Different ways of knowing - Daniel Tammet
[Music]
[Music]
[Music]
[Applause]
[Applause]
[Applause]
I'm<00:00:16.279> a<00:00:16.880> Sant<00:00:17.880> or<00:00:18.080> more<00:00:18.840> precisely<00:00:19.840> a<00:00:20.080> high
I'm a Sant or more precisely a high
I'm a Sant or more precisely a high
functioning<00:00:21.400> autistic
functioning autistic
functioning autistic
Sant<00:00:23.439> it's<00:00:23.599> a<00:00:23.800> rare<00:00:24.640> condition<00:00:25.640> and<00:00:26.199> uh<00:00:26.640> where
Sant it's a rare condition and uh where
Sant it's a rare condition and uh where
still<00:00:27.800> when<00:00:28.320> accompanied<00:00:29.320> as<00:00:29.439> in<00:00:29.599> my<00:00:29.800> case
still when accompanied as in my case
still when accompanied as in my case
by
by
by
self-awareness<00:00:32.800> and<00:00:33.399> a<00:00:33.600> Mastery<00:00:34.040> of
self-awareness and a Mastery of
self-awareness and a Mastery of
language<00:00:36.200> very<00:00:36.480> often<00:00:36.920> when<00:00:37.360> I<00:00:37.520> meet<00:00:37.760> someone
language very often when I meet someone
language very often when I meet someone
and<00:00:38.920> they<00:00:39.079> learn<00:00:39.440> this<00:00:39.640> about<00:00:39.920> me<00:00:40.760> there's<00:00:40.960> a
and they learn this about me there's a
and they learn this about me there's a
certain<00:00:41.719> kind<00:00:42.000> of
certain kind of
certain kind of
awkwardness<00:00:44.399> I<00:00:44.520> can<00:00:44.719> see<00:00:44.960> it<00:00:45.079> in<00:00:45.239> their<00:00:45.480> eyes
awkwardness I can see it in their eyes
awkwardness I can see it in their eyes
they<00:00:46.640> want<00:00:46.960> to<00:00:47.520> ask<00:00:47.800> me<00:00:48.480> something<00:00:49.480> and<00:00:50.079> in<00:00:50.199> the
they want to ask me something and in the
they want to ask me something and in the
end<00:00:51.079> quite<00:00:51.320> often<00:00:51.600> the<00:00:51.760> urge<00:00:52.039> is<00:00:52.359> stronger
end quite often the urge is stronger
end quite often the urge is stronger
than<00:00:53.320> they<00:00:53.440> are<00:00:54.280> and<00:00:54.440> they<00:00:54.600> blurted
than they are and they blurted
than they are and they blurted
out<00:00:56.680> if<00:00:56.800> I<00:00:57.039> give<00:00:57.199> you<00:00:57.840> my<00:00:58.359> date<00:00:58.559> of<00:00:58.719> birth<00:00:59.000> can
out if I give you my date of birth can
out if I give you my date of birth can
you<00:00:59.160> tell<00:00:59.280> me<00:00:59.399> what<00:00:59.519> day<00:00:59.640> of<00:00:59.719> the<00:00:59.760> week<00:01:00.079> I<00:01:00.160> was
you tell me what day of the week I was
you tell me what day of the week I was
born
on<00:01:03.920> or<00:01:04.159> they<00:01:04.360> mention<00:01:05.040> cube<00:01:05.400> roots<00:01:06.000> or<00:01:06.479> um<00:01:07.000> ask
on or they mention cube roots or um ask
on or they mention cube roots or um ask
me<00:01:07.360> to<00:01:07.520> recite<00:01:08.000> a<00:01:08.159> long<00:01:08.400> number<00:01:08.759> or<00:01:08.880> a<00:01:09.000> long
me to recite a long number or a long
me to recite a long number or a long
text<00:01:10.680> I<00:01:10.799> hope<00:01:10.960> you'll<00:01:11.240> forgive<00:01:12.040> me<00:01:13.040> if<00:01:13.799> I<00:01:14.000> don't
text I hope you'll forgive me if I don't
text I hope you'll forgive me if I don't
perform<00:01:15.560> a<00:01:15.759> kind<00:01:16.040> of<00:01:16.240> one<00:01:16.520> man<00:01:17.000> Sant<00:01:17.520> show<00:01:17.799> for
perform a kind of one man Sant show for
perform a kind of one man Sant show for
you
you
you
today<00:01:19.759> I<00:01:20.240> uh<00:01:20.880> am<00:01:21.079> going<00:01:21.280> to<00:01:21.560> talk<00:01:22.320> instead
today I uh am going to talk instead
today I uh am going to talk instead
about<00:01:24.360> something<00:01:25.360> far<00:01:25.560> more<00:01:25.799> interesting
about something far more interesting
about something far more interesting
than<00:01:26.640> dates<00:01:26.960> of<00:01:27.200> birth<00:01:27.560> or<00:01:27.840> cube<00:01:28.320> roots<00:01:29.320> a
than dates of birth or cube roots a
than dates of birth or cube roots a
little
little
little
deeper<00:01:31.479> and<00:01:31.759> a<00:01:31.880> lot<00:01:32.079> closer<00:01:32.479> to<00:01:32.680> my<00:01:32.840> mind<00:01:33.079> and
deeper and a lot closer to my mind and
deeper and a lot closer to my mind and
work<00:01:34.360> I<00:01:34.439> want<00:01:34.640> to<00:01:34.840> talk<00:01:35.000> to<00:01:35.159> you<00:01:35.640> briefly<00:01:36.640> about
work I want to talk to you briefly about
work I want to talk to you briefly about
perception<00:01:39.439> when<00:01:39.600> he<00:01:39.759> was<00:01:40.439> writing<00:01:40.880> the<00:01:41.079> plays
perception when he was writing the plays
perception when he was writing the plays
and<00:01:41.640> the<00:01:41.759> short<00:01:42.119> stories<00:01:42.720> that<00:01:42.840> would<00:01:43.079> make
and the short stories that would make
and the short stories that would make
his<00:01:43.600> name<00:01:44.600> Anton
his name Anton
his name Anton
COV<00:01:46.759> kept<00:01:47.000> a<00:01:47.159> notebook<00:01:48.119> in<00:01:48.320> which<00:01:48.600> he<00:01:49.320> noted
COV kept a notebook in which he noted
COV kept a notebook in which he noted
down<00:01:50.600> his<00:01:51.040> observations<00:01:52.040> of<00:01:52.240> the<00:01:52.360> world
down his observations of the world
down his observations of the world
around<00:01:53.040> him<00:01:53.680> little<00:01:54.640> details<00:01:55.640> that<00:01:56.039> other
around him little details that other
around him little details that other
people<00:01:57.039> seem<00:01:57.360> to
people seem to
people seem to
miss<00:01:59.240> every<00:01:59.479> time<00:01:59.680> I<00:02:00.000> recheck<00:02:00.960> of<00:02:01.960> and<00:02:02.240> his
miss every time I recheck of and his
miss every time I recheck of and his
unique<00:02:02.880> vision<00:02:03.240> of<00:02:03.600> human<00:02:04.399> life<00:02:05.399> I'm<00:02:05.600> reminded
unique vision of human life I'm reminded
unique vision of human life I'm reminded
of<00:02:06.320> why<00:02:06.640> I<00:02:07.039> too<00:02:07.759> became<00:02:08.440> a
of why I too became a
of why I too became a
writer<00:02:10.160> in<00:02:10.360> my<00:02:10.560> books<00:02:11.360> I<00:02:11.520> explore<00:02:11.920> the<00:02:12.040> nature
writer in my books I explore the nature
writer in my books I explore the nature
of<00:02:12.720> perception<00:02:13.720> and<00:02:13.920> how<00:02:14.239> different<00:02:14.680> kinds<00:02:15.040> of
of perception and how different kinds of
of perception and how different kinds of
perceiving<00:02:16.480> create<00:02:16.959> different<00:02:17.400> kinds<00:02:18.000> of
perceiving create different kinds of
perceiving create different kinds of
knowing<00:02:19.200> and
understanding<00:02:24.000> here<00:02:24.120> are<00:02:24.319> three<00:02:24.560> questions
understanding here are three questions
understanding here are three questions
drawn<00:02:25.800> from<00:02:26.080> my<00:02:26.480> work<00:02:27.480> rather<00:02:27.720> than<00:02:27.920> try<00:02:28.160> to
drawn from my work rather than try to
drawn from my work rather than try to
figure<00:02:28.720> them<00:02:28.920> out<00:02:29.959> I'm<00:02:30.080> going<00:02:30.239> to<00:02:30.440> ask<00:02:30.680> you<00:02:30.879> to
figure them out I'm going to ask you to
figure them out I'm going to ask you to
consider<00:02:32.239> for<00:02:32.400> a<00:02:32.519> moment<00:02:33.360> the<00:02:34.000> intuitions<00:02:35.000> and
consider for a moment the intuitions and
consider for a moment the intuitions and
the<00:02:35.280> gut<00:02:35.560> instincts<00:02:36.519> that<00:02:36.640> are<00:02:36.760> going<00:02:37.000> through
the gut instincts that are going through
the gut instincts that are going through
your<00:02:37.480> head<00:02:37.680> and<00:02:37.920> your<00:02:38.440> heart<00:02:39.080> as<00:02:39.200> you<00:02:39.319> look<00:02:39.480> at
your head and your heart as you look at
your head and your heart as you look at
them<00:02:42.000> for<00:02:42.239> example<00:02:42.680> the
them for example the
them for example the
calculation<00:02:44.760> can<00:02:44.920> you<00:02:45.080> feel<00:02:45.519> where<00:02:45.680> on<00:02:45.800> a
calculation can you feel where on a
calculation can you feel where on a
number<00:02:46.239> line<00:02:46.840> the<00:02:47.000> solution<00:02:47.400> is<00:02:47.640> likely<00:02:47.920> to
number line the solution is likely to
number line the solution is likely to
fall<00:02:49.200> or<00:02:49.400> look<00:02:49.519> at<00:02:49.680> the<00:02:49.920> foreign<00:02:50.360> word<00:02:50.599> and<00:02:50.760> the
fall or look at the foreign word and the
fall or look at the foreign word and the
sounds<00:02:52.400> can<00:02:52.519> you<00:02:52.680> get<00:02:52.840> a<00:02:53.040> sense<00:02:53.319> of<00:02:53.480> the<00:02:53.599> range
sounds can you get a sense of the range
sounds can you get a sense of the range
of<00:02:54.239> meanings<00:02:55.239> that<00:02:55.360> it's<00:02:55.560> pointing<00:02:55.920> you
of meanings that it's pointing you
of meanings that it's pointing you
towards<00:02:57.760> and<00:02:57.920> in<00:02:58.080> terms<00:02:58.319> of<00:02:58.480> the<00:02:58.640> line<00:02:58.840> of
towards and in terms of the line of
towards and in terms of the line of
poetry<00:03:00.319> why<00:03:00.480> does<00:03:00.680> the<00:03:00.800> poet<00:03:01.080> use<00:03:01.319> the<00:03:01.440> word
poetry why does the poet use the word
poetry why does the poet use the word
hair<00:03:03.200> rather<00:03:03.480> than
hair rather than
hair rather than
rabbit<00:03:06.680> I'm<00:03:06.840> asking<00:03:07.120> you<00:03:07.200> to<00:03:07.360> do<00:03:07.560> this<00:03:07.959> because
rabbit I'm asking you to do this because
rabbit I'm asking you to do this because
I<00:03:09.200> believe<00:03:10.040> that<00:03:10.280> our<00:03:10.599> personal<00:03:11.080> perceptions
I believe that our personal perceptions
I believe that our personal perceptions
you<00:03:11.879> see<00:03:12.879> are<00:03:13.080> at<00:03:13.239> the<00:03:13.480> heart<00:03:14.400> of<00:03:14.599> how<00:03:14.799> we
you see are at the heart of how we
you see are at the heart of how we
acquire
acquire
acquire
knowledge<00:03:17.200> aesthetic<00:03:17.920> judgments<00:03:18.920> rather
knowledge aesthetic judgments rather
knowledge aesthetic judgments rather
than<00:03:19.599> abstract
than abstract
than abstract
reasoning<00:03:21.840> guide<00:03:22.400> and<00:03:22.560> shape<00:03:23.000> the<00:03:23.239> process<00:03:24.159> by
reasoning guide and shape the process by
reasoning guide and shape the process by
which<00:03:25.040> we<00:03:25.280> all<00:03:25.720> come<00:03:25.959> to<00:03:26.159> know<00:03:27.080> what<00:03:27.239> we
which we all come to know what we
which we all come to know what we
know<00:03:28.920> I'm<00:03:29.080> an<00:03:29.239> extremist<00:03:29.920> example<00:03:30.319> of<00:03:30.599> this<00:03:31.519> my
know I'm an extremist example of this my
know I'm an extremist example of this my
worlds<00:03:32.400> of<00:03:32.720> words<00:03:33.200> and<00:03:33.439> numbers<00:03:34.319> blare<00:03:34.879> with
worlds of words and numbers blare with
worlds of words and numbers blare with
color<00:03:36.120> emotion<00:03:37.120> and
color emotion and
color emotion and
personality<00:03:39.400> as<00:03:39.560> Juan<00:03:39.920> said<00:03:40.159> it's<00:03:40.319> a
personality as Juan said it's a
personality as Juan said it's a
condition<00:03:41.040> that<00:03:41.239> scientists<00:03:41.799> call
condition that scientists call
condition that scientists call
synesthesia<00:03:43.599> an<00:03:43.760> unusual<00:03:44.319> cross<00:03:44.680> talk
synesthesia an unusual cross talk
synesthesia an unusual cross talk
between<00:03:45.799> the
senses<00:03:51.480> here<00:03:51.599> are<00:03:51.720> the<00:03:51.840> numbers<00:03:52.159> 1<00:03:52.400> to<00:03:52.680> 12<00:03:53.680> as<00:03:53.879> I
senses here are the numbers 1 to 12 as I
senses here are the numbers 1 to 12 as I
see<00:03:54.720> them<00:03:55.720> every<00:03:55.959> number<00:03:56.319> with<00:03:56.480> its<00:03:56.680> own<00:03:57.040> shape
see them every number with its own shape
see them every number with its own shape
and<00:03:58.319> character<00:03:59.319> one<00:03:59.599> is<00:03:59.799> is<00:03:59.879> a<00:04:00.000> flash<00:04:00.239> of
and character one is is a flash of
and character one is is a flash of
bright<00:04:00.760> light<00:04:02.040> six<00:04:03.040> is<00:04:03.439> a<00:04:03.720> tiny<00:04:04.319> and<00:04:04.519> very<00:04:04.799> sad
bright light six is a tiny and very sad
bright light six is a tiny and very sad
black<00:04:05.879> hole<00:04:06.879> the<00:04:07.079> sketches<00:04:08.079> are<00:04:08.280> in<00:04:08.400> black<00:04:08.599> and
black hole the sketches are in black and
black hole the sketches are in black and
white<00:04:09.040> here<00:04:09.239> but<00:04:09.360> in<00:04:09.519> my<00:04:09.720> mind<00:04:10.439> they<00:04:10.599> have
white here but in my mind they have
white here but in my mind they have
colors<00:04:12.280> three<00:04:12.519> is<00:04:12.760> green<00:04:13.680> four<00:04:13.959> is<00:04:14.239> blue<00:04:15.239> five
colors three is green four is blue five
colors three is green four is blue five
is
yellow<00:04:20.199> I<00:04:20.440> paint<00:04:20.840> as<00:04:21.160> well<00:04:22.160> and<00:04:22.680> here<00:04:22.840> is<00:04:23.000> one
yellow I paint as well and here is one
yellow I paint as well and here is one
of<00:04:23.280> my
of my
of my
paintings<00:04:25.600> it's<00:04:25.759> a<00:04:25.960> multiplication<00:04:26.680> of<00:04:26.840> two
paintings it's a multiplication of two
paintings it's a multiplication of two
prime
prime
prime
numbers<00:04:29.360> three<00:04:29.840> dimensional
numbers three dimensional
numbers three dimensional
shapes<00:04:31.919> and<00:04:32.160> the<00:04:32.400> space<00:04:32.800> they<00:04:33.000> create<00:04:33.840> in<00:04:33.960> the
shapes and the space they create in the
shapes and the space they create in the
middle<00:04:35.360> creates<00:04:35.680> a<00:04:35.840> new<00:04:36.080> shape<00:04:37.080> the<00:04:37.240> answer<00:04:37.520> to
middle creates a new shape the answer to
middle creates a new shape the answer to
the
the
the
sum<00:04:39.960> what<00:04:40.120> about<00:04:40.440> bigger<00:04:40.880> numbers<00:04:42.360> well<00:04:43.360> you
sum what about bigger numbers well you
sum what about bigger numbers well you
can't<00:04:43.759> get<00:04:43.880> much<00:04:44.080> bigger<00:04:44.360> than<00:04:44.720> Pi<00:04:45.720> the
can't get much bigger than Pi the
can't get much bigger than Pi the
mathematical<00:04:46.919> constant<00:04:47.919> it's<00:04:48.160> an<00:04:48.360> infinite
mathematical constant it's an infinite
mathematical constant it's an infinite
number<00:04:49.639> literally<00:04:50.039> goes<00:04:50.280> on
number literally goes on
number literally goes on
forever<00:04:52.000> in<00:04:52.199> this<00:04:52.400> painting<00:04:53.039> that<00:04:53.160> I<00:04:53.320> made<00:04:54.120> of
forever in this painting that I made of
forever in this painting that I made of
the<00:04:54.479> first<00:04:54.840> 20<00:04:55.840> decimals<00:04:56.360> of<00:04:56.880> pi<00:04:57.880> I<00:04:58.080> take<00:04:58.520> the
the first 20 decimals of pi I take the
the first 20 decimals of pi I take the
colors
colors
colors
And<00:05:00.479> the<00:05:00.840> emotions<00:05:01.560> and<00:05:01.680> the<00:05:01.960> textures<00:05:02.960> and<00:05:03.120> I
And the emotions and the textures and I
And the emotions and the textures and I
pull<00:05:03.560> them<00:05:03.759> all<00:05:04.080> together<00:05:05.039> into<00:05:05.320> a<00:05:05.520> kind<00:05:05.720> of
pull them all together into a kind of
pull them all together into a kind of
rolling<00:05:06.960> numerical
rolling numerical
rolling numerical
landscape<00:05:09.520> but<00:05:09.680> it's<00:05:09.919> not<00:05:10.120> only<00:05:10.400> numbers<00:05:10.800> that
landscape but it's not only numbers that
landscape but it's not only numbers that
I<00:05:11.120> see<00:05:11.280> in<00:05:11.639> colors<00:05:12.639> words<00:05:13.039> too<00:05:13.800> for<00:05:14.000> me<00:05:14.600> have
I see in colors words too for me have
I see in colors words too for me have
colors<00:05:16.199> and<00:05:16.600> emotions<00:05:17.400> and<00:05:17.919> textures<00:05:18.919> and
colors and emotions and textures and
colors and emotions and textures and
this<00:05:19.199> is<00:05:19.479> an<00:05:19.680> opening<00:05:20.120> phrase<00:05:20.520> from<00:05:20.680> the<00:05:20.800> novel
this is an opening phrase from the novel
this is an opening phrase from the novel
Lolita<00:05:23.120> and<00:05:23.280> narof<00:05:24.240> was<00:05:24.560> himself<00:05:25.800> synesthetic
Lolita and narof was himself synesthetic
Lolita and narof was himself synesthetic
and<00:05:26.919> you<00:05:27.000> can<00:05:27.160> see<00:05:27.520> here<00:05:28.080> how<00:05:28.680> my<00:05:28.919> perception
and you can see here how my perception
and you can see here how my perception
of<00:05:29.479> the<00:05:29.759> the<00:05:29.919> sound
of the the sound
of the the sound
L<00:05:32.080> helps<00:05:32.440> the<00:05:32.639> alliteration<00:05:33.639> to<00:05:33.840> jump<00:05:34.240> right
L helps the alliteration to jump right
L helps the alliteration to jump right
out<00:05:36.880> another
out another
out another
example<00:05:38.800> a<00:05:38.919> little<00:05:39.120> bit<00:05:39.280> more<00:05:39.479> mathematical
example a little bit more mathematical
example a little bit more mathematical
and<00:05:40.280> I<00:05:40.400> wonder<00:05:40.680> if<00:05:40.840> some<00:05:41.000> of<00:05:41.120> you<00:05:41.319> will<00:05:42.199> notice
and I wonder if some of you will notice
and I wonder if some of you will notice
the<00:05:43.280> construction<00:05:44.280> of<00:05:44.440> the<00:05:44.600> sentence<00:05:45.080> from
the construction of the sentence from
the construction of the sentence from
The<00:05:45.319> Great
The Great
The Great
Gatsby<00:05:48.360> there<00:05:48.520> is<00:05:48.639> a<00:05:48.840> procession<00:05:49.240> of
Gatsby there is a procession of
Gatsby there is a procession of
syllables<00:05:51.880> wheat<00:05:53.000> one<00:05:54.000> prairies<00:05:55.160> two<00:05:56.160> lost
syllables wheat one prairies two lost
syllables wheat one prairies two lost
swed<00:05:57.880> towns<00:05:58.840> three<00:05:59.360> one<00:05:59.600> 1<00:05:59.759> 2<00:05:59.960> 3<00:06:00.840> and<00:06:01.199> this
swed towns three one 1 2 3 and this
swed towns three one 1 2 3 and this
effect<00:06:02.039> is<00:06:02.240> very<00:06:02.479> pleasant<00:06:03.199> on<00:06:03.360> the<00:06:03.759> mind<00:06:04.759> and
effect is very pleasant on the mind and
effect is very pleasant on the mind and
it<00:06:05.080> helps<00:06:05.440> the<00:06:05.600> sentence<00:06:06.160> to<00:06:06.639> feel
it helps the sentence to feel
it helps the sentence to feel
right<00:06:09.639> let's<00:06:09.919> go<00:06:10.160> back<00:06:10.440> to<00:06:10.759> the<00:06:10.960> questions<00:06:11.400> I
right let's go back to the questions I
right let's go back to the questions I
posed<00:06:11.840> you<00:06:11.960> a<00:06:12.080> moment
posed you a moment
posed you a moment
ago<00:06:14.400> um<00:06:14.960> 64<00:06:15.960> multiplied<00:06:16.759> by<00:06:17.240> 75<00:06:18.240> if<00:06:18.360> someone<00:06:18.560> of
ago um 64 multiplied by 75 if someone of
ago um 64 multiplied by 75 if someone of
you<00:06:18.840> play<00:06:19.400> chess<00:06:20.400> you'll<00:06:20.639> know<00:06:20.919> that<00:06:21.520> 64<00:06:22.520> is<00:06:22.800> a
you play chess you'll know that 64 is a
you play chess you'll know that 64 is a
square
square
square
number<00:06:25.560> and<00:06:25.759> that's<00:06:26.080> why<00:06:27.080> chess<00:06:27.440> boards<00:06:28.440> 8<00:06:29.000> by
number and that's why chess boards 8 by
number and that's why chess boards 8 by
8
8
8
have<00:06:30.599> 64<00:06:31.400> squares<00:06:32.400> so<00:06:32.599> that<00:06:32.800> gives<00:06:33.000> us<00:06:33.240> a<00:06:33.759> form
have 64 squares so that gives us a form
have 64 squares so that gives us a form
that<00:06:34.919> we<00:06:35.039> can<00:06:35.319> picture<00:06:35.960> that<00:06:36.080> we<00:06:36.199> can
that we can picture that we can
that we can picture that we can
perceive<00:06:38.120> what<00:06:38.240> about
perceive what about
perceive what about
75<00:06:40.400> well<00:06:41.000> if<00:06:41.400> 100<00:06:42.360> if<00:06:42.440> we<00:06:42.599> think<00:06:42.759> of<00:06:43.039> 100<00:06:43.280> as
75 well if 100 if we think of 100 as
75 well if 100 if we think of 100 as
being<00:06:43.840> like<00:06:44.000> a<00:06:44.360> square<00:06:45.360> 75<00:06:46.360> would<00:06:46.560> look<00:06:46.840> like
being like a square 75 would look like
being like a square 75 would look like
this<00:06:49.160> so<00:06:49.319> what<00:06:49.440> we<00:06:49.560> need<00:06:49.680> to<00:06:49.800> do<00:06:50.039> now<00:06:50.840> is<00:06:51.160> put
this so what we need to do now is put
this so what we need to do now is put
those<00:06:51.639> two<00:06:51.880> pictures<00:06:52.759> together<00:06:53.599> in<00:06:53.720> our<00:06:54.039> mind
those two pictures together in our mind
those two pictures together in our mind
something<00:06:55.479> like
something like
something like
this<00:06:58.520> 64<00:06:59.599> comes
this 64 comes
this 64 comes
6,400<00:07:02.520> and<00:07:02.879> in<00:07:03.000> the<00:07:03.240> right<00:07:03.840> hand
6,400 and in the right hand
6,400 and in the right hand
corner<00:07:05.919> you<00:07:06.039> don't<00:07:06.240> have<00:07:06.360> to<00:07:06.520> calculate
corner you don't have to calculate
corner you don't have to calculate
anything<00:07:07.800> four<00:07:08.800> across<00:07:09.280> four<00:07:10.160> up<00:07:10.319> and<00:07:10.520> down
anything four across four up and down
anything four across four up and down
it's
it's
it's
16<00:07:12.560> so<00:07:12.800> what<00:07:12.919> the<00:07:13.039> sum<00:07:13.319> is<00:07:13.520> actually<00:07:13.840> asking
16 so what the sum is actually asking
16 so what the sum is actually asking
you<00:07:14.240> to<00:07:14.400> do<00:07:14.639> is
you to do is
you to do is
16
16
16
16<00:07:18.680> 16<00:07:19.680> that's<00:07:19.879> a<00:07:20.000> lot<00:07:20.199> easier<00:07:20.639> than<00:07:20.840> the<00:07:21.000> way
16 16 that's a lot easier than the way
16 16 that's a lot easier than the way
that<00:07:21.520> the<00:07:21.680> school<00:07:22.240> taught<00:07:22.479> you<00:07:22.639> to<00:07:22.800> do<00:07:23.000> maths
that the school taught you to do maths
that the school taught you to do maths
I'm<00:07:23.720> sure<00:07:24.720> it's<00:07:25.080> uh<00:07:25.280> 16<00:07:25.720> 16<00:07:26.080> 16<00:07:26.440> 48<00:07:27.520> 4800<00:07:28.520> 4,8<00:07:29.520> 00
I'm sure it's uh 16 16 16 48 4800 4,8 00
I'm sure it's uh 16 16 16 48 4800 4,8 00
the<00:07:30.160> answer<00:07:30.520> to<00:07:31.039> the
the answer to the
the answer to the
sum<00:07:33.919> easier<00:07:34.240> when<00:07:34.360> you<00:07:34.479> know
how<00:07:38.680> the<00:07:38.840> second<00:07:39.240> question<00:07:40.160> was<00:07:40.319> an<00:07:40.479> Icelandic
how the second question was an Icelandic
how the second question was an Icelandic
word<00:07:41.879> I'm<00:07:42.199> assuming<00:07:43.199> there<00:07:43.319> are<00:07:43.440> not<00:07:43.599> many
word I'm assuming there are not many
word I'm assuming there are not many
people<00:07:44.159> here<00:07:44.440> who<00:07:44.599> speak<00:07:45.440> Icelandic<00:07:46.440> so<00:07:46.599> let
people here who speak Icelandic so let
people here who speak Icelandic so let
me<00:07:46.919> narrow<00:07:47.360> the<00:07:47.520> choices<00:07:48.039> down<00:07:48.360> to
twoin<00:07:54.159> is<00:07:54.280> it<00:07:54.479> a<00:07:54.759> happy<00:07:55.280> word<00:07:56.280> or<00:07:56.479> a<00:07:56.759> sad<00:07:57.199> word
twoin is it a happy word or a sad word
twoin is it a happy word or a sad word
what<00:07:58.280> do<00:07:58.400> you<00:07:58.599> say
what do you say
what do you say
happy<00:08:01.639> okay<00:08:02.639> some<00:08:02.879> people<00:08:03.080> say<00:08:03.280> it's<00:08:04.000> happy
happy okay some people say it's happy
happy okay some people say it's happy
most<00:08:05.360> people<00:08:05.639> a<00:08:05.840> majority<00:08:06.319> of<00:08:06.560> people<00:08:07.479> say<00:08:08.240> sad
most people a majority of people say sad
most people a majority of people say sad
and<00:08:11.080> it<00:08:11.360> actually<00:08:11.680> mean
sad<00:08:16.080> why<00:08:16.479> do<00:08:17.479> statistically<00:08:18.400> a<00:08:18.599> majority<00:08:19.039> of
sad why do statistically a majority of
sad why do statistically a majority of
people<00:08:20.120> say<00:08:20.360> that<00:08:20.520> a<00:08:20.680> word<00:08:20.919> is<00:08:21.680> sad<00:08:22.039> in<00:08:22.199> this
people say that a word is sad in this
people say that a word is sad in this
case<00:08:23.240> heavy<00:08:23.560> in<00:08:23.680> other
case heavy in other
case heavy in other
cases<00:08:25.520> in<00:08:25.680> my<00:08:25.879> theory<00:08:26.360> language<00:08:26.759> evolves<00:08:27.199> in
cases in my theory language evolves in
cases in my theory language evolves in
such<00:08:27.560> a<00:08:27.759> way<00:08:28.479> that<00:08:28.960> sound
such a way that sound
such a way that sound
match<00:08:31.440> correspond<00:08:32.440> with<00:08:33.000> the<00:08:33.479> subjective
match correspond with the subjective
match correspond with the subjective
with<00:08:34.479> the<00:08:34.839> personal<00:08:35.760> intuitive<00:08:36.599> experience
with the personal intuitive experience
with the personal intuitive experience
of<00:08:37.760> The
of The
of The
Listener<00:08:40.320> let's<00:08:40.560> have<00:08:40.640> a<00:08:40.800> look<00:08:40.919> at<00:08:41.200> the<00:08:41.839> the
Listener let's have a look at the the
Listener let's have a look at the the
third
third
third
question<00:08:44.680> it's<00:08:44.839> a<00:08:45.080> line<00:08:45.480> from<00:08:45.600> a<00:08:45.760> poem<00:08:46.080> by<00:08:46.200> John
question it's a line from a poem by John
question it's a line from a poem by John
Keat<00:08:48.240> words<00:08:48.720> like
Keat words like
Keat words like
numbers<00:08:51.240> Express<00:08:51.760> fundamental
numbers Express fundamental
numbers Express fundamental
relationships<00:08:54.320> between<00:08:55.320> objects<00:08:56.240> and<00:08:56.440> events
relationships between objects and events
relationships between objects and events
and<00:08:57.040> forces<00:08:57.600> that<00:08:57.760> constitute<00:08:58.360> our<00:08:58.600> world<00:08:59.640> it
and forces that constitute our world it
and forces that constitute our world it
stands<00:09:00.240> to<00:09:00.399> reason<00:09:00.800> that<00:09:01.000> we<00:09:01.279> existing<00:09:01.720> in
stands to reason that we existing in
stands to reason that we existing in
this<00:09:02.200> world<00:09:03.200> should<00:09:03.680> in<00:09:03.800> the<00:09:03.959> course<00:09:04.160> of<00:09:04.279> Our
this world should in the course of Our
this world should in the course of Our
Lives<00:09:04.959> absorb<00:09:05.880> intuitively<00:09:06.880> those
Lives absorb intuitively those
Lives absorb intuitively those
relationships<00:09:07.880> and<00:09:08.160> Poets<00:09:09.079> like<00:09:09.279> other
relationships and Poets like other
relationships and Poets like other
artists<00:09:10.600> play<00:09:11.440> with<00:09:11.680> those<00:09:11.880> intuitive
artists play with those intuitive
artists play with those intuitive
understandings<00:09:14.240> in<00:09:14.360> the<00:09:14.519> case<00:09:14.760> of<00:09:15.320> hair<00:09:16.320> it's
understandings in the case of hair it's
understandings in the case of hair it's
an<00:09:16.560> ambiguous<00:09:17.120> sound<00:09:18.120> in<00:09:18.279> English<00:09:18.600> it<00:09:18.720> can
an ambiguous sound in English it can
an ambiguous sound in English it can
also<00:09:19.120> mean<00:09:19.399> the<00:09:19.560> fibers<00:09:19.959> that<00:09:20.079> grow<00:09:20.320> from<00:09:20.480> our
also mean the fibers that grow from our
also mean the fibers that grow from our
head<00:09:21.680> and<00:09:21.839> if<00:09:22.000> we<00:09:22.399> think<00:09:22.600> of<00:09:22.880> that<00:09:23.320> we<00:09:23.680> put<00:09:23.880> the
head and if we think of that we put the
head and if we think of that we put the
picture
picture
picture
up<00:09:26.040> the<00:09:26.640> fibers<00:09:27.640> represent<00:09:28.079> vulnerability
up the fibers represent vulnerability
up the fibers represent vulnerability
uh<00:09:30.279> they<00:09:30.399> yield<00:09:30.720> to<00:09:30.880> the<00:09:31.040> slightest<00:09:32.000> movement
uh they yield to the slightest movement
uh they yield to the slightest movement
or<00:09:33.000> motion<00:09:34.000> or<00:09:34.360> emotion<00:09:35.079> so
or motion or emotion so
or motion or emotion so
um<00:09:37.760> what<00:09:37.880> you<00:09:38.079> have<00:09:38.279> is<00:09:38.399> an<00:09:38.920> atmosphere<00:09:39.920> of
um what you have is an atmosphere of
um what you have is an atmosphere of
vulnerability<00:09:40.839> and<00:09:41.000> tension<00:09:41.920> the<00:09:42.120> hair
vulnerability and tension the hair
vulnerability and tension the hair
itself<00:09:42.880> the<00:09:43.120> animal<00:09:44.120> not<00:09:44.360> the<00:09:44.640> cat<00:09:45.560> not<00:09:45.680> a<00:09:45.920> dog
itself the animal not the cat not a dog
itself the animal not the cat not a dog
a<00:09:47.240> hair<00:09:48.240> why<00:09:48.399> a<00:09:48.560> hair<00:09:49.120> because<00:09:50.120> think<00:09:50.320> of<00:09:50.480> the
a hair why a hair because think of the
a hair why a hair because think of the
picture<00:09:51.120> not<00:09:51.279> the<00:09:51.399> word<00:09:51.720> the<00:09:51.839> picture<00:09:52.839> the
picture not the word the picture the
picture not the word the picture the
overlong<00:09:54.320> ears<00:09:54.880> the<00:09:55.079> overlarge<00:09:55.839> feet<00:09:56.760> helps
overlong ears the overlarge feet helps
overlong ears the overlarge feet helps
us<00:09:57.240> to<00:09:57.440> picture<00:09:58.120> to<00:09:58.320> feel<00:09:59.399> intuitively<00:10:00.079> what
us to picture to feel intuitively what
us to picture to feel intuitively what
it<00:10:00.320> means<00:10:01.240> to
it means to
it means to
limp<00:10:03.200> and<00:10:03.360> to
limp and to
limp and to
tremble<00:10:05.959> so<00:10:06.600> in<00:10:06.760> these<00:10:06.959> few<00:10:07.120> minutes<00:10:07.920> I<00:10:08.079> hope
tremble so in these few minutes I hope
tremble so in these few minutes I hope
I've<00:10:09.000> been<00:10:09.120> able<00:10:09.320> to<00:10:09.440> share<00:10:09.800> a<00:10:09.959> little<00:10:10.200> bit<00:10:10.360> of
I've been able to share a little bit of
I've been able to share a little bit of
my<00:10:10.839> vision<00:10:11.120> of
my vision of
my vision of
things<00:10:13.079> and<00:10:13.760> to<00:10:13.959> show<00:10:14.279> you<00:10:14.880> that<00:10:15.360> words<00:10:16.120> can
things and to show you that words can
things and to show you that words can
have<00:10:17.079> colors<00:10:17.440> and<00:10:17.640> emotions<00:10:18.440> numbers<00:10:19.440> shapes
have colors and emotions numbers shapes
have colors and emotions numbers shapes
and
and
and
personalities<00:10:22.320> the<00:10:22.440> world<00:10:22.760> is<00:10:23.200> richer<00:10:24.360> vaster
personalities the world is richer vaster
personalities the world is richer vaster
than<00:10:25.519> it<00:10:25.720> too<00:10:26.000> often<00:10:26.519> seems<00:10:27.000> to<00:10:27.640> be<00:10:28.640> I<00:10:28.760> hope
than it too often seems to be I hope
than it too often seems to be I hope
that<00:10:29.399> that<00:10:30.360> uh<00:10:30.600> I've<00:10:30.800> given<00:10:31.040> you<00:10:31.160> the<00:10:31.360> desire
that that uh I've given you the desire
that that uh I've given you the desire
to<00:10:32.320> learn<00:10:32.640> to<00:10:32.760> see<00:10:33.040> the<00:10:33.200> world<00:10:34.120> with<00:10:34.320> new<00:10:34.680> eyes
to learn to see the world with new eyes
to learn to see the world with new eyes
thank<00:10:35.880> you
TED, TED, Talk, TED-Ed, Ed, TEDEducation