The true power of the performing arts - Ben Cameron
I<00:00:15.040> am<00:00:16.040> a<00:00:16.070> cultural<00:00:16.400> omnivore<00:00:17.170> one<00:00:18.170> whose<00:00:18.470> daily
I am a cultural omnivore one whose daily
I am a cultural omnivore one whose daily
commute<00:00:19.580> is<00:00:19.700> made<00:00:19.850> possible<00:00:20.119> by<00:00:20.480> attachment
commute is made possible by attachment
commute is made possible by attachment
to<00:00:21.170> an<00:00:21.230> iPod<00:00:21.650> an<00:00:22.010> iPod<00:00:22.760> that<00:00:22.790> contains<00:00:23.210> vogner
to an iPod an iPod that contains vogner
to an iPod an iPod that contains vogner
and<00:00:23.810> Mozart<00:00:24.320> pop<00:00:24.650> diva<00:00:25.070> Christina<00:00:25.520> Aguilera
and Mozart pop diva Christina Aguilera
and Mozart pop diva Christina Aguilera
country<00:00:26.960> singer<00:00:27.290> Josh<00:00:27.590> Turner<00:00:28.009> got<00:00:28.340> gangster
country singer Josh Turner got gangster
country singer Josh Turner got gangster
rap<00:00:29.119> artist<00:00:29.599> Kirk<00:00:29.810> Franklin<00:00:30.349> concerto
rap artist Kirk Franklin concerto
rap artist Kirk Franklin concerto
symphonies<00:00:31.849> and<00:00:31.880> more<00:00:32.180> and<00:00:32.270> more<00:00:32.419> I'm<00:00:33.140> a
symphonies and more and more I'm a
symphonies and more and more I'm a
voracious<00:00:33.620> reader<00:00:33.950> a<00:00:34.430> reader<00:00:34.880> who<00:00:35.000> do<00:00:35.210> deals
voracious reader a reader who do deals
voracious reader a reader who do deals
with<00:00:35.660> Ian<00:00:36.050> McEwan<00:00:36.440> down<00:00:36.590> to<00:00:36.710> Stephenie<00:00:37.160> Meyer
with Ian McEwan down to Stephenie Meyer
with Ian McEwan down to Stephenie Meyer
I<00:00:37.670> have<00:00:37.940> read<00:00:38.210> the<00:00:38.360> Twilight<00:00:39.200> tetralogy<00:00:39.890> and
I have read the Twilight tetralogy and
I have read the Twilight tetralogy and
one<00:00:41.210> who<00:00:41.450> lives<00:00:41.780> for<00:00:42.079> my<00:00:42.200> home<00:00:42.440> theater<00:00:42.680> a<00:00:43.070> home
one who lives for my home theater a home
one who lives for my home theater a home
theater<00:00:43.910> write<00:00:44.090> of<00:00:44.270> our<00:00:44.360> DVDs
theater write of our DVDs
theater write of our DVDs
video-on-demand<00:00:45.530> and<00:00:46.250> for<00:00:46.370> a<00:00:46.400> lot<00:00:46.610> of
video-on-demand and for a lot of
video-on-demand and for a lot of
television<00:00:47.060> for<00:00:47.840> me<00:00:47.960> Law<00:00:48.230> &<00:00:48.410> Order<00:00:48.530> SVU<00:00:48.880> Tina
television for me Law & Order SVU Tina
television for me Law & Order SVU Tina
Fey<00:00:50.120> and<00:00:50.300> 30<00:00:50.570> rock<00:00:50.780> and<00:00:51.080> Judge<00:00:51.980> Judy<00:00:52.520> the
Fey and 30 rock and Judge Judy the
Fey and 30 rock and Judge Judy the
people<00:00:53.360> are<00:00:53.480> real<00:00:53.660> the<00:00:53.930> cases<00:00:54.320> are<00:00:54.470> real<00:00:54.650> the
people are real the cases are real the
people are real the cases are real the
rulings<00:00:55.160> are<00:00:55.310> final<00:00:55.960> now<00:00:56.960> I'm<00:00:57.740> convinced<00:00:58.340> a
rulings are final now I'm convinced a
rulings are final now I'm convinced a
lot<00:00:58.580> of<00:00:58.640> you<00:00:58.820> probably<00:00:59.330> share<00:00:59.600> my<00:00:59.750> passions
lot of you probably share my passions
lot of you probably share my passions
especially<00:01:00.800> my<00:01:00.920> passion<00:01:01.340> for<00:01:01.370> Judge<00:01:01.700> Judy<00:01:02.180> and
especially my passion for Judge Judy and
especially my passion for Judge Judy and
you<00:01:02.960> fight<00:01:03.320> anybody<00:01:03.890> who<00:01:04.040> attempted<00:01:04.460> to<00:01:04.519> take
you fight anybody who attempted to take
you fight anybody who attempted to take
her<00:01:04.909> away<00:01:05.150> from<00:01:05.210> us<00:01:05.509> but<00:01:06.350> I'm<00:01:06.470> a<00:01:06.500> little<00:01:06.740> less
her away from us but I'm a little less
her away from us but I'm a little less
convinced<00:01:07.670> that<00:01:07.759> you<00:01:07.880> share<00:01:08.119> the<00:01:08.270> central
convinced that you share the central
convinced that you share the central
passion<00:01:08.990> of<00:01:09.079> my<00:01:09.170> life<00:01:09.200> a<00:01:09.650> passion<00:01:10.310> for<00:01:10.430> the
passion of my life a passion for the
passion of my life a passion for the
live<00:01:10.670> professional<00:01:11.420> performing<00:01:11.900> arts
live professional performing arts
live professional performing arts
performing<00:01:13.189> arts<00:01:13.280> that<00:01:13.520> represent<00:01:14.090> the
performing arts that represent the
performing arts that represent the
orchestral<00:01:14.750> repertoire<00:01:15.229> yes<00:01:15.499> but<00:01:15.799> jazz<00:01:16.069> as
orchestral repertoire yes but jazz as
orchestral repertoire yes but jazz as
well<00:01:16.520> modern<00:01:17.420> dance<00:01:17.659> opera<00:01:18.229> theatre<00:01:18.740> and<00:01:18.950> more
well modern dance opera theatre and more
well modern dance opera theatre and more
and<00:01:19.249> more<00:01:19.399> and<00:01:19.520> more<00:01:20.380> you<00:01:21.380> know<00:01:21.469> frankly<00:01:21.920> it's
and more and more you know frankly it's
and more and more you know frankly it's
a<00:01:22.219> sector<00:01:22.490> that<00:01:22.670> many<00:01:22.939> of<00:01:23.060> us<00:01:23.119> who<00:01:23.299> work<00:01:23.450> in<00:01:23.539> the
a sector that many of us who work in the
a sector that many of us who work in the
field<00:01:23.929> worry<00:01:24.289> is<00:01:24.530> being<00:01:24.829> endangered<00:01:25.159> and
field worry is being endangered and
field worry is being endangered and
possibly<00:01:25.969> dismantled<00:01:26.600> by<00:01:26.719> technology<00:01:27.439> while
possibly dismantled by technology while
possibly dismantled by technology while
we<00:01:28.490> initially<00:01:28.999> heralded<00:01:29.569> the<00:01:29.600> internet<00:01:30.139> as
we initially heralded the internet as
we initially heralded the internet as
the<00:01:30.530> fantastic<00:01:31.249> new<00:01:31.399> marketing<00:01:31.850> device<00:01:32.179> that
the fantastic new marketing device that
the fantastic new marketing device that
was<00:01:32.840> going<00:01:32.990> to<00:01:33.049> solve<00:01:33.259> all<00:01:33.469> our<00:01:33.499> problems<00:01:33.939> we
was going to solve all our problems we
was going to solve all our problems we
now<00:01:35.119> realize<00:01:35.539> that<00:01:35.569> the<00:01:35.749> Internet<00:01:36.259> is<00:01:36.289> if
now realize that the Internet is if
now realize that the Internet is if
anything<00:01:36.950> too<00:01:37.130> effective<00:01:37.609> in<00:01:37.700> that<00:01:37.729> regard
anything too effective in that regard
anything too effective in that regard
depending<00:01:39.229> on<00:01:39.319> who<00:01:39.530> you<00:01:39.679> read<00:01:39.950> an<00:01:40.219> arts
depending on who you read an arts
depending on who you read an arts
organization<00:01:41.270> or<00:01:41.450> an<00:01:41.539> artist<00:01:41.959> who<00:01:42.109> tries<00:01:42.409> to
organization or an artist who tries to
organization or an artist who tries to
attract<00:01:42.979> the<00:01:43.159> attention<00:01:43.639> of<00:01:43.670> a<00:01:44.119> potential
attract the attention of a potential
attract the attention of a potential
single<00:01:44.869> ticket<00:01:45.350> buyer<00:01:45.530> now<00:01:46.340> competes<00:01:46.880> with
single ticket buyer now competes with
single ticket buyer now competes with
between<00:01:47.299> three<00:01:47.840> and<00:01:47.869> five<00:01:48.409> thousand
between three and five thousand
between three and five thousand
different<00:01:49.969> marketing<00:01:50.539> messages<00:01:51.109> a<00:01:51.259> typical
different marketing messages a typical
different marketing messages a typical
citizen<00:01:52.219> sees<00:01:52.670> every<00:01:53.090> single<00:01:53.450> day<00:01:53.829> we<00:01:54.829> now
citizen sees every single day we now
citizen sees every single day we now
know<00:01:55.340> in<00:01:55.639> fact<00:01:55.909> that<00:01:56.060> technology's<00:01:56.779> our
know in fact that technology's our
know in fact that technology's our
biggest<00:01:57.109> competitor<00:01:57.679> for<00:01:57.829> leisure<00:01:58.130> time<00:01:58.369> five
biggest competitor for leisure time five
biggest competitor for leisure time five
years<00:01:59.359> ago<00:01:59.959> Gen<00:02:00.649> Xers<00:02:00.979> spent<00:02:01.359> 20.7<00:02:02.359> hours
years ago Gen Xers spent 20.7 hours
years ago Gen Xers spent 20.7 hours
online<00:02:02.899> and<00:02:03.319> TV<00:02:03.469> the<00:02:03.770> majority<00:02:04.189> on<00:02:04.310> TV<00:02:04.729> Gen<00:02:05.420> Y
online and TV the majority on TV Gen Y
online and TV the majority on TV Gen Y
are<00:02:05.689> spent<00:02:06.139> even<00:02:06.259> more<00:02:06.380> twenty<00:02:07.369> three<00:02:07.579> point
are spent even more twenty three point
are spent even more twenty three point
eight<00:02:07.999> hours<00:02:08.390> the<00:02:08.479> majority<00:02:08.990> online<00:02:09.349> and<00:02:09.649> now
eight hours the majority online and now
eight hours the majority online and now
a<00:02:10.429> typical<00:02:11.360> in<00:02:11.750> a<00:02:11.780> typical<00:02:12.560> university
a typical in a typical university
a typical in a typical university
entering<00:02:13.610> student<00:02:14.090> arrives<00:02:14.450> at<00:02:14.750> college
entering student arrives at college
entering student arrives at college
already<00:02:16.190> having<00:02:16.640> spent<00:02:16.910> twenty<00:02:17.390> thousand
already having spent twenty thousand
already having spent twenty thousand
hours<00:02:18.830> online<00:02:19.190> and<00:02:19.850> an<00:02:20.240> additional<00:02:20.750> ten
hours online and an additional ten
hours online and an additional ten
thousand<00:02:21.860> hours<00:02:21.920> playing<00:02:22.370> video<00:02:22.700> games
thousand hours playing video games
thousand hours playing video games
a<00:02:23.520> stark<00:02:24.330> reminder<00:02:24.780> that<00:02:24.810> we<00:02:24.990> operate<00:02:25.200> in<00:02:25.620> a
a stark reminder that we operate in a
a stark reminder that we operate in a
cultural<00:02:26.130> context<00:02:26.790> where<00:02:27.270> video<00:02:27.510> games<00:02:27.960> now
cultural context where video games now
cultural context where video games now
outsell<00:02:28.920> music<00:02:29.520> and<00:02:29.670> movie<00:02:30.180> recordings
outsell music and movie recordings
outsell music and movie recordings
combined<00:02:32.930> moreover<00:02:33.930> we're<00:02:34.860> afraid<00:02:35.070> that
combined moreover we're afraid that
combined moreover we're afraid that
technology<00:02:35.940> has<00:02:36.090> altered<00:02:36.300> our<00:02:36.510> very
technology has altered our very
technology has altered our very
assumptions<00:02:37.350> of<00:02:37.500> cultural<00:02:37.890> consumption
assumptions of cultural consumption
assumptions of cultural consumption
thanks<00:02:39.450> to<00:02:39.570> the<00:02:39.660> internet<00:02:40.050> we<00:02:40.080> believe<00:02:40.560> we<00:02:40.740> can
thanks to the internet we believe we can
thanks to the internet we believe we can
get<00:02:41.070> anything<00:02:41.430> we<00:02:41.670> want<00:02:42.060> whenever<00:02:42.420> we<00:02:42.720> want<00:02:42.870> it
get anything we want whenever we want it
get anything we want whenever we want it
delivered<00:02:43.350> to<00:02:43.740> our<00:02:43.770> own<00:02:44.010> doorstep<00:02:44.300> we<00:02:45.300> can
delivered to our own doorstep we can
delivered to our own doorstep we can
shop<00:02:45.690> at<00:02:45.870> 3:00<00:02:46.110> in<00:02:46.230> the<00:02:46.260> morning<00:02:46.350> or<00:02:46.770> 8:00<00:02:46.920> at
shop at 3:00 in the morning or 8:00 at
shop at 3:00 in the morning or 8:00 at
night<00:02:47.130> ordering<00:02:47.790> jeans<00:02:48.000> tailor-made<00:02:48.720> for<00:02:48.750> our
night ordering jeans tailor-made for our
night ordering jeans tailor-made for our
unique<00:02:49.320> body<00:02:49.560> types<00:02:49.950> ex<00:02:50.870> expectations<00:02:51.870> of
unique body types ex expectations of
unique body types ex expectations of
personalization<00:02:52.920> and<00:02:53.250> customization<00:02:53.390> that
personalization and customization that
personalization and customization that
the<00:02:54.930> live<00:02:55.110> performing<00:02:55.800> arts<00:02:56.100> which<00:02:56.670> have<00:02:56.850> set
the live performing arts which have set
the live performing arts which have set
curtain<00:02:57.840> times<00:02:58.080> set<00:02:58.620> venues<00:02:59.160> attended
curtain times set venues attended
curtain times set venues attended
inconveniences<00:03:00.990> of<00:03:01.200> travel<00:03:01.710> parking<00:03:02.160> and<00:03:02.280> the
inconveniences of travel parking and the
inconveniences of travel parking and the
like
like
like
simply<00:03:03.270> cannot<00:03:03.570> meet<00:03:03.780> and<00:03:04.370> we're<00:03:05.370> all<00:03:05.610> acutely
simply cannot meet and we're all acutely
simply cannot meet and we're all acutely
aware<00:03:06.300> what's<00:03:06.870> it<00:03:07.050> gonna<00:03:07.170> mean<00:03:07.260> in<00:03:07.590> the<00:03:07.680> future
aware what's it gonna mean in the future
aware what's it gonna mean in the future
when<00:03:08.610> we<00:03:08.730> asked<00:03:09.150> someone<00:03:09.420> to<00:03:09.480> pay<00:03:09.660> $100<00:03:10.530> for<00:03:10.740> a
when we asked someone to pay $100 for a
when we asked someone to pay $100 for a
symphony<00:03:11.550> opera<00:03:11.910> or<00:03:12.060> ballet<00:03:12.090> ticket<00:03:12.840> when
symphony opera or ballet ticket when
symphony opera or ballet ticket when
that<00:03:13.500> cultural<00:03:14.070> consumer<00:03:14.640> is<00:03:14.760> used<00:03:15.030> to
that cultural consumer is used to
that cultural consumer is used to
downloading<00:03:15.690> on<00:03:15.870> the<00:03:15.960> Internet<00:03:16.380> 24<00:03:16.950> hours<00:03:17.190> a
downloading on the Internet 24 hours a
downloading on the Internet 24 hours a
day<00:03:17.310> for<00:03:18.030> 99<00:03:18.510> cents<00:03:18.840> a<00:03:19.020> song<00:03:19.290> or<00:03:19.680> for<00:03:20.040> free
day for 99 cents a song or for free
day for 99 cents a song or for free
these<00:03:23.040> are<00:03:23.250> enormous<00:03:24.000> questions<00:03:24.720> for<00:03:24.900> those
these are enormous questions for those
these are enormous questions for those
of<00:03:25.200> us<00:03:25.290> that<00:03:25.470> work<00:03:25.590> in<00:03:25.740> this<00:03:25.860> terrain<00:03:26.190> but<00:03:26.940> as
of us that work in this terrain but as
of us that work in this terrain but as
particular<00:03:27.750> as<00:03:27.900> they<00:03:28.050> feel<00:03:28.320> to<00:03:28.470> us<00:03:28.620> we<00:03:28.860> know
particular as they feel to us we know
particular as they feel to us we know
we're<00:03:29.220> not<00:03:29.310> alone<00:03:29.630> all<00:03:30.630> of<00:03:30.960> us<00:03:31.140> are<00:03:31.470> engaged<00:03:31.830> in
we're not alone all of us are engaged in
we're not alone all of us are engaged in
a<00:03:32.220> seismic<00:03:32.910> fundamental<00:03:33.810> realignment<00:03:34.590> of
a seismic fundamental realignment of
a seismic fundamental realignment of
culture<00:03:35.160> and<00:03:35.340> communications<00:03:36.060> a<00:03:36.330> realignment
culture and communications a realignment
culture and communications a realignment
that<00:03:37.440> is<00:03:37.620> shaking<00:03:38.100> and<00:03:38.280> decimating<00:03:38.940> the
that is shaking and decimating the
that is shaking and decimating the
newspaper<00:03:39.540> industry<00:03:39.810> the<00:03:40.530> magazine<00:03:41.130> industry
newspaper industry the magazine industry
newspaper industry the magazine industry
the<00:03:42.120> book<00:03:42.360> and<00:03:42.540> publishing<00:03:43.050> industry<00:03:43.560> and
the book and publishing industry and
the book and publishing industry and
more<00:03:44.750> saddled<00:03:45.750> in<00:03:45.840> the<00:03:45.930> Performing<00:03:46.410> Arts<00:03:46.500> as
more saddled in the Performing Arts as
more saddled in the Performing Arts as
we<00:03:46.890> are<00:03:47.130> by<00:03:47.370> antiquated<00:03:48.000> union<00:03:48.480> agreements
we are by antiquated union agreements
we are by antiquated union agreements
that<00:03:49.260> inhibit<00:03:49.830> and<00:03:50.070> often<00:03:50.460> prohibit
that inhibit and often prohibit
that inhibit and often prohibit
mechanical<00:03:52.230> reproduction<00:03:52.650> in<00:03:52.950> streaming
mechanical reproduction in streaming
mechanical reproduction in streaming
locked<00:03:54.360> into<00:03:54.660> large<00:03:55.140> facilities<00:03:55.950> that<00:03:56.190> were
locked into large facilities that were
locked into large facilities that were
designed<00:03:56.670> to<00:03:56.910> ossify<00:03:57.600> the<00:03:57.660> ideal
designed to ossify the ideal
designed to ossify the ideal
relationship<00:03:58.770> between<00:03:59.580> artist<00:04:00.180> and<00:04:00.330> audience
relationship between artist and audience
relationship between artist and audience
most<00:04:01.080> appropriate<00:04:01.590> to<00:04:01.710> the<00:04:01.800> 19th<00:04:02.310> century<00:04:02.790> and
most appropriate to the 19th century and
most appropriate to the 19th century and
locked<00:04:03.930> into<00:04:04.140> a<00:04:04.260> business<00:04:04.740> model<00:04:04.920> dependent
locked into a business model dependent
locked into a business model dependent
on<00:04:05.670> high<00:04:05.910> ticket<00:04:06.330> revenues<00:04:06.690> where<00:04:06.900> we<00:04:06.990> charge
on high ticket revenues where we charge
on high ticket revenues where we charge
exorbitant<00:04:07.680> prices<00:04:08.570> many<00:04:09.570> of<00:04:09.720> us<00:04:09.840> shudder<00:04:10.290> in
exorbitant prices many of us shudder in
exorbitant prices many of us shudder in
the<00:04:10.740> wake<00:04:10.890> of<00:04:11.070> the<00:04:11.190> collapse<00:04:11.310> of<00:04:11.760> Tower
the wake of the collapse of Tower
the wake of the collapse of Tower
Records<00:04:12.330> and<00:04:12.780> ask<00:04:13.020> ourselves<00:04:13.290> are<00:04:13.800> we<00:04:13.890> next
Records and ask ourselves are we next
Records and ask ourselves are we next
everyone<00:04:17.040> I<00:04:17.070> talked<00:04:17.370> to<00:04:17.520> in<00:04:17.609> performing<00:04:18.060> arts
everyone I talked to in performing arts
everyone I talked to in performing arts
resonates<00:04:18.810> to<00:04:18.989> the<00:04:19.080> world<00:04:19.260> of<00:04:19.410> aid<00:04:19.590> words<00:04:19.950> of
resonates to the world of aid words of
resonates to the world of aid words of
Adrian<00:04:20.520> rich<00:04:20.700> who<00:04:21.480> in<00:04:21.600> dreams<00:04:21.870> of<00:04:22.020> a<00:04:22.080> common
Adrian rich who in dreams of a common
Adrian rich who in dreams of a common
language<00:04:22.590> wrote<00:04:23.010> we<00:04:23.340> are<00:04:23.520> out<00:04:23.730> in<00:04:23.760> a<00:04:24.180> country
language wrote we are out in a country
language wrote we are out in a country
that<00:04:24.660> has<00:04:24.960> no<00:04:25.290> language<00:04:25.560> no<00:04:26.160> laws<00:04:26.480> whatever<00:04:27.480> we
that has no language no laws whatever we
that has no language no laws whatever we
do<00:04:27.960> together<00:04:28.140> is<00:04:28.530> pure<00:04:28.890> invention<00:04:29.220> the<00:04:29.970> maps
do together is pure invention the maps
do together is pure invention the maps
they<00:04:30.630> gave<00:04:30.900> us<00:04:31.110> are<00:04:31.320> out-of-date<00:04:31.890> by<00:04:32.850> years
they gave us are out-of-date by years
they gave us are out-of-date by years
and<00:04:34.930> for<00:04:35.930> those<00:04:36.050> of<00:04:36.229> you<00:04:36.320> who<00:04:36.470> love<00:04:36.650> the<00:04:36.800> arts
and for those of you who love the arts
and for those of you who love the arts
aren't<00:04:37.669> you<00:04:37.790> glad<00:04:37.940> you<00:04:38.090> invited<00:04:38.389> me<00:04:38.810> here<00:04:38.990> to
aren't you glad you invited me here to
aren't you glad you invited me here to
brighten<00:04:39.470> your<00:04:39.740> day
now<00:04:44.030> rather<00:04:44.570> than<00:04:44.870> saying<00:04:45.110> that<00:04:45.289> we're<00:04:45.410> a<00:04:45.440> bit
now rather than saying that we're a bit
now rather than saying that we're a bit
brink<00:04:45.949> of<00:04:46.070> our<00:04:46.190> own<00:04:46.310> annihilation<00:04:46.550> I<00:04:47.150> prefer
brink of our own annihilation I prefer
brink of our own annihilation I prefer
to<00:04:47.690> believe<00:04:47.780> that<00:04:47.990> we<00:04:48.229> are<00:04:48.259> engaged<00:04:48.740> in<00:04:48.949> a
to believe that we are engaged in a
to believe that we are engaged in a
fundamental<00:04:49.759> Reformation<00:04:50.360> a<00:04:50.830> Reformation
fundamental Reformation a Reformation
fundamental Reformation a Reformation
like<00:04:52.190> the<00:04:52.460> religious<00:04:52.850> Reformation<00:04:53.180> of<00:04:53.479> the
like the religious Reformation of the
like the religious Reformation of the
16th<00:04:54.020> century<00:04:54.229> the<00:04:54.759> arts<00:04:55.759> Reformation<00:04:56.360> like
16th century the arts Reformation like
16th century the arts Reformation like
the<00:04:57.080> religious<00:04:57.770> Reformation<00:04:58.100> is<00:04:58.460> spurred<00:04:58.729> in
the religious Reformation is spurred in
the religious Reformation is spurred in
part<00:04:58.910> by<00:04:59.240> technology<00:04:59.930> with<00:05:00.110> indeed<00:05:00.410> the
part by technology with indeed the
part by technology with indeed the
printing<00:05:01.250> press<00:05:01.460> really<00:05:01.970> leading<00:05:02.360> the<00:05:02.479> charge
printing press really leading the charge
printing press really leading the charge
on<00:05:02.930> the<00:05:03.020> religious<00:05:03.380> and<00:05:03.530> Reformation<00:05:04.070> both
on the religious and Reformation both
on the religious and Reformation both
Reformation<00:05:05.720> czar<00:05:05.900> predicated<00:05:06.440> on<00:05:06.500> fractious
Reformation czar predicated on fractious
Reformation czar predicated on fractious
discussion<00:05:07.729> internal<00:05:08.300> self-doubt<00:05:08.810> and
discussion internal self-doubt and
discussion internal self-doubt and
massive<00:05:10.010> realignment<00:05:10.789> of<00:05:10.850> antiquated
massive realignment of antiquated
massive realignment of antiquated
business<00:05:11.870> models<00:05:12.289> and<00:05:12.520> at<00:05:13.520> heart<00:05:13.789> both
business models and at heart both
business models and at heart both
Reformation<00:05:14.960> I<00:05:15.080> think<00:05:15.289> we're<00:05:15.440> asking<00:05:15.830> the
Reformation I think we're asking the
Reformation I think we're asking the
questions<00:05:16.340> who's<00:05:16.910> entitled<00:05:17.360> to<00:05:17.660> practice<00:05:18.169> how
questions who's entitled to practice how
questions who's entitled to practice how
are<00:05:18.919> they<00:05:19.039> entitled<00:05:19.400> to<00:05:19.699> practice<00:05:20.090> and<00:05:20.270> indeed
are they entitled to practice and indeed
are they entitled to practice and indeed
do<00:05:21.289> we<00:05:21.530> need<00:05:21.830> anyone<00:05:22.550> to<00:05:22.760> inter<00:05:23.090> mediate<00:05:23.419> for
do we need anyone to inter mediate for
do we need anyone to inter mediate for
us<00:05:23.870> in<00:05:24.050> order<00:05:24.560> to<00:05:24.680> have<00:05:24.830> an<00:05:24.949> experience<00:05:25.550> with<00:05:25.729> a
us in order to have an experience with a
us in order to have an experience with a
spiritual<00:05:26.330> divine<00:05:28.539> Chris<00:05:29.539> Anderson<00:05:30.080> someone
spiritual divine Chris Anderson someone
spiritual divine Chris Anderson someone
I<00:05:31.010> trust<00:05:31.400> you<00:05:31.550> all<00:05:31.699> know<00:05:31.880> editor-in-chief<00:05:32.419> of
I trust you all know editor-in-chief of
I trust you all know editor-in-chief of
Wired<00:05:33.020> magazine<00:05:33.320> and<00:05:33.830> author<00:05:33.949> of<00:05:34.130> the<00:05:34.220> long
Wired magazine and author of the long
Wired magazine and author of the long
tale<00:05:34.669> really<00:05:35.030> was<00:05:35.180> the<00:05:35.330> first<00:05:35.599> for<00:05:35.870> me<00:05:36.020> to<00:05:36.259> nail
tale really was the first for me to nail
tale really was the first for me to nail
a<00:05:36.470> lot<00:05:36.800> of<00:05:36.949> this<00:05:37.270> he<00:05:38.270> wrote<00:05:38.419> a<00:05:38.479> long<00:05:38.810> time<00:05:39.139> ago
a lot of this he wrote a long time ago
a lot of this he wrote a long time ago
you<00:05:39.410> know<00:05:39.530> thanks<00:05:39.949> to<00:05:39.979> the<00:05:40.130> invention<00:05:40.430> of<00:05:40.639> the
you know thanks to the invention of the
you know thanks to the invention of the
internet<00:05:41.240> web<00:05:41.599> cell<00:05:41.960> a<00:05:42.260> web<00:05:42.889> technology
internet web cell a web technology
internet web cell a web technology
minicams<00:05:44.479> and<00:05:44.720> more<00:05:44.870> the<00:05:45.500> means<00:05:45.860> of<00:05:46.160> artistic
minicams and more the means of artistic
minicams and more the means of artistic
production<00:05:47.120> have<00:05:47.660> been<00:05:47.690> democratized<00:05:48.229> for
production have been democratized for
production have been democratized for
the<00:05:49.099> first<00:05:49.430> time<00:05:49.760> in<00:05:50.030> all<00:05:50.510> of<00:05:50.539> human<00:05:50.930> history
the first time in all of human history
the first time in all of human history
in<00:05:51.789> the<00:05:52.789> 1930s<00:05:53.510> if<00:05:53.630> any<00:05:53.840> of<00:05:53.930> you<00:05:54.050> wanted<00:05:54.289> to
in the 1930s if any of you wanted to
in the 1930s if any of you wanted to
make<00:05:54.500> a<00:05:54.530> movie<00:05:54.860> you<00:05:54.979> had<00:05:55.159> to<00:05:55.310> work<00:05:55.460> for<00:05:55.639> Warner
make a movie you had to work for Warner
make a movie you had to work for Warner
Brothers<00:05:56.270> or<00:05:56.389> RKO<00:05:56.870> because<00:05:57.650> who<00:05:58.010> could<00:05:58.190> afford
Brothers or RKO because who could afford
Brothers or RKO because who could afford
a<00:05:58.699> movie<00:05:59.120> set<00:05:59.389> and<00:05:59.419> lighting<00:05:59.990> equipment<00:06:00.080> and
a movie set and lighting equipment and
a movie set and lighting equipment and
editing<00:06:00.740> equipment<00:06:01.099> and<00:06:01.580> scoring<00:06:01.940> and<00:06:02.060> more
editing equipment and scoring and more
editing equipment and scoring and more
and<00:06:02.510> now<00:06:02.889> who<00:06:03.889> in<00:06:04.039> this<00:06:04.159> room<00:06:04.280> doesn't<00:06:04.970> know<00:06:05.360> a
and now who in this room doesn't know a
and now who in this room doesn't know a
14-year<00:06:06.229> old<00:06:06.409> hard<00:06:06.770> at<00:06:06.889> work<00:06:07.010> on<00:06:07.220> her<00:06:07.280> second
14-year old hard at work on her second
14-year old hard at work on her second
third<00:06:07.909> or<00:06:08.030> fourth<00:06:08.090> movie<00:06:10.539> similarly<00:06:11.539> the
third or fourth movie similarly the
third or fourth movie similarly the
means<00:06:12.229> of<00:06:12.380> artistic<00:06:12.970> distribution<00:06:13.970> have<00:06:14.180> been
means of artistic distribution have been
means of artistic distribution have been
democratized<00:06:14.630> for<00:06:15.229> the<00:06:15.320> first<00:06:15.530> time<00:06:15.740> in<00:06:15.860> human
democratized for the first time in human
democratized for the first time in human
history<00:06:16.159> again<00:06:17.090> in<00:06:17.120> the<00:06:17.360> 30s<00:06:17.720> Warner<00:06:18.199> Brothers
history again in the 30s Warner Brothers
history again in the 30s Warner Brothers
RKO<00:06:18.830> did<00:06:19.039> that<00:06:19.190> for<00:06:19.370> you<00:06:19.550> now<00:06:19.789> go<00:06:20.449> to<00:06:20.510> youtube
RKO did that for you now go to youtube
RKO did that for you now go to youtube
facebook<00:06:21.320> you<00:06:21.979> have<00:06:22.190> worldwide<00:06:22.760> distribution
facebook you have worldwide distribution
facebook you have worldwide distribution
without<00:06:23.840> leaving<00:06:24.289> the<00:06:24.470> privacy<00:06:24.949> of<00:06:24.979> your<00:06:25.070> own
without leaving the privacy of your own
without leaving the privacy of your own
bedroom<00:06:26.620> this<00:06:27.620> double<00:06:28.370> impact<00:06:28.820> is
bedroom this double impact is
bedroom this double impact is
occasioning<00:06:29.720> a<00:06:29.870> massive<00:06:30.650> redefinition<00:06:31.430> of
occasioning a massive redefinition of
occasioning a massive redefinition of
the<00:06:31.580> cultural<00:06:31.970> market<00:06:32.419> a<00:06:32.570> time<00:06:33.139> when<00:06:33.380> anyone
the cultural market a time when anyone
the cultural market a time when anyone
is<00:06:34.340> a<00:06:34.400> potential<00:06:34.940> author<00:06:36.130> frankly<00:06:37.130> what<00:06:37.280> we're
is a potential author frankly what we're
is a potential author frankly what we're
seeing<00:06:37.639> now<00:06:37.729> in<00:06:38.000> this<00:06:38.120> environment<00:06:38.750> is<00:06:38.870> a
seeing now in this environment is a
seeing now in this environment is a
massive<00:06:39.590> time<00:06:39.830> when<00:06:40.370> the<00:06:40.580> entire<00:06:40.970> world<00:06:41.030> is
massive time when the entire world is
massive time when the entire world is
changing<00:06:41.990> as<00:06:42.139> we<00:06:42.349> move<00:06:42.620> from<00:06:42.860> a<00:06:42.979> time<00:06:43.190> when
changing as we move from a time when
changing as we move from a time when
audience<00:06:43.849> numbers<00:06:44.150> are<00:06:44.300> plummeting<00:06:44.539> but<00:06:45.469> the
audience numbers are plummeting but the
audience numbers are plummeting but the
number<00:06:45.889> of<00:06:45.919> arts
number of arts
number of arts
participants<00:06:47.279> people<00:06:48.089> who<00:06:48.209> write<00:06:48.509> poetry<00:06:48.959> who
participants people who write poetry who
participants people who write poetry who
sing<00:06:49.559> songs<00:06:49.859> who<00:06:50.159> perform<00:06:50.789> in<00:06:50.909> church<00:06:51.089> choirs
sing songs who perform in church choirs
sing songs who perform in church choirs
is<00:06:51.689> exploding<00:06:52.649> beyond<00:06:53.159> our<00:06:53.339> wildest
is exploding beyond our wildest
is exploding beyond our wildest
imaginations<00:06:54.919> this<00:06:55.919> group<00:06:56.219> others<00:06:56.729> have
imaginations this group others have
imaginations this group others have
called<00:06:56.969> the<00:06:57.149> pro<00:06:57.419> Am's
called the pro Am's
called the pro Am's
amateur<00:06:58.799> artists<00:06:59.249> doing<00:06:59.519> work<00:06:59.669> at<00:06:59.819> a
amateur artists doing work at a
amateur artists doing work at a
professional<00:07:00.329> level<00:07:00.629> you<00:07:01.289> see<00:07:01.499> them<00:07:01.589> on
professional level you see them on
professional level you see them on
YouTube<00:07:02.219> and<00:07:02.429> dance<00:07:02.639> competitions<00:07:03.269> film
YouTube and dance competitions film
YouTube and dance competitions film
festivals<00:07:04.109> and<00:07:04.169> more<00:07:04.379> they<00:07:05.219> are<00:07:05.459> radically
festivals and more they are radically
festivals and more they are radically
expanding<00:07:07.079> our<00:07:07.229> notions<00:07:07.649> of<00:07:07.739> the<00:07:07.859> potential
expanding our notions of the potential
expanding our notions of the potential
of<00:07:08.519> an<00:07:08.609> aesthetic<00:07:08.939> vocabulary<00:07:09.809> while<00:07:10.379> they
of an aesthetic vocabulary while they
of an aesthetic vocabulary while they
are<00:07:10.739> challenging<00:07:11.399> and<00:07:11.549> undermining<00:07:11.879> the
are challenging and undermining the
are challenging and undermining the
cultural<00:07:12.899> autonomy<00:07:13.469> of<00:07:13.559> our<00:07:13.619> traditional
cultural autonomy of our traditional
cultural autonomy of our traditional
institutions<00:07:15.349> ultimately<00:07:16.349> we<00:07:16.649> now<00:07:16.829> live<00:07:17.099> in<00:07:17.159> a
institutions ultimately we now live in a
institutions ultimately we now live in a
world<00:07:17.309> defined<00:07:17.909> not<00:07:18.059> by<00:07:18.569> consumption<00:07:19.379> but<00:07:19.859> by
world defined not by consumption but by
world defined not by consumption but by
participation<00:07:21.769> but<00:07:22.769> I<00:07:22.859> want<00:07:23.009> to<00:07:23.069> be<00:07:23.129> clear
participation but I want to be clear
participation but I want to be clear
just<00:07:23.839> as<00:07:24.839> the<00:07:24.989> religious<00:07:25.439> Reformation<00:07:25.589> did
just as the religious Reformation did
just as the religious Reformation did
not<00:07:26.279> spell<00:07:26.639> the<00:07:26.819> end<00:07:26.999> to<00:07:27.179> the<00:07:27.269> formal<00:07:27.659> church
not spell the end to the formal church
not spell the end to the formal church
or<00:07:28.049> to<00:07:28.109> the<00:07:28.199> priesthood<00:07:28.439> I<00:07:28.919> believe<00:07:29.579> that<00:07:29.759> our
or to the priesthood I believe that our
or to the priesthood I believe that our
artistic<00:07:30.239> institutions<00:07:30.779> will<00:07:31.229> continue<00:07:31.739> to
artistic institutions will continue to
artistic institutions will continue to
have<00:07:31.949> importance<00:07:32.659> they<00:07:33.659> currently<00:07:34.019> are<00:07:34.379> the
have importance they currently are the
have importance they currently are the
best<00:07:34.829> opportunities<00:07:35.639> for<00:07:35.849> artists<00:07:36.269> to<00:07:36.329> have
best opportunities for artists to have
best opportunities for artists to have
lives<00:07:36.749> of<00:07:36.959> economic<00:07:37.589> dignity<00:07:38.039> not<00:07:38.189> opulence
lives of economic dignity not opulence
lives of economic dignity not opulence
of<00:07:38.819> dignity<00:07:39.659> and<00:07:39.869> they<00:07:40.529> are<00:07:40.619> the<00:07:40.739> places<00:07:40.979> where
of dignity and they are the places where
of dignity and they are the places where
artists<00:07:41.729> who<00:07:41.849> deserve<00:07:42.209> and<00:07:42.419> want<00:07:42.659> to<00:07:42.899> work<00:07:43.139> at
artists who deserve and want to work at
artists who deserve and want to work at
a<00:07:43.409> certain<00:07:43.589> scale<00:07:43.949> of<00:07:44.099> resources<00:07:44.699> will<00:07:44.819> find<00:07:45.059> a
a certain scale of resources will find a
a certain scale of resources will find a
home<00:07:46.129> but<00:07:47.129> to<00:07:47.339> view<00:07:47.639> them<00:07:47.939> as<00:07:48.149> synonymous<00:07:48.569> with
home but to view them as synonymous with
home but to view them as synonymous with
the<00:07:49.109> entirety<00:07:49.589> of<00:07:49.979> the<00:07:50.099> arts<00:07:50.429> community<00:07:50.639> as<00:07:51.239> by
the entirety of the arts community as by
the entirety of the arts community as by
far<00:07:51.719> too<00:07:52.019> short-sighted<00:07:52.349> and<00:07:53.269> indeed<00:07:54.269> while
far too short-sighted and indeed while
far too short-sighted and indeed while
we've<00:07:54.569> tended<00:07:54.839> to<00:07:54.959> polarize<00:07:55.499> the<00:07:55.739> amateur
we've tended to polarize the amateur
we've tended to polarize the amateur
from<00:07:56.459> the<00:07:56.579> professional<00:07:57.239> the<00:07:57.389> single<00:07:58.259> most
from the professional the single most
from the professional the single most
exciting<00:07:59.129> development<00:07:59.789> in<00:07:59.879> the<00:07:59.939> last<00:08:00.089> five<00:08:00.689> to
exciting development in the last five to
exciting development in the last five to
ten<00:08:01.079> years<00:08:01.379> has<00:08:01.949> been<00:08:02.129> the<00:08:02.279> rise<00:08:02.519> of<00:08:02.849> the
ten years has been the rise of the
ten years has been the rise of the
professional<00:08:03.959> hybrid<00:08:04.709> artist<00:08:05.219> the
professional hybrid artist the
professional hybrid artist the
professional<00:08:06.509> artist<00:08:06.839> who<00:08:06.959> works<00:08:07.169> not
professional artist who works not
professional artist who works not
primarily<00:08:08.039> in<00:08:08.159> the<00:08:08.279> concert<00:08:08.789> hall<00:08:08.819> or<00:08:09.239> on<00:08:09.360> the
primarily in the concert hall or on the
primarily in the concert hall or on the
stage<00:08:09.719> but<00:08:10.199> most<00:08:10.409> frequently<00:08:10.589> around<00:08:11.159> women's
stage but most frequently around women's
stage but most frequently around women's
rights<00:08:11.969> or<00:08:12.179> human<00:08:12.269> rights<00:08:13.079> around<00:08:13.439> global
rights or human rights around global
rights or human rights around global
warming<00:08:14.489> issues<00:08:14.789> or<00:08:14.969> AIDS<00:08:15.179> relief<00:08:15.539> or<00:08:15.779> more
warming issues or AIDS relief or more
warming issues or AIDS relief or more
not<00:08:16.619> out<00:08:16.919> of<00:08:17.039> economic<00:08:17.219> necessity<00:08:17.639> but<00:08:18.569> out<00:08:18.689> of
not out of economic necessity but out of
not out of economic necessity but out of
a<00:08:18.899> deep<00:08:19.229> organic<00:08:20.099> conviction<00:08:20.789> that<00:08:21.179> the<00:08:21.359> work
a deep organic conviction that the work
a deep organic conviction that the work
that<00:08:21.989> she<00:08:22.199> or<00:08:22.349> he<00:08:22.469> is<00:08:22.499> called<00:08:22.889> to<00:08:23.039> do<00:08:23.219> cannot<00:08:24.119> be
that she or he is called to do cannot be
that she or he is called to do cannot be
accomplished<00:08:25.049> in<00:08:25.199> the<00:08:25.289> traditional<00:08:25.769> hermetic
accomplished in the traditional hermetic
accomplished in the traditional hermetic
arts<00:08:26.399> environment<00:08:27.469> today's<00:08:28.469> dance<00:08:28.769> world<00:08:29.069> is
arts environment today's dance world is
arts environment today's dance world is
not<00:08:29.459> defined<00:08:29.939> solely<00:08:30.329> by<00:08:30.749> the<00:08:30.809> Royal<00:08:31.199> Winnipeg
not defined solely by the Royal Winnipeg
not defined solely by the Royal Winnipeg
Ballet<00:08:31.679> or<00:08:32.129> the<00:08:32.250> National<00:08:32.669> Ballet<00:08:32.819> of<00:08:32.969> Canada
Ballet or the National Ballet of Canada
Ballet or the National Ballet of Canada
but<00:08:33.929> by<00:08:34.110> Liz<00:08:34.409> Lerman's<00:08:34.919> dance<00:08:35.189> exchange<00:08:35.759> a
but by Liz Lerman's dance exchange a
but by Liz Lerman's dance exchange a
multi-generational<00:08:37.309> professional<00:08:38.309> dance
multi-generational professional dance
multi-generational professional dance
company<00:08:39.059> whose<00:08:39.569> dancers<00:08:40.079> range<00:08:40.349> in<00:08:40.529> age<00:08:40.679> from
company whose dancers range in age from
company whose dancers range in age from
18<00:08:41.579> to<00:08:41.610> 82<00:08:42.360> and<00:08:42.689> who<00:08:43.349> work<00:08:43.620> with<00:08:43.800> genomic
18 to 82 and who work with genomic
18 to 82 and who work with genomic
scientists<00:08:44.910> to<00:08:44.970> embody<00:08:45.300> the<00:08:45.540> DNA<00:08:45.899> strand<00:08:46.319> and
scientists to embody the DNA strand and
scientists to embody the DNA strand and
with<00:08:46.889> nuclear<00:08:47.309> physicists<00:08:47.939> at<00:08:48.059> CERN<00:08:48.889> today's
with nuclear physicists at CERN today's
with nuclear physicists at CERN today's
professional<00:08:50.309> theater<00:08:51.149> community<00:08:51.329> is
professional theater community is
professional theater community is
defined<00:08:52.050> not<00:08:52.259> only<00:08:52.290> by<00:08:52.649> the<00:08:52.800> Shah<00:08:53.249> and
defined not only by the Shah and
defined not only by the Shah and
Stratford<00:08:54.029> festivals<00:08:54.569> but<00:08:55.139> by<00:08:55.259> the
Stratford festivals but by the
Stratford festivals but by the
cornerstone<00:08:56.009> Theatre<00:08:56.339> of<00:08:56.429> Los<00:08:56.610> Angeles<00:08:57.179> a
cornerstone Theatre of Los Angeles a
cornerstone Theatre of Los Angeles a
collective<00:08:58.230> of<00:08:58.319> artists<00:08:58.709> that<00:08:58.889> after<00:08:59.309> nine
collective of artists that after nine
collective of artists that after nine
Levin<00:08:59.970> brought<00:09:00.720> together<00:09:00.930> ten<00:09:01.590> different
Levin brought together ten different
Levin brought together ten different
religious<00:09:02.880> communities<00:09:03.050> the<00:09:04.050> Baha'i<00:09:04.380> the
religious communities the Baha'i the
religious communities the Baha'i the
Catholic<00:09:05.550> the<00:09:05.910> Muslim<00:09:06.420> the<00:09:06.780> Jewish<00:09:07.170> even<00:09:07.830> the
Catholic the Muslim the Jewish even the
Catholic the Muslim the Jewish even the
Native<00:09:08.430> American<00:09:08.910> and<00:09:09.090> the<00:09:09.180> gay<00:09:09.330> and<00:09:09.480> lesbian
Native American and the gay and lesbian
Native American and the gay and lesbian
communities<00:09:10.410> of<00:09:10.590> faith<00:09:10.730> helping<00:09:11.730> them<00:09:11.880> create
communities of faith helping them create
communities of faith helping them create
their<00:09:12.450> own<00:09:12.750> individual<00:09:13.590> plays<00:09:13.890> and<00:09:14.220> one
their own individual plays and one
their own individual plays and one
massive<00:09:15.360> play<00:09:15.990> where<00:09:16.560> they<00:09:16.680> explored<00:09:17.400> the
massive play where they explored the
massive play where they explored the
differences<00:09:18.210> in<00:09:18.330> their<00:09:18.480> faith<00:09:18.690> and<00:09:18.900> found
differences in their faith and found
differences in their faith and found
commonality<00:09:20.100> as<00:09:20.250> an<00:09:20.700> important<00:09:21.390> first<00:09:21.570> step
commonality as an important first step
commonality as an important first step
toward<00:09:22.170> cross<00:09:22.500> community<00:09:23.130> healing<00:09:24.530> today's
toward cross community healing today's
toward cross community healing today's
performers<00:09:26.310> like<00:09:26.460> we're<00:09:26.610> deaf<00:09:26.760> salons<00:09:27.120> work
performers like we're deaf salons work
performers like we're deaf salons work
in<00:09:27.510> women's<00:09:27.720> prisons<00:09:28.130> helping<00:09:29.130> women
in women's prisons helping women
in women's prisons helping women
prisoners<00:09:29.670> articulate<00:09:30.600> the<00:09:30.750> pain<00:09:30.990> of
prisoners articulate the pain of
prisoners articulate the pain of
incarceration<00:09:31.860> while<00:09:32.430> today's<00:09:32.730> playwrights
incarceration while today's playwrights
incarceration while today's playwrights
and<00:09:33.510> directors<00:09:33.600> work<00:09:34.110> with<00:09:34.290> youth<00:09:34.560> gangs<00:09:34.860> do
and directors work with youth gangs do
and directors work with youth gangs do
you<00:09:35.400> find<00:09:35.640> alternate<00:09:36.330> channels<00:09:36.750> to<00:09:36.870> violence
you find alternate channels to violence
you find alternate channels to violence
and<00:09:37.410> more<00:09:37.770> and<00:09:38.040> more<00:09:38.280> and<00:09:38.520> more<00:09:38.580> and<00:09:40.220> indeed<00:09:41.220> I
and more and more and more and indeed I
and more and more and more and indeed I
think<00:09:42.060> rather<00:09:42.270> than<00:09:42.510> being<00:09:42.660> annihilated<00:09:42.930> the
think rather than being annihilated the
think rather than being annihilated the
Performing<00:09:43.830> Arts<00:09:43.980> are<00:09:44.220> poised<00:09:44.670> on<00:09:44.970> the<00:09:45.030> brink
Performing Arts are poised on the brink
Performing Arts are poised on the brink
of<00:09:45.390> a<00:09:45.510> time<00:09:45.720> where<00:09:45.900> we<00:09:46.050> will<00:09:46.170> be<00:09:46.350> more
of a time where we will be more
of a time where we will be more
important<00:09:47.370> than<00:09:47.460> we<00:09:47.580> have<00:09:47.730> ever<00:09:47.820> been
important than we have ever been
important than we have ever been
you<00:09:49.950> know<00:09:50.040> we've<00:09:50.220> said<00:09:50.400> for<00:09:50.520> a<00:09:50.580> long<00:09:50.760> time<00:09:50.970> we
you know we've said for a long time we
you know we've said for a long time we
are<00:09:51.210> critical<00:09:51.870> to<00:09:52.200> the<00:09:52.290> health<00:09:52.530> of<00:09:52.680> the
are critical to the health of the
are critical to the health of the
economic<00:09:53.370> communities<00:09:53.820> in<00:09:54.000> your<00:09:54.150> town<00:09:54.360> and
economic communities in your town and
economic communities in your town and
absolutely<00:09:55.380> I<00:09:55.560> hope<00:09:56.040> you<00:09:56.220> know<00:09:56.340> that<00:09:56.370> every
absolutely I hope you know that every
absolutely I hope you know that every
dollar<00:09:57.030> spent<00:09:57.450> on<00:09:57.510> a<00:09:57.570> performing<00:09:58.080> arts<00:09:58.290> ticket
dollar spent on a performing arts ticket
dollar spent on a performing arts ticket
in<00:09:58.680> a<00:09:58.770> community<00:09:59.250> generates<00:10:00.060> five<00:10:00.330> to<00:10:00.600> seven
in a community generates five to seven
in a community generates five to seven
additional<00:10:01.500> dollars<00:10:01.890> for<00:10:02.070> the<00:10:02.130> local<00:10:02.250> economy
additional dollars for the local economy
additional dollars for the local economy
dollars<00:10:03.660> spent<00:10:03.870> in<00:10:03.930> restaurants<00:10:04.500> from
dollars spent in restaurants from
dollars spent in restaurants from
parking<00:10:05.100> at<00:10:05.190> the<00:10:05.220> fabric<00:10:05.730> stores<00:10:06.000> where<00:10:06.180> we
parking at the fabric stores where we
parking at the fabric stores where we
buy<00:10:06.390> fabric<00:10:06.810> for<00:10:06.990> costumes<00:10:07.470> the<00:10:07.860> piano<00:10:08.220> tuner
buy fabric for costumes the piano tuner
buy fabric for costumes the piano tuner
who<00:10:08.700> chooses<00:10:09.000> the<00:10:09.060> instruments<00:10:09.600> and<00:10:09.690> more<00:10:10.310> but
who chooses the instruments and more but
who chooses the instruments and more but
the<00:10:11.400> arts<00:10:11.640> are<00:10:11.670> going<00:10:11.820> to<00:10:11.880> be<00:10:11.970> more<00:10:12.240> important
the arts are going to be more important
the arts are going to be more important
to<00:10:12.720> economies<00:10:13.200> as<00:10:13.320> we<00:10:13.440> go<00:10:13.590> forward<00:10:13.920> especially
to economies as we go forward especially
to economies as we go forward especially
in<00:10:15.180> industries<00:10:15.660> we<00:10:15.930> can't<00:10:16.230> even<00:10:16.410> imagine<00:10:16.560> yet
in industries we can't even imagine yet
in industries we can't even imagine yet
just<00:10:17.790> as<00:10:18.000> they<00:10:18.090> have<00:10:18.240> been<00:10:18.390> central<00:10:18.900> to<00:10:19.020> the
just as they have been central to the
just as they have been central to the
iPod<00:10:19.680> and<00:10:20.010> the<00:10:20.040> computer<00:10:20.550> game<00:10:20.730> industries
iPod and the computer game industries
iPod and the computer game industries
which<00:10:21.690> few<00:10:22.050> if<00:10:22.290> any<00:10:22.620> of<00:10:22.800> us<00:10:23.010> could<00:10:23.340> have
which few if any of us could have
which few if any of us could have
foreseen<00:10:23.820> 10<00:10:24.120> to<00:10:24.240> 15<00:10:24.600> years<00:10:24.630> ago
foreseen 10 to 15 years ago
foreseen 10 to 15 years ago
business<00:10:26.610> leadership<00:10:26.910> will<00:10:27.330> depend<00:10:27.660> more<00:10:27.900> and
business leadership will depend more and
business leadership will depend more and
more<00:10:28.200> on<00:10:28.380> emotional<00:10:29.130> intelligence<00:10:29.720> the
more on emotional intelligence the
more on emotional intelligence the
ability<00:10:31.080> to<00:10:31.110> listen<00:10:31.380> deeply<00:10:31.800> to<00:10:31.950> have<00:10:32.850> empathy
ability to listen deeply to have empathy
ability to listen deeply to have empathy
to<00:10:34.200> articulate<00:10:34.860> change<00:10:35.280> to<00:10:35.610> motivate<00:10:36.030> others
to articulate change to motivate others
to articulate change to motivate others
the<00:10:36.900> very<00:10:37.350> capacities<00:10:38.340> that<00:10:38.490> the<00:10:38.640> arts
the very capacities that the arts
the very capacities that the arts
cultivate<00:10:39.420> with<00:10:39.570> every<00:10:39.840> encounter
cultivate with every encounter
cultivate with every encounter
especially<00:10:42.110> now<00:10:43.110> as<00:10:43.440> we<00:10:44.250> all<00:10:44.490> must<00:10:44.820> confront
especially now as we all must confront
especially now as we all must confront
the<00:10:45.420> fallacy<00:10:46.140> of<00:10:46.290> a<00:10:46.620> market<00:10:47.160> only<00:10:47.400> orientation
the fallacy of a market only orientation
the fallacy of a market only orientation
uninformed<00:10:49.140> by<00:10:49.320> social<00:10:49.740> conscience<00:10:50.190> we<00:10:51.000> must
uninformed by social conscience we must
uninformed by social conscience we must
seize<00:10:51.660> and<00:10:51.960> celebrate<00:10:52.620> the<00:10:52.740> power<00:10:52.920> of<00:10:53.160> the
seize and celebrate the power of the
seize and celebrate the power of the
Arts<00:10:53.520> to<00:10:53.640> shape<00:10:53.850> our<00:10:54.000> individual<00:10:54.690> and
Arts to shape our individual and
Arts to shape our individual and
national<00:10:55.260> characters<00:10:56.040> and<00:10:56.220> especially
national characters and especially
national characters and especially
characters<00:10:57.900> of<00:10:58.020> the<00:10:58.140> young<00:10:58.320> people<00:10:58.740> who<00:10:59.490> all
characters of the young people who all
characters of the young people who all
too<00:10:59.970> often<00:11:00.270> are<00:11:00.360> subjected<00:11:00.900> to<00:11:00.930> bombardment
too often are subjected to bombardment
too often are subjected to bombardment
of<00:11:01.740> sensation<00:11:02.310> rather<00:11:02.550> than<00:11:02.790> digested
of sensation rather than digested
of sensation rather than digested
experience<00:11:05.240> ultimately<00:11:06.240> especially<00:11:06.930> now<00:11:07.110> in
experience ultimately especially now in
experience ultimately especially now in
this<00:11:07.680> world<00:11:08.040> where<00:11:08.820> we<00:11:08.850> live<00:11:09.270> in<00:11:09.450> a<00:11:09.540> context<00:11:10.110> of
this world where we live in a context of
this world where we live in a context of
regressive<00:11:11.010> and<00:11:11.190> onerous<00:11:11.850> immigration<00:11:12.510> laws
regressive and onerous immigration laws
regressive and onerous immigration laws
in
in
in
reality-tv<00:11:14.190> that<00:11:14.580> thrives<00:11:14.970> on<00:11:15.240> humiliation
reality-tv that thrives on humiliation
reality-tv that thrives on humiliation
and<00:11:16.200> in<00:11:16.980> its<00:11:17.160> context<00:11:17.880> of<00:11:17.970> announcements
and in its context of announcements
and in its context of announcements
where<00:11:18.600> the<00:11:18.690> thing<00:11:18.930> we<00:11:19.140> hear<00:11:19.380> most<00:11:19.710> repeatedly
where the thing we hear most repeatedly
where the thing we hear most repeatedly
day-in<00:11:20.940> day-out<00:11:21.120> in<00:11:22.020> the<00:11:22.140> United<00:11:22.530> States<00:11:22.800> in
day-in day-out in the United States in
day-in day-out in the United States in
every<00:11:23.700> train<00:11:24.030> station<00:11:24.060> every<00:11:24.660> bus<00:11:24.870> station
every train station every bus station
every train station every bus station
every<00:11:25.440> plane<00:11:25.680> station<00:11:26.040> is<00:11:26.190> ladies<00:11:26.610> and
every plane station is ladies and
every plane station is ladies and
gentlemen<00:11:26.880> please<00:11:27.810> report<00:11:28.260> any<00:11:28.500> suspicious
gentlemen please report any suspicious
gentlemen please report any suspicious
behavior<00:11:29.460> or<00:11:30.120> suspicious<00:11:30.780> individuals<00:11:31.530> to
behavior or suspicious individuals to
behavior or suspicious individuals to
the<00:11:31.800> authorities<00:11:32.280> nearest<00:11:32.640> you<00:11:32.820> when<00:11:33.690> all<00:11:33.900> of
the authorities nearest you when all of
the authorities nearest you when all of
these<00:11:34.140> ways<00:11:34.380> we<00:11:34.410> are<00:11:34.770> encouraged<00:11:35.340> to<00:11:35.490> view<00:11:35.640> our
these ways we are encouraged to view our
these ways we are encouraged to view our
fellow<00:11:36.090> human<00:11:36.480> being<00:11:36.660> with<00:11:36.780> hostility<00:11:37.320> and
fellow human being with hostility and
fellow human being with hostility and
fear<00:11:38.490> and<00:11:38.670> contempt<00:11:39.240> and<00:11:39.450> suspicion<00:11:40.430> the<00:11:41.430> arts
fear and contempt and suspicion the arts
fear and contempt and suspicion the arts
whatever<00:11:42.060> they<00:11:42.210> do<00:11:42.270> whenever<00:11:42.780> they<00:11:42.960> call<00:11:43.140> us
whatever they do whenever they call us
whatever they do whenever they call us
together<00:11:43.440> invite<00:11:44.280> us<00:11:44.550> to<00:11:45.240> look<00:11:45.390> at<00:11:45.480> our<00:11:45.570> fellow
together invite us to look at our fellow
together invite us to look at our fellow
human<00:11:46.200> being<00:11:46.380> with<00:11:46.530> generosity<00:11:47.280> and
human being with generosity and
human being with generosity and
curiosity<00:11:49.820> god<00:11:50.820> knows<00:11:50.970> if<00:11:51.150> we<00:11:51.300> have<00:11:51.480> ever
curiosity god knows if we have ever
curiosity god knows if we have ever
needed<00:11:53.040> that<00:11:53.160> capacity<00:11:53.790> in<00:11:53.880> human<00:11:54.180> history<00:11:54.330> we
needed that capacity in human history we
needed that capacity in human history we
need<00:11:55.770> it<00:11:55.950> now<00:11:59.600> you<00:12:00.600> know<00:12:00.690> we're<00:12:00.900> bound
need it now you know we're bound
need it now you know we're bound
together<00:12:01.770> not<00:12:02.250> I<00:12:03.120> think<00:12:03.660> by<00:12:03.810> Technology
together not I think by Technology
together not I think by Technology
Entertainment<00:12:04.950> Design<00:12:05.430> but<00:12:05.910> by<00:12:06.000> common<00:12:06.360> cause
Entertainment Design but by common cause
Entertainment Design but by common cause
we<00:12:08.070> work<00:12:08.340> to<00:12:08.490> promote<00:12:08.730> healthy<00:12:09.240> vibrant
we work to promote healthy vibrant
we work to promote healthy vibrant
societies<00:12:10.370> to<00:12:11.370> ameliorate<00:12:11.820> human<00:12:12.270> suffering
societies to ameliorate human suffering
societies to ameliorate human suffering
to<00:12:13.800> promote<00:12:14.160> a<00:12:14.310> more<00:12:14.700> thoughtful<00:12:15.320> subjective
to promote a more thoughtful subjective
to promote a more thoughtful subjective
empathic<00:12:17.370> World<00:12:17.640> Order<00:12:18.030> I<00:12:19.670> salute<00:12:20.670> all<00:12:20.820> of<00:12:20.940> you
empathic World Order I salute all of you
empathic World Order I salute all of you
as<00:12:21.450> activists<00:12:22.110> in<00:12:22.200> that<00:12:22.350> quest<00:12:22.650> and<00:12:22.980> urge<00:12:23.339> you
as activists in that quest and urge you
as activists in that quest and urge you
to<00:12:23.700> embrace<00:12:24.000> and<00:12:24.390> hold<00:12:24.600> dear<00:12:24.870> the<00:12:25.020> arts<00:12:25.290> in
to embrace and hold dear the arts in
to embrace and hold dear the arts in
your<00:12:25.530> work<00:12:25.770> whatever<00:12:26.280> your<00:12:26.730> purpose<00:12:26.940> may<00:12:27.180> be<00:12:27.240> I
your work whatever your purpose may be I
your work whatever your purpose may be I
promise<00:12:29.070> you<00:12:29.370> the<00:12:29.490> hand<00:12:29.700> of<00:12:29.760> the<00:12:29.880> Doris<00:12:30.120> Duke
promise you the hand of the Doris Duke
promise you the hand of the Doris Duke
Charitable<00:12:30.480> Foundation<00:12:30.780> is<00:12:31.260> stretched<00:12:31.560> out
Charitable Foundation is stretched out
Charitable Foundation is stretched out
in<00:12:31.890> friendship<00:12:32.310> for<00:12:32.490> now<00:12:32.610> and<00:12:32.850> years<00:12:33.030> to<00:12:33.180> come
in friendship for now and years to come
in friendship for now and years to come
and<00:12:34.020> I<00:12:34.410> thank<00:12:34.650> you<00:12:34.710> for<00:12:34.920> your<00:12:35.010> kindness<00:12:35.370> and
and I thank you for your kindness and
and I thank you for your kindness and
your<00:12:35.550> patience<00:12:36.000> and<00:12:36.089> listening<00:12:36.390> to<00:12:36.450> me<00:12:36.600> this
your patience and listening to me this
your patience and listening to me this
afternoon<00:12:37.200> thank<00:12:37.470> you<00:12:37.620> and<00:12:37.770> Godspeed
performing arts, art, power, of, art, importance, live, internet, Ben, Cameron, TED, TEDx, TEDxYYC, TED, Ed, TEDEducadtion, TED-Ed
