<00:05:51.639> is<00:05:51.879> actually
that space the ring is actually
that space the ring is actually
galleries<00:05:52.810> very<00:05:53.199> very<00:05:53.469> difficult<00:05:53.649> to<00:05:54.009> mount
galleries very very difficult to mount
galleries very very difficult to mount
shows<00:05:54.459> in<00:05:54.669> there<00:05:55.020> when<00:05:56.020> the<00:05:56.139> Hirshhorn<00:05:56.349> opened
shows in there when the Hirshhorn opened
shows in there when the Hirshhorn opened
it'll<00:05:57.430> always<00:05:57.580> huxtable<00:05:58.120> the<00:05:58.209> New<00:05:58.270> York<00:05:58.419> Times
it'll always huxtable the New York Times
it'll always huxtable the New York Times
critic<00:05:58.870> had<00:05:59.199> some<00:05:59.379> choice<00:05:59.680> words<00:05:59.969> neo
critic had some choice words neo
critic had some choice words neo
penitentiary<00:06:01.689> modern<00:06:02.110> a<00:06:02.259> maimed<00:06:03.149> monument
penitentiary modern a maimed monument
penitentiary modern a maimed monument
and<00:06:04.300> and<00:06:04.419> maimed<00:06:04.689> mall<00:06:05.169> for<00:06:05.649> a<00:06:05.680> maimed
and and maimed mall for a maimed
and and maimed mall for a maimed
collection<00:06:06.689> almost<00:06:07.689> four<00:06:07.930> decades<00:06:08.110> later<00:06:08.649> how
collection almost four decades later how
collection almost four decades later how
would<00:06:09.729> this<00:06:09.789> building<00:06:10.149> expand<00:06:10.659> for<00:06:11.409> a<00:06:11.439> new
would this building expand for a new
would this building expand for a new
progressive<00:06:11.740> program<00:06:12.459> where<00:06:13.360> would<00:06:13.539> it<00:06:13.659> go
progressive program where would it go
progressive program where would it go
can't<00:06:14.589> go<00:06:14.770> in<00:06:14.949> the<00:06:15.039> mall<00:06:15.279> there<00:06:15.669> is<00:06:15.819> no<00:06:15.969> space
can't go in the mall there is no space
can't go in the mall there is no space
there<00:06:16.629> it<00:06:16.990> can't<00:06:17.680> go<00:06:17.860> in<00:06:17.979> the<00:06:18.069> courtyard<00:06:18.669> it's
there it can't go in the courtyard it's
there it can't go in the courtyard it's
already<00:06:19.569> taken<00:06:19.930> up<00:06:20.050> by<00:06:20.580> landscape<00:06:21.580> and<00:06:21.789> by
already taken up by landscape and by
already taken up by landscape and by
sculptures<00:06:22.870> oh<00:06:23.229> there's<00:06:23.860> always<00:06:23.979> the<00:06:24.189> hole
sculptures oh there's always the hole
sculptures oh there's always the hole
but<00:06:26.110> how<00:06:26.649> could<00:06:27.039> it<00:06:27.099> take<00:06:27.430> the<00:06:28.120> space<00:06:28.389> of<00:06:28.569> that
but how could it take the space of that
but how could it take the space of that
hole<00:06:28.870> and<00:06:29.110> not<00:06:29.830> be<00:06:30.039> buried<00:06:30.550> in<00:06:30.699> it<00:06:30.849> and
hole and not be buried in it and
hole and not be buried in it and
invisibly<00:06:31.839> how<00:06:32.050> could<00:06:32.229> it<00:06:32.319> become<00:06:32.889> iconic<00:06:33.430> and
invisibly how could it become iconic and
invisibly how could it become iconic and
what<00:06:34.300> language<00:06:34.839> would<00:06:35.620> it<00:06:35.770> take<00:06:36.009> the
what language would it take the
what language would it take the
Hirshhorn<00:06:37.209> sits<00:06:37.810> among<00:06:37.959> the<00:06:38.199> most<00:06:38.379> monumental
Hirshhorn sits among the most monumental
Hirshhorn sits among the most monumental
institutions<00:06:39.759> most<00:06:40.419> are<00:06:40.569> neoclassical<00:06:41.409> heavy
institutions most are neoclassical heavy
institutions most are neoclassical heavy
and<00:06:42.039> opaque<00:06:42.399> made<00:06:43.300> of<00:06:43.419> stone<00:06:43.629> or<00:06:43.810> concrete<00:06:43.959> and
and opaque made of stone or concrete and
and opaque made of stone or concrete and
question<00:06:46.419> is<00:06:46.569> well<00:06:46.990> if<00:06:47.259> one<00:06:47.740> inhabits<00:06:48.279> that
question is well if one inhabits that
question is well if one inhabits that
space<00:06:48.759> what<00:06:49.120> is<00:06:49.269> the<00:06:49.569> material
space what is the material
space what is the material
of<00:06:50.760> them<00:06:51.270> all<00:06:51.530> it<00:06:52.530> has<00:06:52.800> to<00:06:53.010> be<00:06:53.130> different<00:06:53.640> from
of them all it has to be different from
of them all it has to be different from
the<00:06:53.940> buildings<00:06:54.240> there<00:06:54.450> it<00:06:54.690> has<00:06:54.990> to<00:06:55.020> be
the buildings there it has to be
the buildings there it has to be
something<00:06:56.040> entirely<00:06:56.460> different<00:06:56.670> it<00:06:56.970> has<00:06:57.120> to
something entirely different it has to
something entirely different it has to
be<00:06:57.390> air<00:06:57.600> in<00:06:57.960> our<00:06:58.230> imagination<00:06:59.220> it<00:06:59.670> has<00:06:59.850> to<00:06:59.970> be
be air in our imagination it has to be
be air in our imagination it has to be
light<00:07:00.300> it<00:07:00.510> has<00:07:00.630> to<00:07:00.810> be<00:07:00.900> ephemeral<00:07:01.230> it<00:07:01.470> has<00:07:01.620> to
light it has to be ephemeral it has to
light it has to be ephemeral it has to
be<00:07:01.860> formless<00:07:02.400> and<00:07:02.700> it<00:07:03.390> has<00:07:03.570> to<00:07:03.720> be<00:07:03.840> free
so<00:07:17.970> this<00:07:18.970> is<00:07:19.120> the<00:07:19.240> big<00:07:19.390> idea
so this is the big idea
so this is the big idea
it's<00:07:20.080> a<00:07:20.200> giant<00:07:20.710> air<00:07:20.920> bag<00:07:21.900> the<00:07:22.900> expansion<00:07:23.620> takes
it's a giant air bag the expansion takes
it's a giant air bag the expansion takes
the<00:07:24.130> shape<00:07:24.400> of<00:07:24.700> its<00:07:24.850> container<00:07:24.910> and<00:07:25.720> it<00:07:26.200> loses
the shape of its container and it loses
the shape of its container and it loses
out<00:07:26.740> wherever<00:07:27.070> can<00:07:27.520> the<00:07:27.670> top<00:07:27.880> and<00:07:28.060> sides<00:07:28.620> but
out wherever can the top and sides but
out wherever can the top and sides but
more<00:07:29.800> poetically<00:07:30.550> we<00:07:31.450> like<00:07:31.600> to<00:07:31.750> think<00:07:31.930> of<00:07:32.110> the
more poetically we like to think of the
more poetically we like to think of the
structure<00:07:32.590> as<00:07:33.780> inhaling<00:07:34.780> the<00:07:35.170> Democratic<00:07:35.800> air
structure as inhaling the Democratic air
structure as inhaling the Democratic air
of<00:07:36.070> the<00:07:36.190> mall<00:07:37.020> bringing<00:07:38.020> it<00:07:38.140> into<00:07:38.500> itself<00:07:39.060> the
of the mall bringing it into itself the
of the mall bringing it into itself the
before<00:07:40.540> and<00:07:40.870> the<00:07:41.800> after<00:07:43.290> it<00:07:44.290> was<00:07:44.560> dubbed<00:07:44.920> the
before and the after it was dubbed the
before and the after it was dubbed the
bubble<00:07:45.430> by<00:07:45.790> the<00:07:45.850> press<00:07:46.830> that<00:07:47.830> was<00:07:48.040> the<00:07:48.250> lounge
bubble by the press that was the lounge
bubble by the press that was the lounge
it's<00:07:48.970> basically<00:07:49.420> one<00:07:49.810> big<00:07:49.840> volume<00:07:50.740> of<00:07:50.860> air
it's basically one big volume of air
it's basically one big volume of air
that<00:07:51.340> just<00:07:52.240> oozes<00:07:52.660> out<00:07:52.810> in<00:07:53.080> every<00:07:53.290> direction
that just oozes out in every direction
that just oozes out in every direction
the<00:07:54.040> membrane<00:07:54.970> is<00:07:55.180> translucent<00:07:55.720> it's<00:07:56.200> made<00:07:56.440> of
the membrane is translucent it's made of
the membrane is translucent it's made of
silicone<00:07:57.280> coated<00:07:57.940> glass<00:07:58.530> fiber<00:07:59.530> and<00:07:59.950> it's
silicone coated glass fiber and it's
silicone coated glass fiber and it's
inflated<00:08:02.110> twice<00:08:02.380> a<00:08:02.620> year<00:08:02.740> for<00:08:02.980> one<00:08:03.010> month<00:08:03.340> at<00:08:03.490> a
inflated twice a year for one month at a
inflated twice a year for one month at a
time<00:08:04.170> this<00:08:05.170> is<00:08:05.230> the<00:08:05.380> view<00:08:05.620> from<00:08:05.680> the<00:08:05.860> inside<00:08:06.370> so
time this is the view from the inside so
time this is the view from the inside so
you<00:08:07.690> might<00:08:08.080> have<00:08:08.200> been<00:08:08.260> wondering<00:08:09.120> how<00:08:10.120> in<00:08:10.210> the
you might have been wondering how in the
you might have been wondering how in the
world<00:08:10.330> did<00:08:10.690> we<00:08:10.840> get<00:08:10.960> this<00:08:11.110> approved<00:08:11.800> by<00:08:12.160> the
world did we get this approved by the
world did we get this approved by the
federal<00:08:12.610> government<00:08:13.030> I<00:08:13.120> mean<00:08:13.150> it<00:08:13.480> was<00:08:14.130> it<00:08:15.130> had
federal government I mean it was it had
federal government I mean it was it had
to<00:08:15.460> be<00:08:15.550> approved<00:08:15.790> by<00:08:15.940> actually<00:08:16.420> two<00:08:16.720> agencies
to be approved by actually two agencies
to be approved by actually two agencies
and<00:08:17.920> and<00:08:18.820> it<00:08:19.420> was<00:08:19.630> and<00:08:20.170> one<00:08:20.410> is<00:08:20.560> there<00:08:20.740> to
and and it was and one is there to
and and it was and one is there to
preserve<00:08:21.130> the<00:08:21.580> dignity<00:08:21.610> and<00:08:22.270> sanctity<00:08:22.450> of
preserve the dignity and sanctity of
preserve the dignity and sanctity of
them<00:08:22.990> all
them all
them all
I<00:08:24.130> blush<00:08:24.910> whenever<00:08:25.270> I<00:08:25.360> show<00:08:25.660> this<00:08:26.130> it<00:08:27.130> is<00:08:27.540> yours
I blush whenever I show this it is yours
I blush whenever I show this it is yours
to<00:08:28.870> interpret<00:08:29.520> but<00:08:30.520> one<00:08:31.060> thing<00:08:31.210> I<00:08:31.270> could<00:08:31.450> say
to interpret but one thing I could say
to interpret but one thing I could say
is<00:08:31.870> that<00:08:33.060> it's<00:08:34.060> a<00:08:34.180> combination<00:08:34.840> of<00:08:34.930> iconoclasm
is that it's a combination of iconoclasm
is that it's a combination of iconoclasm
and<00:08:37.560> adoration<00:08:40.620> there<00:08:41.620> was<00:08:41.830> also<00:08:42.070> some
and adoration there was also some
and adoration there was also some
creative<00:08:42.790> interpretation<00:08:43.540> involved<00:08:44.080> the
creative interpretation involved the
creative interpretation involved the
Congressional<00:08:45.010> Buildings<00:08:45.430> Act<00:08:45.640> of<00:08:45.760> 1910
Congressional Buildings Act of 1910
Congressional Buildings Act of 1910
limits<00:08:47.290> the<00:08:47.440> height<00:08:47.710> of<00:08:47.920> buildings<00:08:48.070> in<00:08:48.400> DC<00:08:48.820> to
limits the height of buildings in DC to
limits the height of buildings in DC to
130<00:08:49.870> feet<00:08:50.250> except<00:08:51.250> for<00:08:51.460> spires<00:08:51.760> towers<00:08:51.910> domes
130 feet except for spires towers domes
130 feet except for spires towers domes
and<00:08:52.900> minarets<00:08:53.140> there's<00:08:53.950> pretty<00:08:54.160> much<00:08:54.220> exempts
and minarets there's pretty much exempts
and minarets there's pretty much exempts
monuments<00:08:56.140> of<00:08:57.100> the<00:08:57.280> church<00:08:57.550> and<00:08:57.730> state<00:08:57.820> and
monuments of the church and state and
monuments of the church and state and
the<00:08:58.500> bubble<00:08:59.500> is<00:09:00.000> 153<00:09:01.000> feet<00:09:01.330> that's<00:09:01.600> the
the bubble is 153 feet that's the
the bubble is 153 feet that's the
Pantheon<00:09:03.070> next<00:09:03.430> to<00:09:03.550> it<00:09:03.670> it's<00:09:04.330> about<00:09:04.570> 1.2
Pantheon next to it it's about 1.2
Pantheon next to it it's about 1.2
million<00:09:05.620> cubic<00:09:06.070> feet<00:09:06.250> of<00:09:06.310> compressed<00:09:06.790> air<00:09:07.030> and
million cubic feet of compressed air and
million cubic feet of compressed air and
so<00:09:08.230> we<00:09:08.350> argued<00:09:08.770> it<00:09:08.920> on<00:09:09.160> the<00:09:09.460> merits<00:09:09.610> of<00:09:09.970> being<00:09:10.360> a
so we argued it on the merits of being a
so we argued it on the merits of being a
dome<00:09:10.690> so<00:09:11.560> there<00:09:11.860> it<00:09:12.010> is<00:09:12.220> very<00:09:12.880> stately<00:09:13.950> among
dome so there it is very stately among
dome so there it is very stately among
all<00:09:15.160> these<00:09:15.490> stately<00:09:16.000> buildings<00:09:16.450> in<00:09:16.810> the<00:09:17.020> mall
all these stately buildings in the mall
all these stately buildings in the mall
and<00:09:17.560> while<00:09:18.370> this<00:09:18.750> Hirshhorn<00:09:19.750> is<00:09:19.960> not
and while this Hirshhorn is not
and while this Hirshhorn is not
landmarked<00:09:21.340> it's<00:09:21.520> very<00:09:21.760> very<00:09:22.000> historically
landmarked it's very very historically
landmarked it's very very historically
sensitive<00:09:22.780> and<00:09:23.350> so<00:09:23.500> we<00:09:23.620> couldn't<00:09:23.890> really
sensitive and so we couldn't really
sensitive and so we couldn't really
touch<00:09:24.250> its<00:09:24.460> services<00:09:24.970> we<00:09:25.420> couldn't<00:09:25.720> leave<00:09:25.900> any
touch its services we couldn't leave any
touch its services we couldn't leave any
traces<00:09:26.680> behind
traces behind
traces behind
so<00:09:27.910> we<00:09:28.030> strained<00:09:28.480> it<00:09:28.630> from<00:09:28.810> the<00:09:28.930> edges<00:09:29.080> and<00:09:29.320> we
so we strained it from the edges and we
so we strained it from the edges and we
held<00:09:29.920> it<00:09:30.130> by<00:09:30.280> cables<00:09:30.790> it's<00:09:31.330> a<00:09:31.450> study<00:09:31.870> of<00:09:32.110> some
held it by cables it's a study of some
held it by cables it's a study of some
bondage<00:09:33.310> techniques<00:09:33.910> which<00:09:34.630> are<00:09:34.780> actually
bondage techniques which are actually
bondage techniques which are actually
very<00:09:35.170> very<00:09:35.380> important<00:09:35.980> because<00:09:36.160> it's<00:09:36.490> hit<00:09:36.670> by
very very important because it's hit by
very very important because it's hit by
wind<00:09:37.120> all<00:09:37.330> the<00:09:37.360> time<00:09:37.690> there's<00:09:38.410> one<00:09:38.680> permanent
wind all the time there's one permanent
wind all the time there's one permanent
steel<00:09:39.610> ring<00:09:39.940> at<00:09:40.090> the<00:09:40.180> top<00:09:40.420> but<00:09:41.260> it<00:09:41.410> can't<00:09:41.650> be
steel ring at the top but it can't be
steel ring at the top but it can't be
seen<00:09:42.040> from<00:09:42.190> any<00:09:42.430> vantage<00:09:42.610> point<00:09:43.030> on<00:09:43.150> them<00:09:43.270> all
seen from any vantage point on them all
seen from any vantage point on them all
there<00:09:44.350> are<00:09:44.440> also<00:09:44.590> some<00:09:44.920> restrictions<00:09:45.580> about
there are also some restrictions about
there are also some restrictions about
how<00:09:46.150> much<00:09:46.330> it<00:09:46.480> could<00:09:46.660> be<00:09:46.780> lit<00:09:47.050> it<00:09:47.470> glows<00:09:47.860> from
how much it could be lit it glows from
how much it could be lit it glows from
within<00:09:48.250> it's<00:09:48.700> translucent<00:09:49.150> but<00:09:49.900> it<00:09:50.020> can't<00:09:50.350> be
within it's translucent but it can't be
within it's translucent but it can't be
more<00:09:50.860> lit<00:09:51.130> than<00:09:51.400> the<00:09:51.490> Capitol<00:09:51.970> or<00:09:52.090> some<00:09:52.270> of<00:09:52.390> the
more lit than the Capitol or some of the
more lit than the Capitol or some of the
monuments<00:09:52.750> so<00:09:53.140> it's<00:09:53.380> down<00:09:54.160> the<00:09:54.340> hierarchy<00:09:54.550> on
monuments so it's down the hierarchy on
monuments so it's down the hierarchy on
lighting<00:09:55.600> so<00:09:56.410> it<00:09:56.890> comes<00:09:57.190> to<00:09:57.370> the<00:09:57.460> side<00:09:57.670> twice<00:09:57.940> a
lighting so it comes to the side twice a
lighting so it comes to the side twice a
year<00:09:58.360> it's<00:09:58.630> taken<00:09:59.080> off<00:09:59.200> the<00:09:59.410> delivery<00:09:59.770> truck
year it's taken off the delivery truck
year it's taken off the delivery truck
its<00:10:00.790> hoisted<00:10:01.710> and<00:10:02.710> then<00:10:03.040> it's<00:10:03.460> inflated<00:10:04.180> with
its hoisted and then it's inflated with
its hoisted and then it's inflated with
this<00:10:05.230> low<00:10:05.470> pressure<00:10:05.680> air<00:10:06.070> and<00:10:06.430> then<00:10:07.030> it's
this low pressure air and then it's
this low pressure air and then it's
restrained<00:10:07.840> with<00:10:08.110> the<00:10:08.170> cables<00:10:08.620> and<00:10:08.980> then<00:10:09.280> it's
restrained with the cables and then it's
restrained with the cables and then it's
ballasted<00:10:10.960> with<00:10:10.990> water<00:10:11.440> at<00:10:11.680> the<00:10:11.800> very<00:10:11.950> bottom
ballasted with water at the very bottom
ballasted with water at the very bottom
this<00:10:13.660> is<00:10:13.840> a<00:10:13.870> converse<00:10:14.650> strange<00:10:15.010> moment<00:10:15.430> we
this is a converse strange moment we
this is a converse strange moment we
were<00:10:15.580> asked<00:10:16.030> by<00:10:16.150> the<00:10:16.210> the<00:10:17.110> bureaucracy<00:10:17.800> at<00:10:18.070> the
were asked by the the bureaucracy at the
were asked by the the bureaucracy at the
mall<00:10:18.430> how<00:10:19.360> much<00:10:19.570> time<00:10:19.810> would<00:10:19.960> it<00:10:20.020> take<00:10:20.290> to
mall how much time would it take to
mall how much time would it take to
install<00:10:20.620> and<00:10:21.220> we<00:10:21.910> said<00:10:22.210> well<00:10:22.450> the<00:10:22.600> first
install and we said well the first
install and we said well the first
direction<00:10:23.350> would<00:10:23.500> take<00:10:23.740> one<00:10:24.040> week<00:10:24.310> the<00:10:24.820> very
direction would take one week the very
direction would take one week the very
first<00:10:25.300> and<00:10:25.540> they<00:10:26.200> really<00:10:26.500> connected<00:10:26.890> with
first and they really connected with
first and they really connected with
that<00:10:27.160> idea<00:10:27.550> and<00:10:28.260> and<00:10:29.260> then<00:10:29.800> it<00:10:29.950> was<00:10:30.100> really
that idea and and then it was really
that idea and and then it was really
easy<00:10:30.730> all<00:10:31.090> the<00:10:31.120> way<00:10:31.300> through<00:10:31.570> but<00:10:32.440> so<00:10:32.740> we
easy all the way through but so we
easy all the way through but so we
didn't<00:10:33.130> really<00:10:33.190> have<00:10:33.370> that<00:10:33.610> many<00:10:34.000> hurdles<00:10:34.570> I
didn't really have that many hurdles I
didn't really have that many hurdles I
have<00:10:34.900> to<00:10:35.050> say<00:10:35.290> with<00:10:35.740> the<00:10:36.010> with<00:10:36.220> the<00:10:36.370> government
have to say with the with the government
have to say with the with the government
and<00:10:36.880> all<00:10:36.970> the<00:10:37.090> authorities<00:10:37.570> but<00:10:37.990> some<00:10:38.170> of<00:10:38.290> the
and all the authorities but some of the
and all the authorities but some of the
toughest<00:10:38.770> hurdles<00:10:39.070> have<00:10:39.220> been<00:10:39.250> the<00:10:39.490> technical
toughest hurdles have been the technical
toughest hurdles have been the technical
ones<00:10:40.090> this<00:10:40.750> is<00:10:40.900> the<00:10:41.020> warp<00:10:41.230> and<00:10:41.410> weft<00:10:41.650> this<00:10:42.580> is<00:10:42.760> a
ones this is the warp and weft this is a
ones this is the warp and weft this is a
point<00:10:43.180> cloud<00:10:43.570> there<00:10:44.500> are<00:10:44.680> extreme<00:10:45.220> pressures
point cloud there are extreme pressures
point cloud there are extreme pressures
this<00:10:46.210> is<00:10:46.390> a<00:10:46.420> very<00:10:46.750> very<00:10:46.870> unusual<00:10:46.990> building<00:10:47.800> in
this is a very very unusual building in
this is a very very unusual building in
that<00:10:48.220> there's<00:10:48.910> no<00:10:49.210> gravity<00:10:49.660> load<00:10:49.990> but<00:10:50.590> there's
that there's no gravity load but there's
that there's no gravity load but there's
load<00:10:51.130> in<00:10:51.490> every<00:10:51.970> direction<00:10:52.240> and<00:10:52.570> I'm<00:10:52.720> just
load in every direction and I'm just
load in every direction and I'm just
gonna<00:10:53.050> zip<00:10:53.680> through<00:10:54.370> these<00:10:55.300> slides<00:10:55.720> and<00:10:56.640> this
gonna zip through these slides and this
gonna zip through these slides and this
is<00:10:57.820> the<00:10:58.060> space<00:10:58.630> in<00:10:58.870> action<00:10:59.260> so<00:10:59.530> flexible
is the space in action so flexible
is the space in action so flexible
interior<00:11:00.930> for<00:11:01.930> discussions<00:11:02.470> just<00:11:02.560> like<00:11:02.980> this
interior for discussions just like this
interior for discussions just like this
but<00:11:03.520> in<00:11:03.760> the<00:11:03.910> round<00:11:04.230> luminous<00:11:05.230> and
but in the round luminous and
but in the round luminous and
reconfigurable<00:11:06.400> could<00:11:06.970> be<00:11:07.060> used<00:11:07.330> for
reconfigurable could be used for
reconfigurable could be used for
anything<00:11:08.140> for<00:11:08.530> performances<00:11:09.450> films<00:11:10.450> for
anything for performances films for
anything for performances films for
installations<00:11:12.310> and<00:11:13.020> the<00:11:14.020> very<00:11:14.620> first<00:11:14.920> program
installations and the very first program
installations and the very first program
will<00:11:15.550> be<00:11:15.730> one<00:11:15.910> of<00:11:16.120> cultural<00:11:16.660> dialogue<00:11:17.110> and
will be one of cultural dialogue and
will be one of cultural dialogue and
diplomacy<00:11:17.470> organized<00:11:18.340> in<00:11:18.520> partnership<00:11:18.550> with
diplomacy organized in partnership with
diplomacy organized in partnership with
the<00:11:19.330> Council<00:11:19.690> on<00:11:19.750> Foreign<00:11:19.990> Relations<00:11:20.700> form
the Council on Foreign Relations form
the Council on Foreign Relations form
and<00:11:21.970> content<00:11:22.480> are<00:11:22.780> together<00:11:23.050> here<00:11:23.680> the<00:11:24.400> bubble
and content are together here the bubble
and content are together here the bubble
is<00:11:24.820> an<00:11:24.940> ante<00:11:25.390> monument<00:11:25.990> the<00:11:26.770> ideals<00:11:27.250> of
is an ante monument the ideals of
is an ante monument the ideals of
participatory<00:11:28.000> democracy<00:11:28.300> are<00:11:28.900> represented
participatory democracy are represented
participatory democracy are represented
through<00:11:29.560> suppleness<00:11:30.370> rather<00:11:30.790> than<00:11:31.060> rigidity
through suppleness rather than rigidity
through suppleness rather than rigidity
art<00:11:31.990> and<00:11:32.620> politics<00:11:33.250> occupy<00:11:33.970> an<00:11:34.210> ambiguous
art and politics occupy an ambiguous
art and politics occupy an ambiguous
site<00:11:35.460> outside<00:11:36.460> the<00:11:36.610> museum<00:11:36.970> walls<00:11:37.390> but<00:11:37.780> inside
site outside the museum walls but inside
site outside the museum walls but inside
of<00:11:38.380> the<00:11:39.070> museum's<00:11:39.520> core<00:11:40.290> blending<00:11:41.290> its
of the museum's core blending its
of the museum's core blending its
with<00:11:42.590> the<00:11:42.830> Democratic<00:11:43.430> era<00:11:43.730> of<00:11:44.029> the<00:11:44.240> mall<00:11:44.450> and
with the Democratic era of the mall and
with the Democratic era of the mall and
the<00:11:47.090> bubble<00:11:47.450> will<00:11:48.760> inflate<00:11:50.050> hopefully<00:11:51.050> for
the bubble will inflate hopefully for
the bubble will inflate hopefully for
the<00:11:51.320> first<00:11:51.560> time<00:11:51.800> at<00:11:52.100> the<00:11:52.670> end<00:11:52.820> of<00:11:52.940> 2013
the first time at the end of 2013
the first time at the end of 2013
thank<00:11:55.670> you
Liz Diller, Hirshhorn, Museum, Design, Studio, TED, TED, Talk, Chee, Pearlman, David, Rockwell, public, space, architecture
